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Case	
  Analysis	
  
UC	
  Berkeley	
  Extension	
  –	
  Strategic	
  Marke7ng	
  
Professor	
  Jim	
  Prost	
  
‱  Byron	
  Pi/am	
  
‱  Laura	
  DellaGuardia	
  
‱  Lisandra	
  Maioli	
  
‱  Ryan	
  Shi	
  
‱  Svetlana	
  Fedorova	
   July	
  17th,	
  2013	
  
Situation Audit
Company History
qï±â€ŻFounded	
  in	
  1997	
  	
  
qï±â€ŻOïŹ€ered	
  DVD	
  home	
  delivery	
  via	
  snail	
  mail	
  
qï±â€ŻVery	
  li>le	
  compeAAon	
  for	
  DVD	
  rentals,	
  
indirect	
  compeAtors	
  sAll	
  ‘sold’	
  VHS	
  
qï±â€ŻDue	
  to	
  complaints	
  about	
  high	
  fees	
  and	
  slow	
  
delivery,	
  in	
  1999	
  the	
  ‘no	
  late	
  fees	
  policy	
  
was	
  launched’	
  
qï±â€ŻLeap	
  of	
  faith	
  during	
  dotcom	
  boom,	
  
subscripAon	
  model	
  put	
  in	
  place:	
  
Â§ï‚§â€Ż Unlimited	
  rentals,	
  
Â§ï‚§â€Ż Keep	
  4	
  DVDs	
  at	
  home	
  
qï±â€Ż2001	
  announced	
  intenAon	
  to	
  create	
  a	
  VOD	
  
business	
  
3	
  -­‐	
  38	
  
Current Situation
qï±â€Ż$1	
  billion	
  business	
  and	
  almost	
  $64	
  million	
  in	
  
cash	
 Â ïŹ‚ow	
  
qï±â€ŻVOD,	
  pay-­‐per-­‐view,	
  and	
  streaming	
  are	
  
gaining	
  in	
  popularity	
  
qï±â€ŻLimitaAons	
  in	
  computer	
  to	
  TV	
  connecAvity	
  
and	
  in	
  access	
  to	
  content,	
  but	
  evolving	
  
quickly	
  with	
  technology	
  
qï±â€ŻSubstanAal	
  Investments	
  in	
  Video-­‐on-­‐
Demand	
  (VOD):	
  2006,	
  $10	
  million,	
  2007	
  $40	
  
million	
  
	
  
	
  
(as	
  of	
  2007)	
  	
  
4	
  -­‐	
  38	
  
Mission Statement
No	
  mission	
  statement,	
  but	
  they	
  have	
  an	
  oïŹƒcial	
  
‘vision’	
  of	
  Ne@lix’s	
  future:	
  
	
  
qï±â€Ż Becoming	
  the	
  best	
  global	
  entertainment	
  
distribuAon	
  service	
  
qï±â€Ż Licensing	
  entertainment	
  content	
  around	
  
the	
  world	
  
qï±â€Ż CreaAng	
  markets	
  that	
  are	
  accessible	
  to	
  
ïŹlm	
  makers	
  
qï±â€Ż Helping	
  content	
  creators	
  around	
  the	
  
world	
  to	
 Â ïŹnd	
  a	
  global	
  audience	
  
qï±â€Ż Company	
  values	
  to	
  guide	
  employees’	
  
everyday	
  decisions	
  :	
  
Â§ï‚§â€Ż Judgment	
  
Â§ï‚§â€Ż ProducAvity	
  
Â§ï‚§â€Ż CreaAvity	
  
Â§ï‚§â€Ż Intelligence	
  
Â§ï‚§â€Ż Honesty	
  
Â§ï‚§â€Ż CommunicaAon	
  
Â§ï‚§â€Ż SelïŹ‚essness	
  
Â§ï‚§â€Ż Reliability	
  
Â§ï‚§â€Ż Passion	
  
5	
  -­‐	
  38	
  
NETFLIX Evolution
6	
  -­‐	
  38	
  
SWOT ANALYSIS
qï±â€ŻSubscripAon	
  Model	
  
	
  
qï±â€ŻUnique	
  RecommendaAon	
  System	
  
	
  
qï±â€ŻLarge	
  DVD	
  SelecAon	
  for	
  Online	
  Rental	
  
	
  
