SlideShare a Scribd company logo
1 of 61
gamaa GALLERY AND MUSEUM ACHIEVEMENT AWARDS
[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object]
THE GAMAA CATEGORIES: ORGANISATIONS ,[object Object],[object Object],[object Object],[object Object],GAMAA
THE GAMAA CATEGORIES: INDIVIDUALS ,[object Object],[object Object],GAMAA
GAMAA ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
GAMAA ELIGIBILITY 3. Individuals can be paid or volunteer staff working in any of the organisations listed
GAMAA ,[object Object],[object Object],[object Object],[object Object]
GAMAA ORGANISATIONS The nominated activity must have been completed, or have reached an identifiable or significant milestone, within twelve months prior to the nomination closing date.
GAMAA ORGANISATIONS Examples of activities that might be nominated: Exhibitions Public programs Education programs Research Publications Events  Collection management  Community building Marketing initiatives Operational initiatives
GAMAA ORGANISATIONS You can also nominate collaborative projects  between two or more organisations. One organisation would take responsibility for the nomination and act as the contact. All participating organisations would be acknowledged and promoted in GAMAA material. In categories where prizes are awarded, the collaborating organisations would be responsible for deciding any split.
GAMAA ,[object Object],[object Object]
GAMAA INDIVIDUALS The nomination should demonstrate how the individual’s contribution meets the Award criteria. The work of individual nominees may date back many years.
FOR ORGANISATIONS,  THREE SELECTION CRITERIA  MUST BE ADDRESSED ,[object Object],[object Object],[object Object],GAMAA
SELECTION CRITERIA 1: INNOVATION AND LEADERSHIP The nomination should provide  evidence of the organisation’s creativity, originality, vision and leadership. GAMAA
GAMAA ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
GAMAA A Winning Example 2004 Winner in the category of Staff of 1 to 6:  The Gold Coast City Art Gallery produced a two-part exhibition and series of events:  All that Glitters…contemporary visions of the Gold Coast  and  All that Glitters…50 years of Gold Coast kitsch and memories . The project provided an opportunity for reflection and focus on the Gold Coast – one of the most rapidly evolving communities in Australia, and one that is perceived to produce little of cultural value. The exhibition showed the depth of critical and creative thinking and making that has occurred on the Gold Coast in the second half of the 20 th  century. The projects gave younger people and local residents an insight to the character of the place, and encouraged people to come forward with their memories and objects. The GAMAA judges found this project to be particularly innovative both in its curatorial approach and in its efforts to connect with a diverse local community. The exhibitions and associated events were well executed and successfully connected social history and contemporary visual art elements. In doing so they demonstrated the potential of a combined museum and gallery collection for the Gold Coast, providing a valuable model for how other communities might approach contemporary heritage and collecting.
SELECTION CRITERIA 2: OUTCOMES IN THE COMMUNITY The nomination should provide  evidence of how the organisation’s  activity has enriched the community. GAMAA
GAMAA ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
GAMAA A Winning Example 2006 Winner in the category of Staff of 1 to 6:  The  Fully Sick!!! Youth Public Art Project  was developed by the Bundaberg Arts Centre to bring together several requests for mural projects from the community. The Centre engaged young people throughout Bundaberg in the project in a bid to develop better relations with youth audiences and to provide skills development for the youth and artists involved. They developed a number of significant partnerships for the project, ranging from a suburban progress association to organisations that were already actively engaging with youth communities such as juvenile crime prevention programs, Indigenous youth services and local visual arts high school students. The project attracted interest from the general population during the period that the artists and participants were working on site. The GAMAA judges recognised the Centre's achievement in working with youth beyond the walls of the gallery; for identifying a strategy that will develop future audiences; and for using community networks to find the right people for the project.
SELECTION CRITERIA 3: BEST PRACTICE The nomination should provide  evidence of how the organisation’s  activity has established new standards  of practice or significantly raised  existing standards. GAMAA
GAMAA ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
GAMAA A Winning Example 2005 Winner in the category of Volunteer Run:  The Mulgrave Settlers Museum is open six days a week, is staffed by a team of 20 volunteers, and comprises an archival room, library, workroom, storage room and exhibitions area. The Museum introduced the concept of Significance to the assessment of its collections and uses the Significance statement when making decisions about accessioning new objects. The Museum developed extensive public programs with a series of annual changing exhibitions. One of these,  Beacons of Faith – religious traditions of Gordonvale residents , was the first cross-cultural project of its kind initiated by a community museum in North Queensland. The exhibition encompassed the history of every religious and spiritual organisation in the Mulgrave area, such as the Chinese and Sikh communities and local Indigenous groups. The GAMAA judges commended the Museum as a model for other community based museums in Queensland. The Museum’s dedication to gathering the social history of the district, its well executed programs within the context of its limited resources, as well as its undertaking of difficult tasks such as the digitisation of the collection and the de-accessioning of non-relevant objects were acknowledged as a serious commitment to best practice.
FOR INDIVIDUALS,  FOUR SELECTION CRITERIA  MUST BE ADDRESSED ,[object Object],[object Object],[object Object],[object Object],GAMAA
SELECTION CRITERIA 1: INNOVATION The nomination should provide  evidence of the person’s creativity, originality and vision. GAMAA
GAMAA ,[object Object],[object Object],[object Object],[object Object],[object Object]
GAMAA A Winning Example 2005 Winner in the category of Individual Paid Staff:  Audrey Hoffmann was the Director of the Warwick Art Gallery. Audrey was a dynamic force in raising the Gallery’s relevance and reputation within the local community and within the cultural sector. Audrey led a team of forty-five volunteers and invested enormous effort in working with local artists and art groups, local government, and other sectors of the community to galvanise the Gallery’s impact within the region. She implemented innovative exhibition and public programs that resonated with a previously indifferent community and took artists’ work beyond the Gallery walls. Audrey’s inspiration and leadership raised the status of the Warwick Art Prize, and was instrumental to the success of Warwick’s festival,  Jumpers and Jazz in July , with its outdoor textile art, textile workshops and jazz music. The GAMAA judges commented on Audrey’s innovative and dynamic approach to positioning the Gallery as a vibrant and relevant force within the community. At a time of amalgamation of local shires, Audrey introduced cultural programs and worked in partnership with other local groups to engender a sense of identity and belonging. Her leadership, dedication and drive were considered by the judges to make Audrey a worthy recipient of the award.
SELECTION CRITERIA 2: OUTCOMES IN THE COMMUNITY The nomination should provide  evidence of how the person has  enriched the community. GAMAA
GAMAA ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
GAMAA A Winning Example 2005 Winner in the category of Individual Volunteer:  Patricia O’Connor is an Aboriginal Elder of the Yugambeh group and co-founder of Australia’s first Aboriginal language museum, The Yugembeh Museum – Language and Heritage Resource Centre in Beenleigh. In the face of perceptions that Patricia’s traditional language, the Yugam language, was lost Patricia initiated a campaign to gather language from the older men and women in her community, matched with research from public records, and from her own memories. The result was the collation of a number of dictionaries and a revitalisation of the language in the community in daily life. Patricia made significant contributions to the areas of museum studies, local history studies and Indigenous cultural heritage management over a twenty-year period. The GAMAA judges commented on Patricia’s remarkable achievement in giving language back to her community, and the impressive effort she sustained throughout the process. Patricia’s role as a leader and advocate within her community, her vision, integrity, and her encouragement of and inspiration to others were seen as worthy attributes for the award. The judges took into consideration Patricia’s significant contribution in a voluntary capacity over many years.
