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Millie (about seven yrs. old) and Mary John (with the baby) eight years old. Both shuck oysters at the Alabama Canning Co. This is Mary’s
second year. She said, “I shucks six pots if I don’t got the baby; two pots if I got him.” (Many of the little ones, too young to work all the
time, tend the baby when not working.) Location: Bayou La Batre, Alabama. February, 1911 (Original caption; courtesy of the Library of
Congress Prints and Photographs Division, National Child Labor Committee Collection, LC-DIG-nclc-00846)
Photojournalism
Here’s what you need to know before going any further:
it’s ONE word but we’re going to use PJ:
http://rittman.blogspot.com/2008/03/do-you-know-your-
photojournalism-prove.html
https://www.youtube.com/watch?v=Vhb6GtIPrqo
https://www.youtube.com/watch?v=mHtRZBDOgag&playn
ext=1&list=PLE4ECA66F4BC8F206&feature=results_main
https://www.youtube.com/watch?v=V6VJw6PmBjE
http://rittman.blogspot.com/2008/01/death-of-arcade-my-
tribute-to-end-of.html
MEMO
We are visual creatures – but there is more to PJ than just
taking pictures
However, you also need to be able to plan, shoot, edit and
sell your own material
So, exploit your niche; people need new markets! It’s
cheap, fast and easy to broadcast whatever you want -
markhamnolan.com
Visual literacy – knowing the visual language, which
enhances your understanding and enjoyment of the
image
The writer has a second chance, the photographer rarely
About Photos          Photo essays:
  and Video                 more
                         important
                                           YouTube –
                                         unlimited and
                       than blogging      can get you
Words and images:      and tweeting       anywhere:
                        or Facebook
   There comes a
point when it’s time
     to face the         You need to
                        try it and get
 stage, the page or     good or else      There are a
 the blank screen.        you’re just    few myths…
                       like everyone
                              else
 Get excited, show
 up and let go. And
      it’s yours.
Doesn’t have to be. You can
                              use iPhone or Droid video
                              online and shoot print-quality
                              photos with these tools as
                              well




Three basic rules or visual
grammar: sequences, framing
and white balance
Be a photojournalist: photos
                            and/or videos of people doing
                            interesting things
Shoot everyday news events, recording interviews, telling video stories
Hold the camera while asking questions single-handedly; you will feel
inadequate, but it’s possible. Challenge yourself and your lighting and
framing and depth of field.
PRACTICE!
Collaborate when you can - bell curve and the long tail business
Photojournalism is not news photography, publication photography, or
hyphenated photo-journalism.
No personal photos of parties, vacations and family events. Your records
trigger your memories even though represented usually by meaningless
photos
You need a main object and focal point, showing something not normally
seen. Reveal new information at each look answering some of the classic
questions of journalism: 5W1H
Shooting to
  make it              These
look natural             are
   is hard Buy
   What They            news
                       values:

  prominence-proximity-
conflict- amusing-unusual-
    timeliness-impact
It’s a science and
Tricks to storytelling:                           an art, too!
                                              So, you have to be
because hiccups are                            a scientist, artist
                                               , documentarian
                                                    and a PJ
going to happen
 Bookend – end by returning to the beginning, again
 Flashbacks – selective basis
 Show, don’t tell – listen to whether you’re telling it or showing
 it
 Reflection – see how long you can get someone to look at
 you, or pause in their interview. It’s about 5 to 10 seconds
 Back to the past –always have a point to the story
 johndmchugh.photoshelter.com
Photojournalism is facts and
     information, NOT your personal and inner
     thoughts
is always being learned, dug up, corrected, asked and answered. -
http://www.futureofcontext.com/?p=23
http://berglondon.com/blog/2009/12/17/magplus/
http://alexxhenry.com/blog/ipad/
http://hulldigital.co.uk/the-future-of-magazines/
is what people make it: http://buzzmachine.com/
is NOT personal camera: http://www.dslrnewsshooter.com/2010/03/15/dan-
chung-filming-chinas-migrant-children-using-the-canon-550d/
Is an honest report visual report of what happened in a form understandable
to others – the best photojournalist will arouse viewer’s emotions and
stimulate thought and action
The goal of the PJ is to tell the reader what was there, clearly, quickly, and
without mystery, confusion, or riddle.
PJs are
                                     needed
The world needs what only journalists, who have
spent their lives studying journalism, provide