qï±â€ŻFast	
  Delivery	
  Times	
  
Strengths
8	
  -­‐	
  38	
  
Weaknesses
qï±â€ŻDiïŹƒculAes	
  providing	
  enough	
  copies	
  of	
  popular	
  new	
  
releases	
  to	
  meet	
  demand	
  
qï±â€ŻSubscripAon	
  plan	
  does	
  not	
  appeal	
  to	
  less	
  frequent	
  movie	
  
renters	
  
qï±â€ŻDVD’s	
  may	
  be	
  damaged	
  or	
  lost	
  in	
  
transit	
  
qï±â€ŻOnly	
  operaAng	
  in	
  the	
  DVD	
  segment	
  
at	
  a	
  Ame	
  when	
  there	
  is	
  so	
  much	
  
potenAal	
  in	
  VOD	
  
9	
  -­‐	
  38	
  
OPPORTUNITIES
	
  
qï±â€ŻInternaAonal	
  Expansion	
  
qï±â€ŻVOD	
  Expansion	
  
qï±â€ŻOriginal	
  Content	
  
qï±â€ŻNew	
  Product	
  Lines	
  such	
  as	
  video	
  games	
  or	
  educaAonal	
  
materials	
  
qï±â€ŻOïŹ€er	
  alternaAve	
  SubscripAon	
  opAons	
  to	
  appeal	
  to	
  less	
  
frequent	
  movie	
  renters	
  
	
  
10	
  -­‐	
  38	
  
THREATs
	
  
qï±â€Ż	
  Blockbuster	
  
qï±â€ŻOther	
  VOD	
  CompeAtors	
  including:	
  
Â§ï‚§â€Ż Vongo	
  	
  	
  
Â§ï‚§â€Ż CinemaNow	
  
Â§ï‚§â€Ż MovieBeam	
  
Â§ï‚§â€Ż MovieLink	
  
Â§ï‚§â€Ż TradiAonal	
  cable/satellite	
  providers	
  
	
  
qï±â€ŻVOD	
  Content	
  Prices	
  and	
  Availability	
  	
  
Â§ï‚§â€Ż Limited	
  VOD	
  Content	
  due	
  to	
  studios	
  concerned	
  about	
  piraAng	
  and	
  
aïŹ€ecAng	
  DVD	
  sales	
  
11	
  -­‐	
  38	
  
Target Customers
Target customer
qï±â€ŻMales	
  and	
  Females	
  ages	
  17-­‐60;	
  
qï±â€Ż$30,000	
  and	
  up;	
  
qï±â€ŻDiïŹ€erent	
  racial/ethnic	
  groups;	
  
qï±â€ŻPsychographics:	
  	
  
Â§ï‚§â€Ż Busy	
  people;	
  
Â§ï‚§â€Ż Movie	
  lovers	
  and	
  frequent	
  renters;	
  
Â§ï‚§â€Ż “All	
  you	
  can	
  eat”;	
  
Â§ï‚§â€Ż Early	
  adopters	
  (DVD	
  players).	
  
	
  
13	
  -­‐	
  38	
  
Competition
Competitors
(as	
  of	
  2007)	
  	
  
15	
  -­‐	
  38	
  
Competitors
(current)	
  
16	
  -­‐	
  38	
  
Positioning
qï±â€Ż VALUE	
  
qï±â€Ż CONVENIENCE	
  
qï±â€Ż SELECTION	
  
POSITIONING
18	
  -­‐	
  38	
  
Pricing
PricING
Pay	
  per	
  
movie	
  	
  
	
  
($4)	
  +	
  shipping	
  
and	
  handling	
  
charge	
  ($2)	
  	
  
with	
  late	
  fees	
  
Prepaid	
  
subscripLon	
  
service	
  	
  
(4	
  movies	
  at	
  a	
  
Ame	
  and	
  4	
  
new	
  each	
  
month)	
  
Unlimited	
  
rental	
  	
  
	
  
(3	
  movies	
  at	
  a	
  
Ame,	
  unlimited	
  
exchange)	
  
20	
  -­‐	
  38	
  
Promotion
Promotion
qï±â€ŻCross-­‐promoAonal	
  programs	
  with	
  the	
  
manufacturers	
  and	
  sellers	
  of	
  DVD	
  players;	
  
qï±â€ŻTheater	
  Ackets;	
  
qï±â€ŻCommercial	
  and	
  radio	
  spots;	
  
qï±â€ŻBanners	
  and	
  popups;	
  
qï±â€ŻNellix	
  aïŹƒliate	
  program	
  (free-­‐trial	
  
promoAon);	
  
qï±â€ŻWord-­‐of-­‐the-­‐mouth.	
  
