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Methodology for the Kaptur Environmental Assessment Report


Version Control
                        rd
        Version 1.2 - 3 February 2012 - amended to make it suitable for publication on SlideShare
        Version 1.1 - 29th November 2011 - amended following meeting on 28th November
        Version 1.0 - 1st November 2011 - drafted following meeting on 31st October


Kaptur Research Questions

        What is the nature of visual arts research data? (issues/challenges/positives etc)
        How can we support the needs of visual arts researchers through institutional infrastructure?
        (i.e. to inform the implementation plan)


Stage One - informal literature review (ongoing)

Information gathered through day-to-day project work and attendance at events, and meetings;
includes list of references here: http://www.vads.ac.uk/kaptur/links.html and blog posts written here:
https://kaptur.wordpress.com/ Also includes Internet research and in the Library, in particular focusing
on previous and current JISCMRD projects as well as existing concepts of 'visual arts research data'.


Stage Two - initial probing interviews (October)

Initial probing interviews (2 at each institution) with self-selecting visual arts researchers. The informal
chats focused on the questions 'what is research data?' and 'what are the issues?' in order to inform
the choice of interview questions and the project team's own understanding. The short interviews
(approximately 15-20 minutes each) were recorded by the Project Officers in handwritten notes.
Additionally a report by Tahani Nadim, Kaptur Project Officer from Goldsmiths, University of London,
is available here: http://www.slideshare.net/kaptur_mrd/kaptur-interviews-goldsmiths-university-of-
london
                                                                            st
The Kaptur Project Officers presented their findings to each other on 31 October. The Project
Manager made notes (colour coded by institution) on post-it notes. These were then moved around to
select key themes used to inform the formal interview questions for stage 3.

Kaptur found the JISC Incremental Project Scoping Study Report and Implementation Plan
particularly useful in considering the areas that the interviews should cover. Report (including
Incremental questionnaires) available from:
http://www.lib.cam.ac.uk/preservation/incremental/documents/Incremental_Scoping_Report_170910.
pdf

The final version of the Kaptur questions is available for use and re-use here:
http://www.slideshare.net/kaptur_mrd/kaptur-interview-questionsfinal


Stage Three - interviews - (November)

Who? - as we are also trying to uncover 'what is arts research data?' and we have limited time, we
will concentrate only on visual arts researchers rather than other stakeholders however the
participants should include one each from the following four categories:
         artist-researcher (painter/Fine Art - more physical analogue practice)
         artist-researcher (moving image/film/digital media - more digital online practice)
         designer-researcher (ideally product design, interior design, or architecture)
         art or cultural historian
When? - aim to have them completed by the end of November
Where? - visit the participants in their place of work
What? - four one hour recorded interviews at each institution
How? - aiming for consistency across the four institutions by unified procedure:
Methodology for the Kaptur Environmental Assessment Report


         send the participants the project information and consent form by email in advance and the
         list of questions
         digital recorder to use for recording the interviews
         at the interview check the participant is happy to proceed and that they have all the
         information required - ask them to sign the consent form before the digital recorder is
         switched on
         when the interview is completed send the digital audio recording to the agreed transcriber
         the original signed copy of the consent forms will be filed with Kaptur project documentation in
         the University Library at the University for the Creative Arts


Stage Four - transcriptions (December)

The transcriber will send the transcriptions to the Project Officers for checking. Each Project Officer to
prepare their transcripts in the following way:
        check for accuracy i.e. in case the transcriber has not understood something or misspelled
        something
        mark each page of each transcript with the category of participant e.g. 'artist-researcher
        (painter/Fine Art - more physical analogue practice)'
        check the data is anonymised, and if not then anonymise it
        mark each question so it is clear (e.g. bold or heading style) and mark which questions in the
        questionnaire they refer to i.e. 1. a,b,c,d. so we can cross-reference against the others'
        transcriptions especially in case there are gaps or not all questions were asked
        print out a hardcopy and mark up interesting points to note e.g. similarities and differences
        between the four interview participants - this is the one we can then share with each other
        pull out any useful references to other projects or resources or anything that can contribute to
        the literature review section of the report


Stage Five - analysis (January)
                                                                                              th
Two days to analyse the data collaboratively (Goldsmiths, University of London; Monday 9 and
           th
Tuesday 10 January 2012)

Techniques:
       presenting findings to the rest of the group and aiming to reach a consensus by the end of the
       two days, backing up views with quotes from the interview participants
       drawing out themes which will inform the structure of the report
       considering similarities and differences between institutions and types of researchers
       selecting key points and grouping/moving them around

Tools:
         post-it notes, paper
         white boards
         computers and Internet research on site


Stage Six - report preparation (January)

         The Project Officers to each contribute to a Google Docs under the framework agreed during
         the data analysis.
         The Project Manager to shape and edit the report providing further information from the
         literature review to complement the interview data.
         The Project Manager to write the Implementation Plan.
         The Project Director and Project Officers to comment on the draft version of the report.
         The report to be verbally presented to the Project Sponsors at the Steering Group meeting on
           th
         6 February 2012.
         The report to be made public via SlideShare and promoted/linked to via the Kaptur website
         and blog, and via Twitter.