SELECTION CRITERIA 3: BEST PRACTICE The nomination should provide  evidence of how the person has  established new standards of practice  or significantly raised  existing  standards. GAMAA
GAMAA ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
GAMAA A Winning Example 2007 Winner in the category of Individual Volunteer:  Joan Hubbard is the volunteer Coordinator of the Chinchilla White Gums Gallery. She has volunteered in this position since the Gallery was established in 1999 and under her leadership has recruited a team of 42 volunteers. Joan’s commitment to professional best practice saw her undertake a Certificate IV in Museum Practice, one of only eleven people in Queensland to have completed this accreditation. She undertook the course in her own time and financed it herself. Joan coordinates the annual exhibition program at the Gallery, supporting local artists to exhibit their work, programming touring exhibitions which strive to challenge and excite audiences, and developing the Gallery’s own touring exhibitions from works in the Chinchilla Shire Collection and local artists.
SELECTION CRITERIA 4: LEADERSHIP The nomination should provide  evidence of how the person provided  inspiration and guidance to others GAMAA
GAMAA ,[object Object],[object Object],[object Object],[object Object]
GAMAA A Winning Example 2006 joint Winner in the category of Individual Paid Staff:  Lisa Jones is the Curator of the Queensland Police Museum. In addition to her work with the Museum, Lisa has demonstrated her considerable leadership qualities and made an important contribution to the museum and gallery industry in Queensland through her voluntary work on numerous committees. Lisa was the Chair of Brisbane's Living Heritage Network for four years; she is the Company Secretary for Museum & Gallery Services Queensland; she is current President of Museums Australia (Queensland) including sitting on the National Council of Museums Australia and fulfilling the role of Conference Convenor for the 2006 Museums Australia National Conference. Lisa contributed greatly to training and professional development programs for Queensland museum and gallery workers and volunteers — performing the role of assessor for museum studies certificate courses throughout Queensland, developing assessment tools and often travelling to regional and remote areas for student evaluations.  She also acted as a peer reviewer for a Standards Pilot Program recently introduced in Queensland. The GAMAA judges emphasised Lisa's impressive contribution to the Queensland museum and gallery sector through her leadership and outward-looking approach.
TIPS How to maximise the success of your  GAMAA nomination GAMAA
GAMAA SUBMIT YOUR NOMINATION ON THE FORM PROVIDED You don’t have much space,  so use it wisely.  Try to give as much information as you can fit in – but make it clear and directly relevant to the nomination.
GAMAA FOR ORGANISATIONS, DECIDE ON THE ACTIVITY TO BE NOMINATED You might choose a particular project, exhibition, event, publication etc. to nominate, rather than nominate the organisation as a whole.
GAMAA An activity, program or project generally has a specific time frame and an identifiable outcome which often can be more easily assessed for its level of success. Trying to demonstrate the success of a whole organisation with its many and varied activities can be harder to do in a limited space, and more difficult to assess for its achievements.
GAMAA However, there are no restrictions on what an organisation might nominate, so choose the thing that most strongly addresses the selection criteria.  You may feel that the whole of your organisation’s operations does that. Ensure that your nomination gives clear examples of the nature of the achievement.
GAMAA ADDRESS EACH OF THE  SELECTION CRITERIA Your nomination may be stronger in some criteria than others, but try hard to demonstrate achievement in every criteria.
GAMAA “ DEMONSTRATE” THE  CLAIMS BEING MADE You should try not to make general claims such as “Judy is a wonderful leader”. Instead you should demonstrate how her leadership achieves high standards and what that means for her colleagues, the organisation, the community etc. This can be achieved by providing facts, examples and good support material.
GAMAA CHOOSE YOUR SUPPORT MATERIAL CAREFULLY  Support material must not exceed 6 items. The material should enhance your written nomination by giving extra information or backing up the claims you have made.
GAMAA ,[object Object],[object Object],[object Object],[object Object]
GAMAA Where possible, support material should be provided electronically on a CD/DVD posted with the nomination form. This might include scans of media clippings, photographs, word documents etc. This helps us to streamline the process by providing the judges with some of the support material prior to judging day. Obviously, hard copies of items such as publications, business plans, merchandise etc. cannot be sent to each judge, and will be viewed by them on judging day. Your nomination will not be disadvantaged if you cannot supply the material electronically.
GAMAA GET SOMEONE ELSE TO  READ YOUR NOMINATION Ask someone who is not familiar with the activity or the individual to read your nomination and tell you if the information is clear, comprehensive and answers the criteria in a strong and positive way. They can also help check spelling and grammar.
JUDGING Who are the judges and  what are they looking for? GAMAA
GAMAA The judging panel changes from year to year. It comprises six to seven members from across the sector, representing museums and galleries, large and small, regional and metropolitan. There is usually at least one person from an associated industry (eg tourism), and usually one person from interstate with experience in similar awards programs.
GAMAA The judges choose a Winner in each of the five categories (3 organisations and 2 individuals). The judges may also award Special Commendations in each of the five categories. There is no limit to how many Commendations are awarded.
GAMAA ,[object Object],[object Object],[object Object],[object Object]
GAMAA ,[object Object],[object Object],[object Object],[object Object],[object Object]
GAMAA Organisations should make sure to provide all of the information requested.  The judges will assess the outcomes of your activity against the available resources for your project (budget, the number of staff/volunteers working on the project, services/support available in your region)
GAMAA This means that bigger  is not necessarily better. If you had very limited resources but achieved an outcome that was substantial for your organisation, then your nomination will compete very well against organisations who had bigger budgets, more staff/volunteers, etc.
WHAT’S IN IT FOR ME? What does winning a  GAMAA mean? GAMAA
GAMAA The Prizes: The winners in each of the five categories receive a specially commissioned trophy by a Queensland designer. The trophies are by a different designer each year. All winners and special commendation recipients receive an Award certificate.
GAMAA ,[object Object],[object Object],[object Object],[object Object]
GAMAA M&GSQ covers travel expenses for all winners and commendation recipients to attend the Awards presentation evening. The 2008 Awards presentation will be hosted by the Queensland Art Gallery |   Gallery of Modern Art, South Bank, Brisbane on Thursday, 30 October 2008.
GAMAA M&GSQ undertakes extensive media coverage for all winners and commendation recipients, particularly within the winners’ regions. M&GSQ also publishes major articles on award recipients in its publications. Many GAMAA winners have experienced flow-on benefits such as improved profile within their regions and with stakeholders such as local government, funding bodies, sponsors.
GAMAA So start preparing your 2008 nomination! CLOSING DATE 28 AUGUST 2008 M&GSQ staff are on hand to help if you have any questions about eligibility, selection criteria, how to fill out forms, etc. Phone 07 3215 0820 or freecall within Queensland 1800 680 433 Or email  [email_address] .com.au 2008 GAMAA nomination forms can be downloaded as a PDF or Word document from Museum and Gallery Services Queensland’s website www.magsq.com.au
gamaa GALLERY AND MUSEUM ACHIEVEMENT AWARDS

