The Ultimate Guide to Choosing WordPress Pros and Cons
Final programme Design & Emotions 2012
1.
Tuesday
11th
September
2012
–
Workshops
and
masterclasses:
maximum
20
participants
per
workshop
9:00
–
9:30
Registration
for
workshops
and
masterclasses
+
refreshments
9:30
–
Workshop
2:
Workshop
3:
A
Workshop
4:
Workshop
10:
Why-‐ Workshop
9:
The
Workshop
11:
An
insight
Workshop
1:
Do
you
12:30
Designing
for
well
shared
vision
on
user
Changing
food
Finding:
Exploring
future
of
death
and
into
the
world
of
want
my
kidney
being
in
healthcare
experiences
related
behaviour
the
intersection
of
remembrance
perfumery:
Introduction
(full
day)
(half
day)
(half
day)
through
design
logic
and
emotion
(full
day)
to
olfactive
families
and
Room:
D
111
Room:
D113
Room:
D115
(half
day)
(half
day)
Room:
Lecture
creating
a
scent
Room:
D
117
Room:
Lecture
Theatre
(E002)
(full
day)
Theatre
(E
003)
Room:
Studio
Theatre
(J
004)
12:30
–
Lunch
+
Registration
for
Workshops
5,6,7,8
13:30
13:30
–
Workshop
5:
Workshop
6:
Workshop
7:
A
Workshop
8:
Workshop
9
Workshop
11
Workshop
1:
16:30
Relationship
Bisociating
digital
love
story:
Empathy
and
(continued)
(continued)
(continued)
Counselling
diversities
for
Measuring
and
conflict
resolution
Room:
Lecture
Room:
Studio
Theatre
(J
(full
day)
(half
day)
socially
responsive
designing
for
for
designers
Theatre
(E002)
004)
Room:
D
111
Room:
D
111
design
emotions
in
(half
day)
Room:
D113
interactive
visual
Room:
D
117
interfaces
Room:
D115
Note:
Attendees
need
to
register
for
the
workshops
separately.
Workshops
are
not
included
in
the
conference
registration
fees.
The
workshop
fees
do
not
includes
lunches.
(CS)
=
Case
study
Provisional
programme.
Version
4
19
9.8.
2012
1
2. Wednesday
12th
September
2012
8:30
–
9:15
Registration
+
coffee
Room:
Platform
Theatre
(M
005)
+
spill
over
in
Studio
Theatre
(J
004)
9:30
–
10:00
Welcome
address
Room:
Platform
Theatre
(M
005)
+
spill
over
in
Studio
Theatre
(J
004)
10.00
–
10:30
Presentation
of
CSM
and
TU
Delft:
Negative
emotion
workshop
Venue:
The
Platform
Theatre
(M
005)
10:30
–
11:30
Keynote
speaker:
Ron
Dennis
(Q&A)
Room:
Platform
Theatre
(M
005)
+
spill
over
in
Studio
Theatre
(J
004)
11:30
–
12:00
Coffee
break
Venue:
The
Street
12:00
–
13:30
Session
1A:
Session
1B:
Session
1C:
Session
1D:
Process
methodology
tools
and
Society/culture:
The
philosophical
The
self/the
object
-‐1-‐
Parallel
methods:
The
experience
of
design
Socially
Responsive
Design
sessions
1
pedagogy
Room:
(M
302)
Room:
Studio
Theatre
(J
004)
Room:
Lecture
Theatre
(E
002)
Room:
Lecture
Theatre
(E
003)
001:
LEARNING
BY
DESIGN:
034:
METADESIGN:
A
DYNAMIC
046:
NEGOTIATING
IDENTITIES:
USE
OF
057:
INTERACTION
FOR
EMOTION.
COGNITIVE
AND
EMOTIONAL
FRAMEWORK
FOR
SEEDING
SOCIALLY
PRAYER
BEADS
IN
TURKISH
EVERYDAY
DIFFERENT
INSTANCES
AND
FACTORS
INFLUENCING
INFORMAL
RESPONSIVE
DESIGN
Damla
Tonuk
EVENTS
OF
INTERACTION
LEARNING
EXPERIENCES
IN
Hannah
Jones
&
Anette
Lundebye
BETWEEN
PEOPLE
AND
PRODUCTS
INTERACTIVE
ENVIRONMENTS
047:
AN
INITIAL
FRAMEWORK
OF
Ruben
H.