	
   22	
  -­‐	
  38	
  
Problem/
Decision Statement
What	
  is	
  the	
  	
  
best	
  VOD	
  model	
  and	
  
marke7ng	
  strategy	
  
for	
  Ne?lix	
  all	
  while	
  
keeping	
  the	
  company’s	
  
posiGon	
  as	
  a	
  leader	
  in	
  the	
  
home	
  video	
  market?	
  	
  
	
  
24	
  -­‐	
  38	
  
Alternatives
Alternatives
OïŹ€er	
  raAngs	
  and	
  recommendaAons	
  
system	
  to	
  cable	
  companies	
  
	
  
1
OïŹ€er	
  online	
  video	
  streaming	
  at	
  no	
  extra	
  
cost	
  to	
  exisAng	
  customers	
  2
Create	
  a	
  standalone	
  online	
  video	
  
business	
  3
26	
  -­‐	
  38	
  
Critical Issues
Critical Issues
qï±â€Ż Technology	
  
	
  
Â§ï‚§â€Ż VOD	
  compeAAon	
  
	
  
qï±â€Ż Content	
  acquisiAon	
  &	
  piraAng	
  concerns	
  
qï±â€Ż User	
  acquisiAon	
  and	
  adopAon	
  
qï±â€Ż Financial	
  Investmen	
  
qï±â€Ż Employee’s	
  role	
  in	
  dealing	
  with	
  2	
  
businesses	
  	
  
28	
  -­‐	
  38	
  
Analysis
 	
  
RelaLve	
  
Weights	
  
OpLon	
  
1	
  
OpLon	
  
2	
  
OpLon	
  
3	
  
Technological	
  	
  Improvements	
  	
   0.3	
   4	
   5	
   5	
  
Emerging	
  CompeAtors	
   0.2	
   2	
   5	
   4	
  
Content	
  AcquisiAon	
   0.2	
   3	
   5	
   4	
  
User	
  AdopAon	
   0.15	
   1	
   5	
   4	
  
Financial	
  PosiAon	
  /	
  Cost	
  Basis	
   0.15	
   1	
   4	
   4	
  
	
  	
   	
  	
   	
  	
   	
  	
   	
  	
  
RelaAve	
  Weight	
  x	
  
RaAng	
   1	
   2.5	
   4.85	
   4.3	
  
Ne@lix	
  Summary	
  Assessment	
  
AlternaAves	
  (RaAng)	
  
Analysis
30	
  -­‐	
  38	
  
RECOMMENDATIONS
RECOMMENDATIONS
qï±â€ŻTechnology	
  rapidly	
  improving	
  
Â§ï‚§â€Ż Nellix	
  needs	
  to	
  keep	
  up	
  with	
  the	
  Ames	
  	
  
Â§ï‚§â€Ż ConnecAvity	
  will	
  be	
  facilitated	
  in	
  the	
  future	
  
qï±â€ŻFuture	
  Access	
  to	
  Content	
  	
  
Â§ï‚§â€Ż Easier	
  and	
  cheaper	
  (on	
  the	
  business	
  and	
  client	
  side)	
  
qï±â€ŻFor	
  the	
  business	
  side	
  of	
  content	
  acquisiAon	
  
Â§ï‚§â€Ż Ensure	
  your	
  technology	
  is	
  up	
  to	
  par	
  so	
  as	
  to	
  
reassure	
  content	
  providers	
  of	
  their	
  copyrighted	
  
safety	
  
OïŹ€er	
  Online	
  Video	
  Streaming	
  at	
  No	
  
Extra	
  Cost	
  to	
  ExisLng	
  Customers	
  
32	
  -­‐	
  38	
  
RECOMMENDATIONS
qï±â€ŻCompeAtors	
  also	
  doing	
  this,	
  don’t	
  want	
  to	
  be	
  lep	
  