http://pressthink.org/

http://paidcontent.org/

http://www.tristanharris.com/

http://www.futureofcontext.com/
Since you are a PJ now:
Your life on Tuesday and Thursday morning will be to check in to the photo
desk, our room in J-107. You will receive your assignments, which will be a
collaborative list of assignments to tell a story. Then, after shooting, you will
decide with the photo staff what shots to use after discussing the pictures with
them.
You will publish the photos on your portfolio site and write the captions.
Finding your story ideas is part of the job. Further, while in between or traveling
to assignments, and on the few slow days when you have “spare time,” you will
need to find feature photos that can be used, perhaps only with brief captions –
evergreens
Your assignments will include news, features, sports, and wildcards, including
fashion, food, personality profiles, and in-depth stories.
You are also expected to be able to handle any type of assignment, from fashion
and illustration to sports, features, and news – versatility
Show up, which means actually going out and reporting on
issues that you know are going unreported
Familiarize yourself with wires, agencies, special
interest, trade, profession and hobby magazines, websites
and nonfiction publications where you want to get $$
You can master the technical and visual means of
communicating with a camera, but you must also have the
instincts of a reporter for news value, emphasis and
significance

  The key is practice - because you can't get paid in theory for
  something you haven't done in practice. You have to go and show up
  for free, too. But, once you start doing it, then things start happening
  for you. You can’t be a multimedia journalist if you’re sitting around
  thinking about it all day.
Plans: you can’t
plan for magic                  Narrative set of
                               pictures that work
                             together to present a
                                 single topic. A
                             complete photo story
 Don’t wait for your whole          includes
plan to make sense before    headline, captions, a
 you start. You don’t need       nd a carefully
 funding these days. Just      coordinated page
 start! Photojournalism is   layout, if appllicable.
powerful – restrictions on
  photos vs. taking notes
More links
http://lateralaction.com/articles/steven-
pressfield-turning-pro-interview/

http:Digital Journalist’s Handbook

http://www.mediabistro.com/10000words/

http://www.journalism.co.uk/
Photo Essay
Examples:

