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Creative Research Translation
for Wider Engagement?
Dr Katy Vigurs, CSPACE, Birmingham City University
@drkatyvigurs
katy.vigurs@bcu.ac.uk
How do we
disseminate our
research? What are
the traditional
methods?
Why do we
disseminate our
research? What are
the drivers?
Research Dissemination: Generating
Benefit & Value (Impact)?
Identify audiences?
Who should be
interested in your
research & why?
What groups can you
identify?
Write the headlines?
What are your key research
findings?
What did you find out?
Need to be clear & concise.
Thinking about your own research…
Creative research dissemination…
National Co-ordinating Centre for Public Engagement (2018) Images of Public Engagement
Workshops to
support social
researchers to turn
their findings into
board games
A research-based board game
Nicola Harding @NicolaAHarding
Other examples of creative
dissemination?
www.srhe.ac.uk/downloads/vigurs-katy-003.pdf
Tale from the field: the story of a research-informed comic
“University is a bit of a safe
haven and then you go out,
and you don’t know what’s
going to happen, whether
you’re going to be broke.”
“I live at home and I’d like to
move out but then I can’t do
that on just a McDonald’s
wage, well I could, but I’d be
stuck in that job forever.”
“The debt just hangs there like
a black cloud.”
Greater Expectations of Graduate Futures?
A comparative analysis of the views of the last generation of lower-fees undergraduates
and the first generation of higher-fees undergraduates at two English universities
What
formal
outputs
from
study?
Would
different
output
increase
interest?
This is what I said in my proposal: “I want to commission a student illustrator to
create four ‘visual vignettes’ (like grown-up comic strips) based upon the findings
from the Graduate Futures project to tell the story of the findings in a more
human, succinct and accessible way, which will aid wider public engagement with
the research.”
I submitted an internal
proposal to carry out an
‘impact strategy’. I budgeted £1500 to employ
one student artist.
Plus £300 for printing.
What was
initial
budget
based on?
Met with Course Leader
for BA Cartoon & Comic
Arts in January 2016.
Met his 30 final year
students and set a live
selection brief to recruit
one artist.
Gave the students two
anonymised interview
transcripts. They were
tasked with turning each
into a one-page comic
strip .
Four student artists
responded to the selection
brief.
Examples of student artists’ initial responses to the selection brief
Four students. Different styles. Alternative visual interpretations.
This developed my ‘graphic imagination’. I revised my plan from four ‘visual
vignettes’ to a full comic book.
I employed all four students artists. Realistic ‘industry’ payments negotiated.
Turning eight interview transcripts and the research report into a 30 page comic book.
Storyboards and script writing.
Researcher and student artists working together.
Negotiating the graphic representations and the order of the pages.
Division of labour.
Ongoing processes of interpretation.
Seeing the research through student artists’ eyes.
Comic strips in progress. Reviewing and editing draft hand-drawn work
I’d allowed four months to make the comic.
It took six months.
Support and flexibility were important.
We were all learning.
www.srhe.ac.uk/downloads/vigurs-katy-003.pdf
www.srhe.ac.uk/downloads/vigurs-katy-003.pdf
www.srhe.ac.uk/downloads/vigurs-katy-003.pdf
www.srhe.ac.uk/downloads/vigurs-katy-003.pdf
Processes of
disseminatio
n
Lucy Wright @research_artist
Lucy Wright @research_artist
Identify
audiences?
What groups will be
interested in your data &
why?
Write the headlines?
What are your key research
findings? Need to be clear &
concise.
Resource &
support needs?
What do you need to realise
alternative creative outputs?
Select methods of
engagement?
What are the ways you can
make your research more
visual & accessible for these
groups?
… possible creative pathways to impact?
Over to you and your research…
Timing?
When will be an
optimum time to
share your
findings?

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Creative Research Outputs for Wider Public Engagement?

  • 1. Creative Research Translation for Wider Engagement? Dr Katy Vigurs, CSPACE, Birmingham City University @drkatyvigurs katy.vigurs@bcu.ac.uk
  • 2. How do we disseminate our research? What are the traditional methods? Why do we disseminate our research? What are the drivers? Research Dissemination: Generating Benefit & Value (Impact)?
  • 3. Identify audiences? Who should be interested in your research & why? What groups can you identify? Write the headlines? What are your key research findings? What did you find out? Need to be clear & concise. Thinking about your own research…
  • 5.
  • 6. National Co-ordinating Centre for Public Engagement (2018) Images of Public Engagement
  • 7.
  • 8.
  • 9.
  • 10. Workshops to support social researchers to turn their findings into board games
  • 11. A research-based board game Nicola Harding @NicolaAHarding
  • 12.
  • 13. Other examples of creative dissemination?
  • 14. www.srhe.ac.uk/downloads/vigurs-katy-003.pdf Tale from the field: the story of a research-informed comic
  • 15.
  • 16.
  • 17. “University is a bit of a safe haven and then you go out, and you don’t know what’s going to happen, whether you’re going to be broke.” “I live at home and I’d like to move out but then I can’t do that on just a McDonald’s wage, well I could, but I’d be stuck in that job forever.” “The debt just hangs there like a black cloud.” Greater Expectations of Graduate Futures? A comparative analysis of the views of the last generation of lower-fees undergraduates and the first generation of higher-fees undergraduates at two English universities What formal outputs from study?
  • 19. This is what I said in my proposal: “I want to commission a student illustrator to create four ‘visual vignettes’ (like grown-up comic strips) based upon the findings from the Graduate Futures project to tell the story of the findings in a more human, succinct and accessible way, which will aid wider public engagement with the research.” I submitted an internal proposal to carry out an ‘impact strategy’. I budgeted £1500 to employ one student artist. Plus £300 for printing. What was initial budget based on?
  • 20. Met with Course Leader for BA Cartoon & Comic Arts in January 2016. Met his 30 final year students and set a live selection brief to recruit one artist. Gave the students two anonymised interview transcripts. They were tasked with turning each into a one-page comic strip . Four student artists responded to the selection brief.
  • 21. Examples of student artists’ initial responses to the selection brief
  • 22. Four students. Different styles. Alternative visual interpretations. This developed my ‘graphic imagination’. I revised my plan from four ‘visual vignettes’ to a full comic book. I employed all four students artists. Realistic ‘industry’ payments negotiated.
  • 23. Turning eight interview transcripts and the research report into a 30 page comic book. Storyboards and script writing. Researcher and student artists working together. Negotiating the graphic representations and the order of the pages. Division of labour. Ongoing processes of interpretation. Seeing the research through student artists’ eyes.
  • 24. Comic strips in progress. Reviewing and editing draft hand-drawn work
  • 25. I’d allowed four months to make the comic. It took six months. Support and flexibility were important. We were all learning.
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  • 44. Identify audiences? What groups will be interested in your data & why? Write the headlines? What are your key research findings? Need to be clear & concise. Resource & support needs? What do you need to realise alternative creative outputs? Select methods of engagement? What are the ways you can make your research more visual & accessible for these groups? … possible creative pathways to impact? Over to you and your research… Timing? When will be an optimum time to share your findings?