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Piibe Pai,[object Object],Ivan Pavljutskov,[object Object],Birgit Hatrman,[object Object],Kris Haamer,[object Object],Editing CloverfieldHow Was it Done?,[object Object]
Narrative,[object Object]
Cloverfield : Narrative Analysis,[object Object],Protagonist: Robert Hawkins (Bob). The guy who is supposed to move to Japan for business.,[object Object],[object Object],[object Object]
Cloverfield: Narrative Analysis,[object Object],Protagonist changes, in the beginning he’s jelaous of Beth’s new  boyfriend, doesn’t turn much attention to her. ,[object Object],[object Object]
The rest of the movie he’s being very heroic.,[object Object]
Antagonist changes, in the beginning we don’t see the monster, only destruction and fear. Then we see more of him; small monsters attack people. Only in the last 10 minutes we see what he looks like.,[object Object]
Cloverfield: Narrative Analysis,[object Object],Act I,[object Object],Main characters in a flashback, and then jump to organizing a party for the protagonist. We see what is going on in the party and learn more about the relationship between Bob and Beth. The first act ends with the first explosions, and Beth calling Bob for help.,[object Object]
Cloverfield: Narrative Analysis,[object Object],Act II,[object Object],Bob and friends try to get across town to save Beth while facing many difficulties. They escape into the subway from the army and the monster; emotionally slow moment. Then mini-monsters  attack, and one dies. Still – they rescue Beth and reach the helicopter to be evacuated off the island.,[object Object]
Cloverfield: Narrative Analysis,[object Object],Act III,[object Object],Monster destroys the helicopter, but all survive the crash; they try to get away by foot. Monster appears and eats Hud. Beth and Bob escape under a bridge where they give their final statement to the camera, and as the island gets bombed they declare their love to each other before they die. ,[object Object]
Cloverfield: Narrative Analysis,[object Object],Sequence 1,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Cloverfield: Editing,[object Object],Spatial editing and temporal editing have little releavance in this movie because they look too ‘edited’ or artificial.,[object Object],[object Object],[object Object],[object Object],[object Object]
There are long spans of time without any cuts, or ‘hidden cuts’
The more actions there is, the longer the shots tend to be,[object Object]
Camera is personalized, viewer is in the position of a cameraman. ,[object Object]
Instead, the shots are matched by movement in fast motion sequences, example 00:21:30.,[object Object],[object Object],[object Object],[object Object]
Cut to a completely destroyed skyscraper  after that,[object Object],[object Object]
Overall – special effects look really cool in this movie because they don’t use cuts to emphasize special effects; effects come naturally. ,[object Object]
Continuity is created trough ‘hidden cuts’  and logical editing,[object Object]
Kris haamer Cloverfield
Kris haamer Cloverfield
Kris haamer Cloverfield
Kris haamer Cloverfield
Kris haamer Cloverfield
Kris haamer Cloverfield
Kris haamer Cloverfield
Kris haamer Cloverfield
Kris haamer Cloverfield
Kris haamer Cloverfield
Kris haamer Cloverfield
Kris haamer Cloverfield
Kris haamer Cloverfield
Kris haamer Cloverfield
Kris haamer Cloverfield

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Kris haamer Cloverfield

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