Jacob
Dazarola,
Nicole
Leaper
035:
THE
IMPORTANCE
OF
SOCIAL
AESTHETIC
EXPERIENCE
OVER
TIME
Manuel
Martínez
Torán
DESIGN
IN
FIGHTING
RACISM
IN
THE
Ioana
Ocnarescu,
Jean-‐Baptiste
María
Consuelo
&
Esteve
Sendra
002:
ENGLISH
LEARNING
EXPERIENCE
UK
Labrune,
Carole
Bouchard,
Frédérique
BY
ADULT
BEGINNERS:
AN
Fernanda
Portes
Rizzo
Assuncao
&
Pain
&
Ameziane
Aoussat
EMOTIONAL
CHALLENGE
Sylvia
Tzvetanova
yung
058:
OBJECTS
IN
PURGATORY:
Maria
Carolina
Fillman,
Luíza
048:
DESIGN
&
PHILOSOPHY.
HOW
WE
LIVE
WITH
UNCHERISHED
Rossetto,
Michele
Schell
&
086:
THANK
GOD
PROJECT
(CS)
FRIEDRICH
NIETZSCHE’S
THOUGHT
GIFTS
Filipe
Campelo
Xavier
da
Costa
Anggia
Widhi
Purbowati
AND
THE
TWENTIETH-‐CENTURY
Julia
Keyte
BUILDINGS
DESIGN
003:
THE
LOVE
AND
HATE
OF
BLING
Liliana
Soares,
Fátima
Pombo,
088:
FROM
TROUBLESHOOTING
TO
PRODUCTS
-‐
AN
INDUSTRIAL
DESIGN
Ermanno
Aparo
&
Dante
Donegani
TRUE
EMOTIONAL
IMPACT:
THE
STUDENT
CASE
ADDED
VALUE
OF
ADDRESSING
Elin
Olander,
Despina
Christoforidou
LATENT
CONCERNS
IN
DESIGN
FOR
&
Anders
Warell
EMOTION
(CS)
Sanne
Kistemaker
&
Marijke
Verhoef
Chair:
tbc
Chair:
tbc
Chair:
tbc
Chair:
tbc
(CS)
=
Case
study
Provisional
programme.
Version
4
19
9.8.
2012
2
3.
13.30
–
14.30
Lunch
Venue:
The
Street
14:30
–
16:00
Session
2A:
Session
2B:
Session
2C:
Session
2D:
Society/culture:
Play
Process
methodology
tools
and
The
philosophical:
Intimacy
and
affect
The
self/the
object
-‐2-‐
Parallel
methods:
Empirical
approaches
Sessions
2
Room:
Platform
Theatre
(M
302)
Room:
Studio
Theatre
(J
004)
Room:
Lecture
Theatre
(E
002)
Room:
Lecture
Theatre
(E
003)
004:
PLEASURES
THROUGH
MOBILE
049:
TOWARD
INTIMACY
IN
USER
061:
UNRULY
DESIGN
PRACTICE,
037:
CHAOS
AND
CREATIVITY
OF
PLAY:
APPLICATIONS:
INVESTIGATING
THE
EXPERIENCE:
ENDURING
INTERACTION
PORCELAIN
PHONES
AND
DESIGNING
EMOTIONAL
USER-‐SYSTEM
INTERACTION
IN
THE
USE
OF
COMPUTATIONAL
LAMPSHADE
FIREPLACES
ENGAGEMENT
IN
PUBLIC
SPACES
Jussana
Ramos
dos
Santos,
Maria
OBJECTS
Wouter
Eggink
Christopher
Rawlinson
&
Valéria
Gonçalves
de
Assis,
Kenny
K.
N.