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Kaptur environmental assessment methodology

  • 1. Methodology for the Kaptur Environmental Assessment Report Version Control rd Version 1.2 - 3 February 2012 - amended to make it suitable for publication on SlideShare Version 1.1 - 29th November 2011 - amended following meeting on 28th November Version 1.0 - 1st November 2011 - drafted following meeting on 31st October Kaptur Research Questions What is the nature of visual arts research data? (issues/challenges/positives etc) How can we support the needs of visual arts researchers through institutional infrastructure? (i.e. to inform the implementation plan) Stage One - informal literature review (ongoing) Information gathered through day-to-day project work and attendance at events, and meetings; includes list of references here: http://www.vads.ac.uk/kaptur/links.html and blog posts written here: https://kaptur.wordpress.com/ Also includes Internet research and in the Library, in particular focusing on previous and current JISCMRD projects as well as existing concepts of 'visual arts research data'. Stage Two - initial probing interviews (October) Initial probing interviews (2 at each institution) with self-selecting visual arts researchers. The informal chats focused on the questions 'what is research data?' and 'what are the issues?' in order to inform the choice of interview questions and the project team's own understanding. The short interviews (approximately 15-20 minutes each) were recorded by the Project Officers in handwritten notes. Additionally a report by Tahani Nadim, Kaptur Project Officer from Goldsmiths, University of London, is available here: http://www.slideshare.net/kaptur_mrd/kaptur-interviews-goldsmiths-university-of- london st The Kaptur Project Officers presented their findings to each other on 31 October. The Project Manager made notes (colour coded by institution) on post-it notes. These were then moved around to select key themes used to inform the formal interview questions for stage 3. Kaptur found the JISC Incremental Project Scoping Study Report and Implementation Plan particularly useful in considering the areas that the interviews should cover. Report (including Incremental questionnaires) available from: http://www.lib.cam.ac.uk/preservation/incremental/documents/Incremental_Scoping_Report_170910. pdf The final version of the Kaptur questions is available for use and re-use here: http://www.slideshare.net/kaptur_mrd/kaptur-interview-questionsfinal Stage Three - interviews - (November) Who? - as we are also trying to uncover 'what is arts research data?' and we have limited time, we will concentrate only on visual arts researchers rather than other stakeholders however the participants should include one each from the following four categories: artist-researcher (painter/Fine Art - more physical analogue practice) artist-researcher (moving image/film/digital media - more digital online practice) designer-researcher (ideally product design, interior design, or architecture) art or cultural historian When? - aim to have them completed by the end of November Where? - visit the participants in their place of work What? - four one hour recorded interviews at each institution How? - aiming for consistency across the four institutions by unified procedure:
  • 2. Methodology for the Kaptur Environmental Assessment Report send the participants the project information and consent form by email in advance and the list of questions digital recorder to use for recording the interviews at the interview check the participant is happy to proceed and that they have all the information required - ask them to sign the consent form before the digital recorder is switched on when the interview is completed send the digital audio recording to the agreed transcriber the original signed copy of the consent forms will be filed with Kaptur project documentation in the University Library at the University for the Creative Arts Stage Four - transcriptions (December) The transcriber will send the transcriptions to the Project Officers for checking. Each Project Officer to prepare their transcripts in the following way: check for accuracy i.e. in case the transcriber has not understood something or misspelled something mark each page of each transcript with the category of participant e.g. 'artist-researcher (painter/Fine Art - more physical analogue practice)' check the data is anonymised, and if not then anonymise it mark each question so it is clear (e.g. bold or heading style) and mark which questions in the questionnaire they refer to i.e. 1. a,b,c,d. so we can cross-reference against the others' transcriptions especially in case there are gaps or not all questions were asked print out a hardcopy and mark up interesting points to note e.g. similarities and differences between the four interview participants - this is the one we can then share with each other pull out any useful references to other projects or resources or anything that can contribute to the literature review section of the report Stage Five - analysis (January) th Two days to analyse the data collaboratively (Goldsmiths, University of London; Monday 9 and th Tuesday 10 January 2012) Techniques: presenting findings to the rest of the group and aiming to reach a consensus by the end of the two days, backing up views with quotes from the interview participants drawing out themes which will inform the structure of the report considering similarities and differences between institutions and types of researchers selecting key points and grouping/moving them around Tools: post-it notes, paper white boards computers and Internet research on site Stage Six - report preparation (January) The Project Officers to each contribute to a Google Docs under the framework agreed during the data analysis. The Project Manager to shape and edit the report providing further information from the literature review to complement the interview data. The Project Manager to write the Implementation Plan. The Project Director and Project Officers to comment on the draft version of the report. The report to be verbally presented to the Project Sponsors at the Steering Group meeting on th 6 February 2012. The report to be made public via SlideShare and promoted/linked to via the Kaptur website and blog, and via Twitter.