More Related Content

Similar to Queensland Museum Awards

Standards presentation M&G NSW ACHAA Workshop Tamara Lavrencic
Standards presentation M&G NSW ACHAA Workshop Tamara LavrencicStandards presentation M&G NSW ACHAA Workshop Tamara Lavrencic
Standards presentation M&G NSW ACHAA Workshop Tamara LavrencicMuseums & Galleries NSW
 
Auditorium Session 3 - Resilience - Financial Resilience and Collaboration
Auditorium Session 3 - Resilience - Financial Resilience and CollaborationAuditorium Session 3 - Resilience - Financial Resilience and Collaboration
Auditorium Session 3 - Resilience - Financial Resilience and CollaborationMuseums Galleries Scotland
 
Vloek of zegen? v en a
Vloek of zegen? v en aVloek of zegen? v en a
Vloek of zegen? v en aFARO
 
The Arts Fundraising and Philanthropy Consortium
The Arts Fundraising and Philanthropy ConsortiumThe Arts Fundraising and Philanthropy Consortium
The Arts Fundraising and Philanthropy Consortiumsaundersn
 
‘Art on Tyneside’: Redeveloping a Permanent Display about Art, Place and Iden...
‘Art on Tyneside’: Redeveloping a Permanent Display about Art, Place and Iden...‘Art on Tyneside’: Redeveloping a Permanent Display about Art, Place and Iden...
‘Art on Tyneside’: Redeveloping a Permanent Display about Art, Place and Iden...Tyne & Wear Archives & Museums
 
Grants for the arts Libraries fund
Grants for the arts Libraries fundGrants for the arts Libraries fund
Grants for the arts Libraries fundArts Council England
 
Curator Aoife Ruane discusses Artists working with Public Galleries Feb 2013
Curator Aoife Ruane discusses Artists working with Public Galleries Feb 2013Curator Aoife Ruane discusses Artists working with Public Galleries Feb 2013
Curator Aoife Ruane discusses Artists working with Public Galleries Feb 2013Visual Artists Ireland
 
Art Happens_ with Art Fund
Art Happens_ with Art FundArt Happens_ with Art Fund
Art Happens_ with Art FundJim Richardson
 
November 2012 Briefing events for funded organisations
November 2012 Briefing events for funded organisationsNovember 2012 Briefing events for funded organisations
November 2012 Briefing events for funded organisationsArts Council England
 
NPO Briefing Presentation
NPO Briefing PresentationNPO Briefing Presentation
NPO Briefing PresentationSava Radulovic
 
Mga week1 syd aug10
Mga week1 syd aug10Mga week1 syd aug10
Mga week1 syd aug10museummike
 
Webinar: The Resilient Museum
Webinar: The Resilient MuseumWebinar: The Resilient Museum
Webinar: The Resilient MuseumJulie's Bicycle
 
M&GSQ Securing Funding Workshop - Arts Queensland Grants
M&GSQ Securing Funding Workshop - Arts Queensland Grants M&GSQ Securing Funding Workshop - Arts Queensland Grants
M&GSQ Securing Funding Workshop - Arts Queensland Grants Museum & Gallery Services Qld
 
2012_SURF_Awards_Publication
2012_SURF_Awards_Publication2012_SURF_Awards_Publication
2012_SURF_Awards_PublicationJames Green
 
International Entrepreneurship in the Arts: Unexpected Partnership
International Entrepreneurship in the Arts: Unexpected PartnershipInternational Entrepreneurship in the Arts: Unexpected Partnership
International Entrepreneurship in the Arts: Unexpected PartnershipLidia Varbanova
 
SPONSORSHIP - proposal sample - Colours in the Community
SPONSORSHIP - proposal sample - Colours in the Community SPONSORSHIP - proposal sample - Colours in the Community
SPONSORSHIP - proposal sample - Colours in the Community Suki Fox Murley
 
Portrait of the nation an integrated campaign - catrin tilley - national ga...
Portrait of the nation   an integrated campaign - catrin tilley - national ga...Portrait of the nation   an integrated campaign - catrin tilley - national ga...
Portrait of the nation an integrated campaign - catrin tilley - national ga...iof_events
 

Similar to Queensland Museum Awards (20)

Standards presentation M&G NSW ACHAA Workshop Tamara Lavrencic
Standards presentation M&G NSW ACHAA Workshop Tamara LavrencicStandards presentation M&G NSW ACHAA Workshop Tamara Lavrencic
Standards presentation M&G NSW ACHAA Workshop Tamara Lavrencic
 
Kate Chatfield Comminity Gallery exhib.
Kate Chatfield Comminity Gallery exhib.Kate Chatfield Comminity Gallery exhib.
Kate Chatfield Comminity Gallery exhib.
 
Auditorium Session 3 - Resilience - Financial Resilience and Collaboration
Auditorium Session 3 - Resilience - Financial Resilience and CollaborationAuditorium Session 3 - Resilience - Financial Resilience and Collaboration
Auditorium Session 3 - Resilience - Financial Resilience and Collaboration
 
Vloek of zegen? v en a
Vloek of zegen? v en aVloek of zegen? v en a
Vloek of zegen? v en a
 
The Arts Fundraising and Philanthropy Consortium
The Arts Fundraising and Philanthropy ConsortiumThe Arts Fundraising and Philanthropy Consortium
The Arts Fundraising and Philanthropy Consortium
 
Pres phm manchester
Pres phm manchesterPres phm manchester
Pres phm manchester
 
‘Art on Tyneside’: Redeveloping a Permanent Display about Art, Place and Iden...
‘Art on Tyneside’: Redeveloping a Permanent Display about Art, Place and Iden...‘Art on Tyneside’: Redeveloping a Permanent Display about Art, Place and Iden...
‘Art on Tyneside’: Redeveloping a Permanent Display about Art, Place and Iden...
 
