Presentation delivered at the Cultural Leadership Forum in Taipei on December 1st 2018. It deals with cultural leadership issues based on my experience at DesignLab, Waag Society, V2_ and Tetem.
1. Cultural Leadership
at Waag & DesignLab University of Twente
Frank Kresin - f.j.kresin@utwente.nl - @kresin
Managing Director DesignLab - Fellow Waag Society - Supervisory Board TETEM & V2_
2. Cultural Leadership
Cultural leadership is the act of leading the cultural sector. Like culture itself, it comes
from many different people and can be practised in many different ways. It concerns senior
managers and directors in subsidized cultural institutions; public officials developing and
implementing policy for the cultural sector; and a huge range of producers, innovators and
entrepreneurs in small companies, production houses and teams. In the cultural world,
nobody has a monopoly on leadership.
Leading the cultural sector is practised in two different ways. First, it concerns competently
managing the organisations of the cultural sector, ensuring that they are financially
viable, legal and with well-organised staff. Second, it means leading culture itself - making
work, productions and projects which show different ways of thinking, feeling and
experiencing the world - bringing dynamism to the economy and wider society.
British Council
3. Challenges
Cultural organisations are geared towards producing new ideas. It is their production of
these new ideas as performances, exhibitions, styles and sounds which makes them
cultural. Balancing this priority, with the need to run a financially sustainable organisation
and hopefully one that makes a positive difference to the world, is which gives cultural
leaders a unique set of challenges
• Defining value: never self-evident
• Working in networks: never alone
• Living dangerously: never repeat oneself
• Societal impact: never self-self-possessed
British Council
4. European Agenda
New European Agenda for Culture 2018
The European Agenda for Culture aims to “harness the full potential of
culture to help build a more inclusive and fairer Union, supporting innovation,
creativity and sustainable jobs and growth”. For this, the Agenda has three
strategic objectives:
1. Social dimension – Harnessing the power of culture and cultural
diversity for social cohesion and well-being.
2. Economic dimension – Supporting culture-based creativity in education
and innovation, and for jobs and growth.
3. External dimension - Strengthening international cultural relations.
20. Societal Impact
noun
/ˈɪmpakt/
1. the action of one object coming forcibly into
contact with another.
"there was the sound of a third impact"
2. a marked effect or influence.
“our regional measures have had a significant
impact on unemployment"
verb
/ɪmˈpakt/
1. come into forcible contact with another object.
"the shell impacted twenty yards away”
2. have a strong effect on someone or something.
"high interest rates have impacted on retail
spending"
21. relational
aesthetics*
users as
designers
code
=
culture
learning by
making
critical design
if you can’t open it,
you don’t own it
*a set of artistic practices which take as their
theoretical and practical point of departure the
whole of human relations and their social
context, rather than an independent and
private space
Nicholas Bourriaud
https://waag.org/en/about-us
22. Multiple Strategies for Impact
Society
Events
Teaching
Artistic
Research &
Development
Spin offs
Books Services
Lobby
23. Creative Research
Form - Context - Transformation
Users as Designers - https://waag.org/sites/waag/files/Publicaties/Users_as_Designers.pdf
24. Users as DesignersUsers as Designers - https://waag.org/sites/waag/files/Publicaties/Users_as_Designers.pdf
25. Science 2 Design 4 Society - https://www.slideshare.net/kresin/designlab-university-of-twente
37. Empowering Vision & Mission
Vision
DesignLab will realize new connections between university and society,
by linking academic research and education to societal issues and
challenges. We use creativity and interdisciplinarity to co-design
answers to societal questions, and to anticipate social implications of
technology during the process of innovation. By engaging students in
our work, we establish new connections between research and
education. By focusing on projects that are both scientifically
challenging and societally relevant, we open up new sources of impact,
and new sources of funding, combining private and public sources.
Mission
DesignLab will be the obvious place to go to for research and advice on
complex, interdisciplinary questions involving the interactions between
technology and society that require a creative and cross-disciplinary
approach. DesignLab will become a well-known and respected,
sustainable hub for Design Thinking for societal challenges. It is closely
aligned with Dutch, European and UN societal and sustainable
challenges and builds up a wide portfolio of projects, and a network of
talented and motivated researchers, designers and students.
38. Team Effort - Daniel Pink - https://en.wikipedia.org/wiki/Drive:_The_Surprising_Truth_About_What_Motivates_Us
42. Annual Budget
3,5 M euro
Local Government
Arts Funding
Creative Industries
& Arts Fund
National Research
& Arts Funding
EU Research
& Arts Funding
Training Fees
Specific Domain
Innovation Funding
Consultancy
Local Government
Innovation Funds
Waag Annual Financial Report (Dutch) - https://waag.org/sites/waag/files/2018-05/ANBI-Jaarverslag-2017.pdf
43. Risks
• Take your existence for granted
• Keep doing what you are good at
• Succeed in all your efforts
• Forget to build internal leadership capacity
• Don’t invest in your network
• Get carried away by content
• Engage in group thinking
• Don’t talk to your audience
58. Cultural Leadership
at Waag & DesignLab University of Twente
Frank Kresin - f.j.kresin@utwente.nl - @kresin
Managing Director DesignLab - Fellow Waag Society - Supervisory Board TETEM & V2_