behind	
  
qï±â€ŻDVD’s	
  becoming	
  obsolete	
  
qï±â€ŻUse	
  strong	
  exisAng	
  customer	
  base	
  
and	
  internet	
  savvy	
  forward-­‐thinkers	
  
from	
  website	
  
OïŹ€er	
  Online	
  Video	
  Streaming	
  at	
  No	
  
Extra	
  Cost	
  to	
  ExisLng	
  Customers	
  
33	
  -­‐	
  38	
  
RECOMMENDATIONS
qï±â€ŻInvestment	
  in	
  technology	
  
qï±â€ŻAppeal	
  and	
  promote	
  to	
  exisAng	
  
users	
  
qï±â€ŻOïŹ€er	
  one	
  month	
  free	
  trial	
  for	
  VOD	
  	
  
qï±â€ŻMaintain	
  industry	
  leading	
  
suggesAon	
  engine	
  
How	
  We	
  Recommend	
  
ImplemenLng	
  
34	
  -­‐	
  38	
  
RECOMMENDATIONS
Budget	
  Plan	
  
qï±â€ŻInvest	
  money	
  in	
  service	
  
Â§ï‚§â€Ż Online	
  service	
  &	
  mail-­‐order	
  speed	
  
qï±â€ŻTechnological	
  improvements	
  
Â§ï‚§â€Ż Cloud-­‐based	
  opAons	
  
qï±â€ŻConAnue	
  working	
  with	
  media	
  outlets	
  
Â§ï‚§â€Ż Improve	
  cost	
  per	
  watch	
  
Â§ï‚§â€Ż Increase	
  library	
  
qï±â€ŻRecommendaAon	
  engine	
  
Â§ï‚§â€Ż Steer	
  viewers	
  towards	
  cheaper	
  programs	
  
35	
  -­‐	
  38	
  
Future
Future strategy
qï±â€ŻImprove	
  smartphone	
  app	
  
	
  
qï±â€ŻTechnology	
  PenetraAon	
  
Â§ï‚§â€Ż Package	
  with	
  TV’s,	
  Game	
  Consoles,	
  DVR’s	
  
	
  
qï±â€ŻOriginal	
  Content	
  
Â§ï‚§â€Ż Movies	
  
Â§ï‚§â€Ż TV	
  Shows	
  
	
  
qï±â€ŻIncrease	
  internaAonal	
  presence	
  
	
  
qï±â€ŻDiïŹ€erent	
  pricing	
  policies	
  
	
  
qï±â€ŻInvent	
  iPad	
   37	
  -­‐	
  38	
  
Questions?