Grants for the arts Libraries fund
Grants for the arts Libraries fundGrants for the arts Libraries fund
Grants for the arts Libraries fund
 
Curator Aoife Ruane discusses Artists working with Public Galleries Feb 2013
Curator Aoife Ruane discusses Artists working with Public Galleries Feb 2013Curator Aoife Ruane discusses Artists working with Public Galleries Feb 2013
Curator Aoife Ruane discusses Artists working with Public Galleries Feb 2013
 
Art Happens_ with Art Fund
Art Happens_ with Art FundArt Happens_ with Art Fund
Art Happens_ with Art Fund
 
November 2012 Briefing events for funded organisations
November 2012 Briefing events for funded organisationsNovember 2012 Briefing events for funded organisations
November 2012 Briefing events for funded organisations
 
NPO Briefing Presentation
NPO Briefing PresentationNPO Briefing Presentation
NPO Briefing Presentation
 
Gcas Compressed
Gcas   CompressedGcas   Compressed
Gcas Compressed
 
Mga week1 syd aug10
Mga week1 syd aug10Mga week1 syd aug10
Mga week1 syd aug10
 
Webinar: The Resilient Museum
Webinar: The Resilient MuseumWebinar: The Resilient Museum
Webinar: The Resilient Museum
 
M&GSQ Securing Funding Workshop - Arts Queensland Grants
M&GSQ Securing Funding Workshop - Arts Queensland Grants M&GSQ Securing Funding Workshop - Arts Queensland Grants
M&GSQ Securing Funding Workshop - Arts Queensland Grants
 
2012_SURF_Awards_Publication
2012_SURF_Awards_Publication2012_SURF_Awards_Publication
2012_SURF_Awards_Publication
 
International Entrepreneurship in the Arts: Unexpected Partnership
International Entrepreneurship in the Arts: Unexpected PartnershipInternational Entrepreneurship in the Arts: Unexpected Partnership
International Entrepreneurship in the Arts: Unexpected Partnership
 
SPONSORSHIP - proposal sample - Colours in the Community
SPONSORSHIP - proposal sample - Colours in the Community SPONSORSHIP - proposal sample - Colours in the Community
SPONSORSHIP - proposal sample - Colours in the Community
 
Portrait of the nation an integrated campaign - catrin tilley - national ga...
Portrait of the nation   an integrated campaign - catrin tilley - national ga...Portrait of the nation   an integrated campaign - catrin tilley - national ga...
Portrait of the nation an integrated campaign - catrin tilley - national ga...
 

More from Museum & Gallery Services Qld

M&GSQ Securing Funding Workshop - Community Heritage Grants
M&GSQ Securing Funding Workshop - Community Heritage Grants M&GSQ Securing Funding Workshop - Community Heritage Grants
M&GSQ Securing Funding Workshop - Community Heritage Grants Museum & Gallery Services Qld
 
M&GSQ Securing Funding Workshop - Case Study - Cairns & District Chinese Asso...
M&GSQ Securing Funding Workshop - Case Study - Cairns & District Chinese Asso...M&GSQ Securing Funding Workshop - Case Study - Cairns & District Chinese Asso...
M&GSQ Securing Funding Workshop - Case Study - Cairns & District Chinese Asso...Museum & Gallery Services Qld
 
M&GSQ Securing Funding Workshop - Case Study - Carins Historical Society Museum
M&GSQ Securing Funding Workshop - Case Study - Carins Historical Society Museum M&GSQ Securing Funding Workshop - Case Study - Carins Historical Society Museum
M&GSQ Securing Funding Workshop - Case Study - Carins Historical Society Museum Museum & Gallery Services Qld
 
Guy Abrahams, Climate Change, Sustainability and the Arts, M&GSQ presentation...
Guy Abrahams, Climate Change, Sustainability and the Arts, M&GSQ presentation...Guy Abrahams, Climate Change, Sustainability and the Arts, M&GSQ presentation...
Guy Abrahams, Climate Change, Sustainability and the Arts, M&GSQ presentation...Museum & Gallery Services Qld
 

More from Museum & Gallery Services Qld (20)

M&GSQ Securing Funding Workshop - Community Heritage Grants
M&GSQ Securing Funding Workshop - Community Heritage Grants M&GSQ Securing Funding Workshop - Community Heritage Grants
M&GSQ Securing Funding Workshop - Community Heritage Grants
 
M&GSQ Securing Funding Workshop - Case Study - Cairns & District Chinese Asso...
M&GSQ Securing Funding Workshop - Case Study - Cairns & District Chinese Asso...M&GSQ Securing Funding Workshop - Case Study - Cairns & District Chinese Asso...
M&GSQ Securing Funding Workshop - Case Study - Cairns & District Chinese Asso...
 
M&GSQ Securing Funding Workshop - Case Study - Carins Historical Society Museum
M&GSQ Securing Funding Workshop - Case Study - Carins Historical Society Museum M&GSQ Securing Funding Workshop - Case Study - Carins Historical Society Museum
M&GSQ Securing Funding Workshop - Case Study - Carins Historical Society Museum
 
Guy Abrahams, Climate Change, Sustainability and the Arts, M&GSQ presentation...
Guy Abrahams, Climate Change, Sustainability and the Arts, M&GSQ presentation...Guy Abrahams, Climate Change, Sustainability and the Arts, M&GSQ presentation...
Guy Abrahams, Climate Change, Sustainability and the Arts, M&GSQ presentation...
 
John Paul Fischbach Masterclass
John Paul Fischbach MasterclassJohn Paul Fischbach Masterclass
John Paul Fischbach Masterclass
 
Bronwyn Roper
Bronwyn RoperBronwyn Roper
Bronwyn Roper
 
Colleen Tuxworth Masterclass
Colleen Tuxworth MasterclassColleen Tuxworth Masterclass
Colleen Tuxworth Masterclass
 
Brian Crozier Masterclass
Brian Crozier MasterclassBrian Crozier Masterclass
Brian Crozier Masterclass
 
Jude Pippen Masterclass
Jude Pippen MasterclassJude Pippen Masterclass
Jude Pippen Masterclass
 
Richard Gagnier Masterclass
Richard Gagnier MasterclassRichard Gagnier Masterclass
Richard Gagnier Masterclass
 
Graeme Were
Graeme WereGraeme Were
Graeme Were
 
Richard Gagnier
Richard GagnierRichard Gagnier
Richard Gagnier
 
Liz Wild - Part 1
Liz Wild - Part 1Liz Wild - Part 1
Liz Wild - Part 1
 
Liz Wild - Part 2
Liz Wild - Part 2Liz Wild - Part 2
Liz Wild - Part 2
 
Sarah Barns
Sarah BarnsSarah Barns
Sarah Barns
 
Steve Chaddock & Norman Richards
Steve Chaddock & Norman RichardsSteve Chaddock & Norman Richards
Steve Chaddock & Norman Richards
 
