(2011) Introducing the Abysses Project from Salone del Mobile de Milano 2010

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Mollon, M. (2011). Introducing the Abysses Project from Salone del Mobile de Milano 2010 (pp. 1–39). Talk presented at the Pôle supérieur de design, JPO (“Open days”), Villefontaine (38), France (Mar. 18th).

____
JPO – VILLEFONTAINE
____
MAXMOLLON – INTERACTIVE CONCEPT DESIGNER
MASTER MEDIA DESIGN – HEAD – GENEVA
18 › 02 › 2011

____
ABYSSES
ENVIRONNEMENT AQUATIQUE SENSIBLE
APRIL 2010
____
SALONE DEL MOBILE DE MILANO 2010
EXPOSITION HEAD – PEEP-SHOW

____
ABYSSES
CONCEPT & FONCTIONNEMENT
____

____
ABYSSES
EXPOSITION
____

____
ABYSSES
MAKING OF
____

(VIDEO)

(VIDEO)

(VIDEO)

(VIDEO)

(VIDEO)

____
ABYSSES
ENVIRONNEMENT AQUATIQUE SENSIBLE
APRIL 2010
____
Architecture d’intérieur
Concept et réalisation de l’aquarium et de la pièce
Media Design / Interaction Design
Programmation logiciel, design sonore
Programmation, électronique, conseil esthétique
Concept interactif, expérience utilisateur, design sonore, supervision esthétique
Réalisation bois, électronique
Programmation hardware, électronique, supervision technique
Technologie
MaxMSP, Arduino, PCB fait main, I2C bus, RS485 bus
Fabio Colucci, Maxime Ballard
Matthieu Cherubini
Alexandre Burdin
Max Mollon
Elwood-Léo Spafford
Théo Reichel

____
ABYSSES
____
THANKS!

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NOTES OF THE PDF PRESENTATION - Mollon, M. (2016), Conflictual design artefacts reveal vertical power relationships (work in progress). Presented at the Intersectional perspectives on design, politics and power symposium. School of Arts and Communication (K3), Malmö University, Malmö (Sweden). (Nov. 14-15th). – Event page: http://bit.ly/designIntesect – Abstract Contemporary issues of occidental society are multi-faceted and addressing them needs bringing multiple points of views around the table. However, making every voices heard is a challenge, especially the ones in the margins. On the other hand, the concept of intersectionality allows to consider how various categories – including sectarian ones as race, gender, age, ability… – simultaneously compose traits of one's identity. Here, rather than focusing on identity constitution or intersections of various categories, I address “domination” as a common attribute to these vertical relationships. In fact, many of these oppressions remain silent, because of being untold, unthought-of or unknown. They remain embedded and hidden in everyday life and everyday objects. Indeed, human-made objects often support these state of power – as they involve many actors and assumptions in their making and using. But they can also allow to identify them and to interfere with them, opening a space for horizontal discussion. I argue that “Speculative and Critical Design” (SCD) artefacts have this potential when bringing a state of “dissensus”. The present text is a work in progress. Its main contributions are: a case study using a conflictual artefact to trigger participant responses, using SCD in collective discussion context; the firsts empirical results; and the future research directions that emerged from them. These research leads – based on new connections between existing academic works – are open to discussion with the symposium members before further development. The case study does not directly allow to avoid oppression to take place, neither to unveil it publicly. Rather, it allowed me to spot it, it allowed the participants to talk about the conflictual artefact, but most of all it allowed them to talk to each other despite the state of power. Based on this I briefly enumerate research directions and related literatures, under two main strategies: seating in-between; and breaching the norm. And I promote the use of the “dissensus” in “Participatory Design” contexts.

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(2011) Introducing the Abysses Project from Salone del Mobile de Milano 2010

1. ____ JPO – VILLEFONTAINE ____ MAXMOLLON – INTERACTIVE CONCEPT DESIGNER MASTER MEDIA DESIGN – HEAD – GENEVA 18 › 02 › 2011

2. ____ ABYSSES ENVIRONNEMENT AQUATIQUE SENSIBLE APRIL 2010 ____ SALONE DEL MOBILE DE MILANO 2010 EXPOSITION HEAD – PEEP-SHOW

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9. ____ ABYSSES CONCEPT & FONCTIONNEMENT ____

10. ____ ABYSSES EXPOSITION ____

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38. ____ ABYSSES ENVIRONNEMENT AQUATIQUE SENSIBLE APRIL 2010 ____ Architecture d’intérieur Concept et réalisation de l’aquarium et de la pièce Media Design / Interaction Design Programmation logiciel, design sonore Programmation, électronique, conseil esthétique Concept interactif, expérience utilisateur, design sonore, supervision esthétique Réalisation bois, électronique Programmation hardware, électronique, supervision technique Technologie MaxMSP, Arduino, PCB fait main, I2C bus, RS485 bus Fabio Colucci, Maxime Ballard Matthieu Cherubini Alexandre Burdin Max Mollon Elwood-Léo Spafford Théo Reichel

39. ____ ABYSSES ____ THANKS!