http://www.time.com/time/photogallery/0,29307,
1858220_1796772,00.html

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Photojournalism

  • 1.
  • 2. Millie (about seven yrs. old) and Mary John (with the baby) eight years old. Both shuck oysters at the Alabama Canning Co. This is Mary’s second year. She said, “I shucks six pots if I don’t got the baby; two pots if I got him.” (Many of the little ones, too young to work all the time, tend the baby when not working.) Location: Bayou La Batre, Alabama. February, 1911 (Original caption; courtesy of the Library of Congress Prints and Photographs Division, National Child Labor Committee Collection, LC-DIG-nclc-00846)
  • 3. Photojournalism Here’s what you need to know before going any further: it’s ONE word but we’re going to use PJ: http://rittman.blogspot.com/2008/03/do-you-know-your- photojournalism-prove.html https://www.youtube.com/watch?v=Vhb6GtIPrqo https://www.youtube.com/watch?v=mHtRZBDOgag&playn ext=1&list=PLE4ECA66F4BC8F206&feature=results_main https://www.youtube.com/watch?v=V6VJw6PmBjE http://rittman.blogspot.com/2008/01/death-of-arcade-my- tribute-to-end-of.html
  • 4. MEMO We are visual creatures – but there is more to PJ than just taking pictures However, you also need to be able to plan, shoot, edit and sell your own material So, exploit your niche; people need new markets! It’s cheap, fast and easy to broadcast whatever you want - markhamnolan.com Visual literacy – knowing the visual language, which enhances your understanding and enjoyment of the image The writer has a second chance, the photographer rarely
  • 5. About Photos Photo essays: and Video more important YouTube – unlimited and than blogging can get you Words and images: and tweeting anywhere: or Facebook There comes a point when it’s time to face the You need to try it and get stage, the page or good or else There are a the blank screen. you’re just few myths… like everyone else Get excited, show up and let go. And it’s yours.
  • 6. Doesn’t have to be. You can use iPhone or Droid video online and shoot print-quality photos with these tools as well Three basic rules or visual grammar: sequences, framing and white balance
  • 7. Be a photojournalist: photos and/or videos of people doing interesting things Shoot everyday news events, recording interviews, telling video stories Hold the camera while asking questions single-handedly; you will feel inadequate, but it’s possible. Challenge yourself and your lighting and framing and depth of field. PRACTICE! Collaborate when you can - bell curve and the long tail business Photojournalism is not news photography, publication photography, or hyphenated photo-journalism. No personal photos of parties, vacations and family events. Your records trigger your memories even though represented usually by meaningless photos You need a main object and focal point, showing something not normally seen. Reveal new information at each look answering some of the classic questions of journalism: 5W1H
  • 8. Shooting to make it These look natural are is hard Buy What They news values: prominence-proximity- conflict- amusing-unusual- timeliness-impact
  • 9. It’s a science and Tricks to storytelling: an art, too! So, you have to be because hiccups are a scientist, artist , documentarian and a PJ going to happen Bookend – end by returning to the beginning, again Flashbacks – selective basis Show, don’t tell – listen to whether you’re telling it or showing it Reflection – see how long you can get someone to look at you, or pause in their interview. It’s about 5 to 10 seconds Back to the past –always have a point to the story johndmchugh.photoshelter.com
  • 10. Photojournalism is facts and information, NOT your personal and inner thoughts is always being learned, dug up, corrected, asked and answered. - http://www.futureofcontext.com/?p=23 http://berglondon.com/blog/2009/12/17/magplus/ http://alexxhenry.com/blog/ipad/ http://hulldigital.co.uk/the-future-of-magazines/ is what people make it: http://buzzmachine.com/ is NOT personal camera: http://www.dslrnewsshooter.com/2010/03/15/dan- chung-filming-chinas-migrant-children-using-the-canon-550d/ Is an honest report visual report of what happened in a form understandable to others – the best photojournalist will arouse viewer’s emotions and stimulate thought and action The goal of the PJ is to tell the reader what was there, clearly, quickly, and without mystery, confusion, or riddle.
  • 11. PJs are needed The world needs what only journalists, who have spent their lives studying journalism, provide http://pressthink.org/ http://paidcontent.org/ http://www.tristanharris.com/ http://www.futureofcontext.com/
  • 12. Since you are a PJ now: Your life on Tuesday and Thursday morning will be to check in to the photo desk, our room in J-107. You will receive your assignments, which will be a collaborative list of assignments to tell a story. Then, after shooting, you will decide with the photo staff what shots to use after discussing the pictures with them. You will publish the photos on your portfolio site and write the captions. Finding your story ideas is part of the job. Further, while in between or traveling to assignments, and on the few slow days when you have “spare time,” you will need to find feature photos that can be used, perhaps only with brief captions – evergreens Your assignments will include news, features, sports, and wildcards, including fashion, food, personality profiles, and in-depth stories. You are also expected to be able to handle any type of assignment, from fashion and illustration to sports, features, and news – versatility
  • 13. Show up, which means actually going out and reporting on issues that you know are going unreported Familiarize yourself with wires, agencies, special interest, trade, profession and hobby magazines, websites and nonfiction publications where you want to get $$ You can master the technical and visual means of communicating with a camera, but you must also have the instincts of a reporter for news value, emphasis and significance The key is practice - because you can't get paid in theory for something you haven't done in practice. You have to go and show up for free, too. But, once you start doing it, then things start happening for you. You can’t be a multimedia journalist if you’re sitting around thinking about it all day.
  • 14. Plans: you can’t plan for magic Narrative set of pictures that work together to present a single topic. A complete photo story Don’t wait for your whole includes plan to make sense before headline, captions, a you start. You don’t need nd a carefully funding these days. Just coordinated page start! Photojournalism is layout, if appllicable. powerful – restrictions on photos vs. taking notes
  • 15. More links http://lateralaction.com/articles/steven- pressfield-turning-pro-interview/ http:Digital Journalist’s Handbook http://www.mediabistro.com/10000words/ http://www.journalism.co.uk/