Emrah Ulas & Richard Crampton
Emrah Ulas & Richard CramptonEmrah Ulas & Richard Crampton
Emrah Ulas & Richard Crampton
 
Deborah Tranter
Deborah TranterDeborah Tranter
Deborah Tranter
 
Fiona Foley, artist
Fiona Foley, artistFiona Foley, artist
Fiona Foley, artist
 
Adriane Boag, National Gallery of Australia
Adriane Boag, National Gallery of AustraliaAdriane Boag, National Gallery of Australia
Adriane Boag, National Gallery of Australia
 

Recently uploaded

20240429 Calibre April 2024 Investor Presentation.pdf
20240429 Calibre April 2024 Investor Presentation.pdf20240429 Calibre April 2024 Investor Presentation.pdf
20240429 Calibre April 2024 Investor Presentation.pdfAdnet Communications
 
CALL ON ➥8923113531 🔝Call Girls Gomti Nagar Lucknow best sexual service
CALL ON ➥8923113531 🔝Call Girls Gomti Nagar Lucknow best sexual serviceCALL ON ➥8923113531 🔝Call Girls Gomti Nagar Lucknow best sexual service
CALL ON ➥8923113531 🔝Call Girls Gomti Nagar Lucknow best sexual serviceanilsa9823
 
Q3 2024 Earnings Conference Call and Webcast Slides
Q3 2024 Earnings Conference Call and Webcast SlidesQ3 2024 Earnings Conference Call and Webcast Slides
Q3 2024 Earnings Conference Call and Webcast SlidesMarketing847413
 
Solution Manual for Principles of Corporate Finance 14th Edition by Richard B...
Solution Manual for Principles of Corporate Finance 14th Edition by Richard B...Solution Manual for Principles of Corporate Finance 14th Edition by Richard B...
Solution Manual for Principles of Corporate Finance 14th Edition by Richard B...ssifa0344
 
Call US 📞 9892124323 ✅ Kurla Call Girls In Kurla ( Mumbai ) secure service
Call US 📞 9892124323 ✅ Kurla Call Girls In Kurla ( Mumbai ) secure serviceCall US 📞 9892124323 ✅ Kurla Call Girls In Kurla ( Mumbai ) secure service
Call US 📞 9892124323 ✅ Kurla Call Girls In Kurla ( Mumbai ) secure servicePooja Nehwal
 
TEST BANK For Corporate Finance, 13th Edition By Stephen Ross, Randolph Weste...
TEST BANK For Corporate Finance, 13th Edition By Stephen Ross, Randolph Weste...TEST BANK For Corporate Finance, 13th Edition By Stephen Ross, Randolph Weste...
TEST BANK For Corporate Finance, 13th Edition By Stephen Ross, Randolph Weste...ssifa0344
 
OAT_RI_Ep19 WeighingTheRisks_Apr24_TheYellowMetal.pptx
OAT_RI_Ep19 WeighingTheRisks_Apr24_TheYellowMetal.pptxOAT_RI_Ep19 WeighingTheRisks_Apr24_TheYellowMetal.pptx
OAT_RI_Ep19 WeighingTheRisks_Apr24_TheYellowMetal.pptxhiddenlevers
 
00_Main ppt_MeetupDORA&CyberSecurity.pptx
00_Main ppt_MeetupDORA&CyberSecurity.pptx00_Main ppt_MeetupDORA&CyberSecurity.pptx
00_Main ppt_MeetupDORA&CyberSecurity.pptxFinTech Belgium
 
02_Fabio Colombo_Accenture_MeetupDora&Cybersecurity.pptx
02_Fabio Colombo_Accenture_MeetupDora&Cybersecurity.pptx02_Fabio Colombo_Accenture_MeetupDora&Cybersecurity.pptx
02_Fabio Colombo_Accenture_MeetupDora&Cybersecurity.pptxFinTech Belgium
 
The Economic History of the U.S. Lecture 18.pdf
The Economic History of the U.S. Lecture 18.pdfThe Economic History of the U.S. Lecture 18.pdf
The Economic History of the U.S. Lecture 18.pdfGale Pooley
 
The Economic History of the U.S. Lecture 23.pdf
The Economic History of the U.S. Lecture 23.pdfThe Economic History of the U.S. Lecture 23.pdf
The Economic History of the U.S. Lecture 23.pdfGale Pooley
 
Best VIP Call Girls Noida Sector 18 Call Me: 8448380779
Best VIP Call Girls Noida Sector 18 Call Me: 8448380779Best VIP Call Girls Noida Sector 18 Call Me: 8448380779
Best VIP Call Girls Noida Sector 18 Call Me: 8448380779Delhi Call girls
 
VIP Call Girls Service Dilsukhnagar Hyderabad Call +91-8250192130
VIP Call Girls Service Dilsukhnagar Hyderabad Call +91-8250192130VIP Call Girls Service Dilsukhnagar Hyderabad Call +91-8250192130
VIP Call Girls Service Dilsukhnagar Hyderabad Call +91-8250192130Suhani Kapoor
 
Andheri Call Girls In 9825968104 Mumbai Hot Models
Andheri Call Girls In 9825968104 Mumbai Hot ModelsAndheri Call Girls In 9825968104 Mumbai Hot Models
Andheri Call Girls In 9825968104 Mumbai Hot Modelshematsharma006
 
High Class Call Girls Nashik Maya 7001305949 Independent Escort Service Nashik
High Class Call Girls Nashik Maya 7001305949 Independent Escort Service NashikHigh Class Call Girls Nashik Maya 7001305949 Independent Escort Service Nashik
High Class Call Girls Nashik Maya 7001305949 Independent Escort Service NashikCall Girls in Nagpur High Profile
 
Malad Call Girl in Services 9892124323 | ₹,4500 With Room Free Delivery
Malad Call Girl in Services  9892124323 | ₹,4500 With Room Free DeliveryMalad Call Girl in Services  9892124323 | ₹,4500 With Room Free Delivery
Malad Call Girl in Services 9892124323 | ₹,4500 With Room Free DeliveryPooja Nehwal
 
Call Girls Service Nagpur Maya Call 7001035870 Meet With Nagpur Escorts
Call Girls Service Nagpur Maya Call 7001035870 Meet With Nagpur EscortsCall Girls Service Nagpur Maya Call 7001035870 Meet With Nagpur Escorts
Call Girls Service Nagpur Maya Call 7001035870 Meet With Nagpur Escortsranjana rawat
 
(ANIKA) Budhwar Peth Call Girls Just Call 7001035870 [ Cash on Delivery ] Pun...
(ANIKA) Budhwar Peth Call Girls Just Call 7001035870 [ Cash on Delivery ] Pun...(ANIKA) Budhwar Peth Call Girls Just Call 7001035870 [ Cash on Delivery ] Pun...
(ANIKA) Budhwar Peth Call Girls Just Call 7001035870 [ Cash on Delivery ] Pun...ranjana rawat
 