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Netflix case study

  • 1. Case  Analysis   UC  Berkeley  Extension  –  Strategic  Marke7ng   Professor  Jim  Prost   ‱  Byron  Pi/am   ‱  Laura  DellaGuardia   ‱  Lisandra  Maioli   ‱  Ryan  Shi   ‱  Svetlana  Fedorova   July  17th,  2013  
  • 3. Company History qï±â€ŻFounded  in  1997     qï±â€ŻOïŹ€ered  DVD  home  delivery  via  snail  mail   qï±â€ŻVery  li>le  compeAAon  for  DVD  rentals,   indirect  compeAtors  sAll  ‘sold’  VHS   qï±â€ŻDue  to  complaints  about  high  fees  and  slow   delivery,  in  1999  the  ‘no  late  fees  policy   was  launched’   qï±â€ŻLeap  of  faith  during  dotcom  boom,   subscripAon  model  put  in  place:   Â§ï‚§â€Ż Unlimited  rentals,   Â§ï‚§â€Ż Keep  4  DVDs  at  home   qï±â€Ż2001  announced  intenAon  to  create  a  VOD   business   3  -­‐  38  
  • 4. Current Situation qï±â€Ż$1  billion  business  and  almost  $64  million  in   cash Â ïŹ‚ow   qï±â€ŻVOD,  pay-­‐per-­‐view,  and  streaming  are   gaining  in  popularity   qï±â€ŻLimitaAons  in  computer  to  TV  connecAvity   and  in  access  to  content,  but  evolving   quickly  with  technology   qï±â€ŻSubstanAal  Investments  in  Video-­‐on-­‐ Demand  (VOD):  2006,  $10  million,  2007  $40   million       (as  of  2007)     4  -­‐  38  
  • 5. Mission Statement No  mission  statement,  but  they  have  an  oïŹƒcial   ‘vision’  of  Ne@lix’s  future:     qï±â€Ż Becoming  the  best  global  entertainment   distribuAon  service   qï±â€Ż Licensing  entertainment  content  around   the  world   qï±â€Ż CreaAng  markets  that  are  accessible  to   ïŹlm  makers   qï±â€Ż Helping  content  creators  around  the   world  to Â ïŹnd  a  global  audience   qï±â€Ż Company  values  to  guide  employees’   everyday  decisions  :   Â§ï‚§â€Ż Judgment   Â§ï‚§â€Ż ProducAvity   Â§ï‚§â€Ż CreaAvity   Â§ï‚§â€Ż Intelligence   Â§ï‚§â€Ż Honesty   Â§ï‚§â€Ż CommunicaAon   Â§ï‚§â€Ż SelïŹ‚essness   Â§ï‚§â€Ż Reliability   Â§ï‚§â€Ż Passion   5  -­‐  38  
  • 8. qï±â€ŻSubscripAon  Model     qï±â€ŻUnique  RecommendaAon  System     qï±â€ŻLarge  DVD  SelecAon  for  Online  Rental     qï±â€ŻFast  Delivery  Times   Strengths 8  -­‐  38  
  • 9. Weaknesses qï±â€ŻDiïŹƒculAes  providing  enough  copies  of  popular  new   releases  to  meet  demand   qï±â€ŻSubscripAon  plan  does  not  appeal  to  less  frequent  movie   renters   qï±â€ŻDVD’s  may  be  damaged  or  lost  in   transit   qï±â€ŻOnly  operaAng  in  the  DVD  segment   at  a  Ame  when  there  is  so  much   potenAal  in  VOD   9  -­‐  38  
  • 10. OPPORTUNITIES   qï±â€ŻInternaAonal  Expansion   qï±â€ŻVOD  Expansion   qï±â€ŻOriginal  Content   qï±â€ŻNew  Product  Lines  such  as  video  games  or  educaAonal   materials   qï±â€ŻOïŹ€er  alternaAve  SubscripAon  opAons  to  appeal  to  less   frequent  movie  renters     10  -­‐  38  
  • 11. THREATs   qï±â€Ż  Blockbuster   qï±â€ŻOther  VOD  CompeAtors  including:   Â§ï‚§â€Ż Vongo       Â§ï‚§â€Ż CinemaNow   Â§ï‚§â€Ż MovieBeam   Â§ï‚§â€Ż MovieLink   Â§ï‚§â€Ż TradiAonal  cable/satellite  providers     qï±â€ŻVOD  Content  Prices  and  Availability     Â§ï‚§â€Ż Limited  VOD  Content  due  to  studios  concerned  about  piraAng  and   aïŹ€ecAng  DVD  sales   11  -­‐  38  
  • 13. Target customer qï±â€ŻMales  and  Females  ages  17-­‐60;   qï±â€Ż$30,000  and  up;   qï±â€ŻDiïŹ€erent  racial/ethnic  groups;   qï±â€ŻPsychographics:     Â§ï‚§â€Ż Busy  people;   Â§ï‚§â€Ż Movie  lovers  and  frequent  renters;   Â§ï‚§â€Ż “All  you  can  eat”;   Â§ï‚§â€Ż Early  adopters  (DVD  players).     13  -­‐  38  
  • 15. Competitors (as  of  2007)     15  -­‐  38  
  • 18. qï±â€Ż VALUE   qï±â€Ż CONVENIENCE   qï±â€Ż SELECTION   POSITIONING 18  -­‐  38  