Editor's Notes

  1. Your introductory or title slide should convey the overall “feeling” and focus of your presentation. For instance, I typically present about small-business trends, new business ideas, growth opportunities or other positive trends. In this sample presentation, I’m talking about new business ideas, so I used a sun graphic in this slide template to convey a positive feeling. Personalize this slide template with your company’s logo. To add a logo to all slides, place it on the Slide Master. To access the Slide Master, on the Themes tab of the Ribbon, click Edit Master and then click Slide Master.Disclaimer: You understand that Microsoft does not endorse or control the content provided in the following presentation. Microsoft provides this content to you for informational purposes only; it is not intended to be relied upon as business or financial advice. Microsoft does not guarantee or otherwise warrant the accuracy or validity of this information and encourages you to consult with a business or financial professional as appropriate.RIEVA LESONSKY Founder and President, GrowBiz Media RievaLesonsky is founder and president of GrowBiz Media, a content and consulting company specializing in covering small businesses and entrepreneurship. A nationally known speaker and authority on entrepreneurship, Lesonsky has been covering America’s entrepreneurs for nearly 30 years. Before co-founding GrowBiz Media, Lesonsky was Editorial Director of Entrepreneur Magazine.
  2. I like to speak spontaneously, so I use PowerPoint as an outline to keep me on track. It’s best to keep your PowerPoint text brief, simply reinforcing key points you will talk about at more length. You can use this slide template to convey a series of steps or related points in a short format.
  3. A plain old bulleted list can get boring, so use graphics to liven it up. An image that conveys what you’re saying in visual format (like this diagram) can reinforce your ideas in the audience’s mind.
  4. I like to use an off-balance layout to keep things from getting too symmetrical. Customize this slide template graphics of your choice, including photos, clip art, your logo or illustrations. Good photos really help cement an idea in the audience’s mind. This slide is animated to display an appropriate image as you introduce each business type.
  5. I often use color and graphics to add excitement to a presentation. Just because it’s about business doesn’t mean it has to be staid—you need movement, energy and color, as in this slide template. Use this slide template to illustrate relationships or processes. In this slide, I used it to show how demographic trends create a new consumer group and what products that group purchases. You could also use it to illustrate your sales cycle or relationships among departments in your company.
  6. Insert a chart in this slide template to illustrate your topic visually, then use bullets or color to call out key findings or points from your chart in a brief format.
  7. I like to use an off-balance layout to keep things from getting too symmetrical. Customize this slide template graphics of your choice, including photos, clip art, your logo or illustrations. Good photos really help cement an idea in the audience’s mind. This slide is animated to display an appropriate image as you introduce each business type.
  8. A plain old bulleted list can get boring, so use graphics to liven it up. An image that conveys what you’re saying in visual format (like this diagram) can reinforce your ideas in the audience’s mind.
  9. I often use color and graphics to add excitement to a presentation. Just because it’s about business doesn’t mean it has to be staid—you need movement, energy and color, as in this slide template. Use this slide template to illustrate relationships or processes. In this slide, I used it to show how demographic trends create a new consumer group and what products that group purchases. You could also use it to illustrate your sales cycle or relationships among departments in your company.
  10. This slide template can show steps, stages or how various elements or factors combine to make one key result or goal. For instance, you could show how various departments in your business work together to make the sale, how key customer groups will all purchase your product, or how different funding sources will provide the total you need. This slide template also makes an excellent concluding slide for your presentation, enabling you to graphically sum up your key points into one final whole.