Recently uploaded (20)

20240429 Calibre April 2024 Investor Presentation.pdf
20240429 Calibre April 2024 Investor Presentation.pdf20240429 Calibre April 2024 Investor Presentation.pdf
20240429 Calibre April 2024 Investor Presentation.pdf
 
CALL ON ➥8923113531 🔝Call Girls Gomti Nagar Lucknow best sexual service
CALL ON ➥8923113531 🔝Call Girls Gomti Nagar Lucknow best sexual serviceCALL ON ➥8923113531 🔝Call Girls Gomti Nagar Lucknow best sexual service
CALL ON ➥8923113531 🔝Call Girls Gomti Nagar Lucknow best sexual service
 
Q3 2024 Earnings Conference Call and Webcast Slides
Q3 2024 Earnings Conference Call and Webcast SlidesQ3 2024 Earnings Conference Call and Webcast Slides
Q3 2024 Earnings Conference Call and Webcast Slides
 
Solution Manual for Principles of Corporate Finance 14th Edition by Richard B...
Solution Manual for Principles of Corporate Finance 14th Edition by Richard B...Solution Manual for Principles of Corporate Finance 14th Edition by Richard B...
Solution Manual for Principles of Corporate Finance 14th Edition by Richard B...
 
Call US 📞 9892124323 ✅ Kurla Call Girls In Kurla ( Mumbai ) secure service
Call US 📞 9892124323 ✅ Kurla Call Girls In Kurla ( Mumbai ) secure serviceCall US 📞 9892124323 ✅ Kurla Call Girls In Kurla ( Mumbai ) secure service
Call US 📞 9892124323 ✅ Kurla Call Girls In Kurla ( Mumbai ) secure service
 
TEST BANK For Corporate Finance, 13th Edition By Stephen Ross, Randolph Weste...
TEST BANK For Corporate Finance, 13th Edition By Stephen Ross, Randolph Weste...TEST BANK For Corporate Finance, 13th Edition By Stephen Ross, Randolph Weste...
TEST BANK For Corporate Finance, 13th Edition By Stephen Ross, Randolph Weste...
 
OAT_RI_Ep19 WeighingTheRisks_Apr24_TheYellowMetal.pptx
OAT_RI_Ep19 WeighingTheRisks_Apr24_TheYellowMetal.pptxOAT_RI_Ep19 WeighingTheRisks_Apr24_TheYellowMetal.pptx
OAT_RI_Ep19 WeighingTheRisks_Apr24_TheYellowMetal.pptx
 
00_Main ppt_MeetupDORA&CyberSecurity.pptx
00_Main ppt_MeetupDORA&CyberSecurity.pptx00_Main ppt_MeetupDORA&CyberSecurity.pptx
00_Main ppt_MeetupDORA&CyberSecurity.pptx
 
02_Fabio Colombo_Accenture_MeetupDora&Cybersecurity.pptx
02_Fabio Colombo_Accenture_MeetupDora&Cybersecurity.pptx02_Fabio Colombo_Accenture_MeetupDora&Cybersecurity.pptx
02_Fabio Colombo_Accenture_MeetupDora&Cybersecurity.pptx
 
The Economic History of the U.S. Lecture 18.pdf
The Economic History of the U.S. Lecture 18.pdfThe Economic History of the U.S. Lecture 18.pdf
The Economic History of the U.S. Lecture 18.pdf
 
The Economic History of the U.S. Lecture 23.pdf
The Economic History of the U.S. Lecture 23.pdfThe Economic History of the U.S. Lecture 23.pdf
The Economic History of the U.S. Lecture 23.pdf
 
Best VIP Call Girls Noida Sector 18 Call Me: 8448380779
Best VIP Call Girls Noida Sector 18 Call Me: 8448380779Best VIP Call Girls Noida Sector 18 Call Me: 8448380779
Best VIP Call Girls Noida Sector 18 Call Me: 8448380779
 
VIP Call Girls Service Dilsukhnagar Hyderabad Call +91-8250192130
VIP Call Girls Service Dilsukhnagar Hyderabad Call +91-8250192130VIP Call Girls Service Dilsukhnagar Hyderabad Call +91-8250192130
VIP Call Girls Service Dilsukhnagar Hyderabad Call +91-8250192130
 
Veritas Interim Report 1 January–31 March 2024
Veritas Interim Report 1 January–31 March 2024Veritas Interim Report 1 January–31 March 2024
Veritas Interim Report 1 January–31 March 2024
 
Andheri Call Girls In 9825968104 Mumbai Hot Models
Andheri Call Girls In 9825968104 Mumbai Hot ModelsAndheri Call Girls In 9825968104 Mumbai Hot Models
Andheri Call Girls In 9825968104 Mumbai Hot Models
 
High Class Call Girls Nashik Maya 7001305949 Independent Escort Service Nashik
High Class Call Girls Nashik Maya 7001305949 Independent Escort Service NashikHigh Class Call Girls Nashik Maya 7001305949 Independent Escort Service Nashik
High Class Call Girls Nashik Maya 7001305949 Independent Escort Service Nashik
 
Malad Call Girl in Services 9892124323 | ₹,4500 With Room Free Delivery
Malad Call Girl in Services  9892124323 | ₹,4500 With Room Free DeliveryMalad Call Girl in Services  9892124323 | ₹,4500 With Room Free Delivery
Malad Call Girl in Services 9892124323 | ₹,4500 With Room Free Delivery
 
Call Girls Service Nagpur Maya Call 7001035870 Meet With Nagpur Escorts
Call Girls Service Nagpur Maya Call 7001035870 Meet With Nagpur EscortsCall Girls Service Nagpur Maya Call 7001035870 Meet With Nagpur Escorts
Call Girls Service Nagpur Maya Call 7001035870 Meet With Nagpur Escorts
 
(ANIKA) Budhwar Peth Call Girls Just Call 7001035870 [ Cash on Delivery ] Pun...
(ANIKA) Budhwar Peth Call Girls Just Call 7001035870 [ Cash on Delivery ] Pun...(ANIKA) Budhwar Peth Call Girls Just Call 7001035870 [ Cash on Delivery ] Pun...
(ANIKA) Budhwar Peth Call Girls Just Call 7001035870 [ Cash on Delivery ] Pun...
 