  • 20. PricING Pay  per   movie       ($4)  +  shipping   and  handling   charge  ($2)     with  late  fees   Prepaid   subscripLon   service     (4  movies  at  a   Ame  and  4   new  each   month)   Unlimited   rental       (3  movies  at  a   Ame,  unlimited   exchange)   20  -­‐  38  
  • 22. Promotion qï±â€ŻCross-­‐promoAonal  programs  with  the   manufacturers  and  sellers  of  DVD  players;   qï±â€ŻTheater  Ackets;   qï±â€ŻCommercial  and  radio  spots;   qï±â€ŻBanners  and  popups;   qï±â€ŻNellix  aïŹƒliate  program  (free-­‐trial   promoAon);   qï±â€ŻWord-­‐of-­‐the-­‐mouth.     22  -­‐  38  
  • 24. What  is  the     best  VOD  model  and   marke7ng  strategy   for  Ne?lix  all  while   keeping  the  company’s   posiGon  as  a  leader  in  the   home  video  market?       24  -­‐  38  
  • 26. Alternatives OïŹ€er  raAngs  and  recommendaAons   system  to  cable  companies     1 OïŹ€er  online  video  streaming  at  no  extra   cost  to  exisAng  customers  2 Create  a  standalone  online  video   business  3 26  -­‐  38  
  • 28. Critical Issues qï±â€Ż Technology     Â§ï‚§â€Ż VOD  compeAAon     qï±â€Ż Content  acquisiAon  &  piraAng  concerns   qï±â€Ż User  acquisiAon  and  adopAon   qï±â€Ż Financial  Investmen   qï±â€Ż Employee’s  role  in  dealing  with  2   businesses     28  -­‐  38  
  • 30.     RelaLve   Weights   OpLon   1   OpLon   2   OpLon   3   Technological    Improvements     0.3   4   5   5   Emerging  CompeAtors   0.2   2   5   4   Content  AcquisiAon   0.2   3   5   4   User  AdopAon   0.15   1   5   4   Financial  PosiAon  /  Cost  Basis   0.15   1   4   4                       RelaAve  Weight  x   RaAng   1   2.5   4.85   4.3   Ne@lix  Summary  Assessment   AlternaAves  (RaAng)   Analysis 30  -­‐  38  
  • 32. RECOMMENDATIONS qï±â€ŻTechnology  rapidly  improving   Â§ï‚§â€Ż Nellix  needs  to  keep  up  with  the  Ames     Â§ï‚§â€Ż ConnecAvity  will  be  facilitated  in  the  future   qï±â€ŻFuture  Access  to  Content     Â§ï‚§â€Ż Easier  and  cheaper  (on  the  business  and  client  side)   qï±â€ŻFor  the  business  side  of  content  acquisiAon   Â§ï‚§â€Ż Ensure  your  technology  is  up  to  par  so  as  to   reassure  content  providers  of  their  copyrighted   safety   OïŹ€er  Online  Video  Streaming  at  No   Extra  Cost  to  ExisLng  Customers   32  -­‐  38  
  • 33. RECOMMENDATIONS qï±â€ŻCompeAtors  also  doing  this,  don’t  want  to  be  lep   behind   qï±â€ŻDVD’s  becoming  obsolete   qï±â€ŻUse  strong  exisAng  customer  base   and  internet  savvy  forward-­‐thinkers   from  website   OïŹ€er  Online  Video  Streaming  at  No   Extra  Cost  to  ExisLng  Customers   33  -­‐  38  
  • 34. RECOMMENDATIONS qï±â€ŻInvestment  in  technology   qï±â€ŻAppeal  and  promote  to  exisAng   users   qï±â€ŻOïŹ€er  one  month  free  trial  for  VOD     qï±â€ŻMaintain  industry  leading   suggesAon  engine   How  We  Recommend   ImplemenLng   34  -­‐  38  
  • 35. RECOMMENDATIONS Budget  Plan   qï±â€ŻInvest  money  in  service   Â§ï‚§â€Ż Online  service  &  mail-­‐order  speed   qï±â€ŻTechnological  improvements   Â§ï‚§â€Ż Cloud-­‐based  opAons   qï±â€ŻConAnue  working  with  media  outlets   Â§ï‚§â€Ż Improve  cost  per  watch   Â§ï‚§â€Ż Increase  library   qï±â€ŻRecommendaAon  engine   Â§ï‚§â€Ż Steer  viewers  towards  cheaper  programs   35  -­‐  38  
  • 37. Future strategy qï±â€ŻImprove  smartphone  app     qï±â€ŻTechnology  PenetraAon   Â§ï‚§â€Ż Package  with  TV’s,  Game  Consoles,  DVR’s     qï±â€ŻOriginal  Content   Â§ï‚§â€Ż Movies   Â§ï‚§â€Ż TV  Shows     qï±â€ŻIncrease  internaAonal  presence     qï±â€ŻDiïŹ€erent  pricing  policies     qï±â€ŻInvent  iPad   37  -­‐  38 Â