Commercial Bank Economic Capsule - April 2024
Commercial Bank Economic Capsule - April 2024Commercial Bank Economic Capsule - April 2024
Commercial Bank Economic Capsule - April 2024
 

Queensland Museum Awards

  • 1. gamaa GALLERY AND MUSEUM ACHIEVEMENT AWARDS
  • 2.
  • 3.
  • 4.
  • 5.
  • 6.
  • 7. GAMAA ELIGIBILITY 3. Individuals can be paid or volunteer staff working in any of the organisations listed
  • 8.
  • 9. GAMAA ORGANISATIONS The nominated activity must have been completed, or have reached an identifiable or significant milestone, within twelve months prior to the nomination closing date.
  • 10. GAMAA ORGANISATIONS Examples of activities that might be nominated: Exhibitions Public programs Education programs Research Publications Events Collection management Community building Marketing initiatives Operational initiatives
  • 11. GAMAA ORGANISATIONS You can also nominate collaborative projects between two or more organisations. One organisation would take responsibility for the nomination and act as the contact. All participating organisations would be acknowledged and promoted in GAMAA material. In categories where prizes are awarded, the collaborating organisations would be responsible for deciding any split.
  • 12.
  • 13. GAMAA INDIVIDUALS The nomination should demonstrate how the individual’s contribution meets the Award criteria. The work of individual nominees may date back many years.
  • 14.
  • 15. SELECTION CRITERIA 1: INNOVATION AND LEADERSHIP The nomination should provide evidence of the organisation’s creativity, originality, vision and leadership. GAMAA
  • 16.
  • 17. GAMAA A Winning Example 2004 Winner in the category of Staff of 1 to 6: The Gold Coast City Art Gallery produced a two-part exhibition and series of events: All that Glitters…contemporary visions of the Gold Coast and All that Glitters…50 years of Gold Coast kitsch and memories . The project provided an opportunity for reflection and focus on the Gold Coast – one of the most rapidly evolving communities in Australia, and one that is perceived to produce little of cultural value. The exhibition showed the depth of critical and creative thinking and making that has occurred on the Gold Coast in the second half of the 20 th century. The projects gave younger people and local residents an insight to the character of the place, and encouraged people to come forward with their memories and objects. The GAMAA judges found this project to be particularly innovative both in its curatorial approach and in its efforts to connect with a diverse local community. The exhibitions and associated events were well executed and successfully connected social history and contemporary visual art elements. In doing so they demonstrated the potential of a combined museum and gallery collection for the Gold Coast, providing a valuable model for how other communities might approach contemporary heritage and collecting.
  • 18. SELECTION CRITERIA 2: OUTCOMES IN THE COMMUNITY The nomination should provide evidence of how the organisation’s activity has enriched the community. GAMAA
  • 19.
  • 20. GAMAA A Winning Example 2006 Winner in the category of Staff of 1 to 6: The Fully Sick!!! Youth Public Art Project was developed by the Bundaberg Arts Centre to bring together several requests for mural projects from the community. The Centre engaged young people throughout Bundaberg in the project in a bid to develop better relations with youth audiences and to provide skills development for the youth and artists involved. They developed a number of significant partnerships for the project, ranging from a suburban progress association to organisations that were already actively engaging with youth communities such as juvenile crime prevention programs, Indigenous youth services and local visual arts high school students. The project attracted interest from the general population during the period that the artists and participants were working on site. The GAMAA judges recognised the Centre's achievement in working with youth beyond the walls of the gallery; for identifying a strategy that will develop future audiences; and for using community networks to find the right people for the project.
  • 21. SELECTION CRITERIA 3: BEST PRACTICE The nomination should provide evidence of how the organisation’s activity has established new standards of practice or significantly raised existing standards. GAMAA
  • 22.
  • 23. GAMAA A Winning Example 2005 Winner in the category of Volunteer Run: The Mulgrave Settlers Museum is open six days a week, is staffed by a team of 20 volunteers, and comprises an archival room, library, workroom, storage room and exhibitions area. The Museum introduced the concept of Significance to the assessment of its collections and uses the Significance statement when making decisions about accessioning new objects. The Museum developed extensive public programs with a series of annual changing exhibitions. One of these, Beacons of Faith – religious traditions of Gordonvale residents , was the first cross-cultural project of its kind initiated by a community museum in North Queensland. The exhibition encompassed the history of every religious and spiritual organisation in the Mulgrave area, such as the Chinese and Sikh communities and local Indigenous groups. The GAMAA judges commended the Museum as a model for other community based museums in Queensland. The Museum’s dedication to gathering the social history of the district, its well executed programs within the context of its limited resources, as well as its undertaking of difficult tasks such as the digitisation of the collection and the de-accessioning of non-relevant objects were acknowledged as a serious commitment to best practice.
  • 24.
  • 25. SELECTION CRITERIA 1: INNOVATION The nomination should provide evidence of the person’s creativity, originality and vision. GAMAA
  • 26.
  • 27. GAMAA A Winning Example 2005 Winner in the category of Individual Paid Staff: Audrey Hoffmann was the Director of the Warwick Art Gallery. Audrey was a dynamic force in raising the Gallery’s relevance and reputation within the local community and within the cultural sector. Audrey led a team of forty-five volunteers and invested enormous effort in working with local artists and art groups, local government, and other sectors of the community to galvanise the Gallery’s impact within the region. She implemented innovative exhibition and public programs that resonated with a previously indifferent community and took artists’ work beyond the Gallery walls. Audrey’s inspiration and leadership raised the status of the Warwick Art Prize, and was instrumental to the success of Warwick’s festival, Jumpers and Jazz in July , with its outdoor textile art, textile workshops and jazz music. The GAMAA judges commented on Audrey’s innovative and dynamic approach to positioning the Gallery as a vibrant and relevant force within the community. At a time of amalgamation of local shires, Audrey introduced cultural programs and worked in partnership with other local groups to engender a sense of identity and belonging. Her leadership, dedication and drive were considered by the judges to make Audrey a worthy recipient of the award.
  • 28. SELECTION CRITERIA 2: OUTCOMES IN THE COMMUNITY The nomination should provide evidence of how the person has enriched the community. GAMAA
  • 29.
  • 30. GAMAA A Winning Example 2005 Winner in the category of Individual Volunteer: Patricia O’Connor is an Aboriginal Elder of the Yugambeh group and co-founder of Australia’s first Aboriginal language museum, The Yugembeh Museum – Language and Heritage Resource Centre in Beenleigh. In the face of perceptions that Patricia’s traditional language, the Yugam language, was lost Patricia initiated a campaign to gather language from the older men and women in her community, matched with research from public records, and from her own memories. The result was the collation of a number of dictionaries and a revitalisation of the language in the community in daily life. Patricia made significant contributions to the areas of museum studies, local history studies and Indigenous cultural heritage management over a twenty-year period. The GAMAA judges commented on Patricia’s remarkable achievement in giving language back to her community, and the impressive effort she sustained throughout the process. Patricia’s role as a leader and advocate within her community, her vision, integrity, and her encouragement of and inspiration to others were seen as worthy attributes for the award. The judges took into consideration Patricia’s significant contribution in a voluntary capacity over many years.
  • 31. SELECTION CRITERIA 3: BEST PRACTICE The nomination should provide evidence of how the person has established new standards of practice or significantly raised existing standards. GAMAA
  • 32.
  • 33. GAMAA A Winning Example 2007 Winner in the category of Individual Volunteer: Joan Hubbard is the volunteer Coordinator of the Chinchilla White Gums Gallery. She has volunteered in this position since the Gallery was established in 1999 and under her leadership has recruited a team of 42 volunteers. Joan’s commitment to professional best practice saw her undertake a Certificate IV in Museum Practice, one of only eleven people in Queensland to have completed this accreditation. She undertook the course in her own time and financed it herself. Joan coordinates the annual exhibition program at the Gallery, supporting local artists to exhibit their work, programming touring exhibitions which strive to challenge and excite audiences, and developing the Gallery’s own touring exhibitions from works in the Chinchilla Shire Collection and local artists.
  • 34. SELECTION CRITERIA 4: LEADERSHIP The nomination should provide evidence of how the person provided inspiration and guidance to others GAMAA
  • 35.
  • 36. GAMAA A Winning Example 2006 joint Winner in the category of Individual Paid Staff: Lisa Jones is the Curator of the Queensland Police Museum. In addition to her work with the Museum, Lisa has demonstrated her considerable leadership qualities and made an important contribution to the museum and gallery industry in Queensland through her voluntary work on numerous committees. Lisa was the Chair of Brisbane's Living Heritage Network for four years; she is the Company Secretary for Museum & Gallery Services Queensland; she is current President of Museums Australia (Queensland) including sitting on the National Council of Museums Australia and fulfilling the role of Conference Convenor for the 2006 Museums Australia National Conference. Lisa contributed greatly to training and professional development programs for Queensland museum and gallery workers and volunteers — performing the role of assessor for museum studies certificate courses throughout Queensland, developing assessment tools and often travelling to regional and remote areas for student evaluations. She also acted as a peer reviewer for a Standards Pilot Program recently introduced in Queensland. The GAMAA judges emphasised Lisa's impressive contribution to the Queensland museum and gallery sector through her leadership and outward-looking approach.
  • 37. TIPS How to maximise the success of your GAMAA nomination GAMAA
  • 38. GAMAA SUBMIT YOUR NOMINATION ON THE FORM PROVIDED You don’t have much space, so use it wisely. Try to give as much information as you can fit in – but make it clear and directly relevant to the nomination.
  • 39. GAMAA FOR ORGANISATIONS, DECIDE ON THE ACTIVITY TO BE NOMINATED You might choose a particular project, exhibition, event, publication etc. to nominate, rather than nominate the organisation as a whole.
  • 40. GAMAA An activity, program or project generally has a specific time frame and an identifiable outcome which often can be more easily assessed for its level of success. Trying to demonstrate the success of a whole organisation with its many and varied activities can be harder to do in a limited space, and more difficult to assess for its achievements.
  • 41. GAMAA However, there are no restrictions on what an organisation might nominate, so choose the thing that most strongly addresses the selection criteria. You may feel that the whole of your organisation’s operations does that. Ensure that your nomination gives clear examples of the nature of the achievement.
  • 42. GAMAA ADDRESS EACH OF THE SELECTION CRITERIA Your nomination may be stronger in some criteria than others, but try hard to demonstrate achievement in every criteria.
  • 43. GAMAA “ DEMONSTRATE” THE CLAIMS BEING MADE You should try not to make general claims such as “Judy is a wonderful leader”. Instead you should demonstrate how her leadership achieves high standards and what that means for her colleagues, the organisation, the community etc. This can be achieved by providing facts, examples and good support material.
  • 44. GAMAA CHOOSE YOUR SUPPORT MATERIAL CAREFULLY Support material must not exceed 6 items. The material should enhance your written nomination by giving extra information or backing up the claims you have made.
  • 45.
  • 46. GAMAA Where possible, support material should be provided electronically on a CD/DVD posted with the nomination form. This might include scans of media clippings, photographs, word documents etc. This helps us to streamline the process by providing the judges with some of the support material prior to judging day. Obviously, hard copies of items such as publications, business plans, merchandise etc. cannot be sent to each judge, and will be viewed by them on judging day. Your nomination will not be disadvantaged if you cannot supply the material electronically.
  • 47. GAMAA GET SOMEONE ELSE TO READ YOUR NOMINATION Ask someone who is not familiar with the activity or the individual to read your nomination and tell you if the information is clear, comprehensive and answers the criteria in a strong and positive way. They can also help check spelling and grammar.
  • 48. JUDGING Who are the judges and what are they looking for? GAMAA
  • 49. GAMAA The judging panel changes from year to year. It comprises six to seven members from across the sector, representing museums and galleries, large and small, regional and metropolitan. There is usually at least one person from an associated industry (eg tourism), and usually one person from interstate with experience in similar awards programs.
  • 50. GAMAA The judges choose a Winner in each of the five categories (3 organisations and 2 individuals). The judges may also award Special Commendations in each of the five categories. There is no limit to how many Commendations are awarded.
  • 51.
  • 52.
  • 53. GAMAA Organisations should make sure to provide all of the information requested. The judges will assess the outcomes of your activity against the available resources for your project (budget, the number of staff/volunteers working on the project, services/support available in your region)
  • 54. GAMAA This means that bigger is not necessarily better. If you had very limited resources but achieved an outcome that was substantial for your organisation, then your nomination will compete very well against organisations who had bigger budgets, more staff/volunteers, etc.
  • 55. WHAT’S IN IT FOR ME? What does winning a GAMAA mean? GAMAA
  • 56. GAMAA The Prizes: The winners in each of the five categories receive a specially commissioned trophy by a Queensland designer. The trophies are by a different designer each year. All winners and special commendation recipients receive an Award certificate.
  • 57.
  • 58. GAMAA M&GSQ covers travel expenses for all winners and commendation recipients to attend the Awards presentation evening. The 2008 Awards presentation will be hosted by the Queensland Art Gallery | Gallery of Modern Art, South Bank, Brisbane on Thursday, 30 October 2008.
  • 59. GAMAA M&GSQ undertakes extensive media coverage for all winners and commendation recipients, particularly within the winners’ regions. M&GSQ also publishes major articles on award recipients in its publications. Many GAMAA winners have experienced flow-on benefits such as improved profile within their regions and with stakeholders such as local government, funding bodies, sponsors.
  • 60. GAMAA So start preparing your 2008 nomination! CLOSING DATE 28 AUGUST 2008 M&GSQ staff are on hand to help if you have any questions about eligibility, selection criteria, how to fill out forms, etc. Phone 07 3215 0820 or freecall within Queensland 1800 680 433 Or email [email_address] .com.au 2008 GAMAA nomination forms can be downloaded as a PDF or Word document from Museum and Gallery Services Queensland’s website www.magsq.com.au
  • 61. gamaa GALLERY AND MUSEUM ACHIEVEMENT AWARDS