Chow
Mirko
Guaralda
Daniel
Prujá,
Leandra
Saldanha,
Filipe
062:
FROM
TRANSIENT
TO
Campelo
Xavier
da
Costa
&
050:
CAN
WEARABLE
TECHNOLOGY
DURABLE:
EXPLORING
THE
038:
DESIGNING
NARRATIVE
GAMES
Rafael
Teixeira
ENHANCE
EMOTIONAL
INTIMACY?
AN
EMOTIONAL
VALUE
OF
OBSOLETE
FOR
SERIOUS
CONTEXTS
EXPERIMENTAL
DESIGN
PRACTICE
OBJECTS
Eva
Knutz
&
Thomas
Markussen
005:
POSITIVE
EMOTIONAL
Secil
Ugur,
Monica
Bordegoni
&
Haian
Xue
&
Sari
Kujala
EXPERIENCES
WITH
PORTABLE
Marina
Carulli
012:
CINEMATIC
NARRATIVES
OF
INTERACTIVE
PRODUCTS
089:
ANIMATION
VEGETATION
(CS)
PRODUCT
INTERACTION
Rafael
Gomez,Vesna
Popovic
&
090:
ADDICTED
PRODUCTS.
A
Ben
Hagenaars
EXPERIENCES:
METHODS
FOR
CROSS-‐ Alethea
Blackler
SCENARIO
OF
FUTURE
INTERACTIONS
MEDIA
COMPARISONS
WHERE
PRODUCTS
ARE
ADDICTED
TO
Silvia
Grimaldi
083:
EMOTIONAL
ENGAGEMENT
IN
BEING
USED
(CS)
MOBILE
MULTI-‐TASKING
ACTIVITIES.
A
Simone Rebaudengo,
Walter
Aprile
&
HUMAN
FACTORS
REVIEW
(CS)
Paul
Hekkert
Marco
Ajovalasit
&
Benjamin
King
Chair:
tbc
Chair:
tbc
Chair:
tbc
Chair:
tbc
16:00-‐17:00
Keynote
speaker:
Cecilia
Weckström
Room:
Platform
Theatre
(M
005)
+
spill
over
in
Studio
Theatre
(J
004)
(CS)
=
Case
study
Provisional
programme.
Version
4
19
9.8.
2012
3
4. 17:00
–
17:30
Coffee
break
Venue:
The
Street
17:30
–
19:00
Session
3A:
Session
3B:
Session
3C:
Session
3D:
Process
methodology
tools
and
Process
methodology
tools
and
The
self/the
object:
Design
strategy
and
innovation
-‐1-‐
Parallel
methods:
Empathy
methods:
Aesthetic
processes
Interaction
Room:
Lecture
Theatre
(E
003)
Sessions
3
Room:
Platform
Theatre
(M
005)
Room:
Studio
Theatre
(J
004)
Room:
Lecture
Theatre
(E
002)
070:
ACCESSIBLE
BUS
TRAVEL:
A
006:
EMOTION
TAPPING:
009:
REDUCING
UNCERTAINTY
IN
THE
063:(E)MOTIONAL
DESIGN:
DOUBLE
PSYCHOSOCIAL
APPROACH
DESIGN
FOR
EMOTION
ASSISTIVE
DESIGN
PROCESS:
THE
ROLE
OF
MEDIATION
IN
KINETIC
INTERFACES
Patrick
W.
Jordan,
RESEARCH
ACTIVITY
TOOL
AESTHETICS
Jon
Olav
H.
Eikenes
Farnaz
Nickpour
&
Hua
Dong
Matthew
Wilkins
&
Ioannis
Xenakis
&
Argyris
Arnellos
Michaeline
Jensen
064:
MAKING
AND
ENACTING
071:
EXPECT
THE
UNEXPECTED
-‐
010:
VISUALISING
EMOTION:
POSSIBLE
FUTURES:
SANDQUERY
AS
A
THE
CO-‐CONSTRUCTION
OF
007:
"DEAR
USER..."
-‐
AN
EMPATHY
ENHANCING
THE
TYPOGRAPHIC
VEHICLE
FOR
EMBODIED
INTERACTION
ASSISTIVE
ARTIFACTS
BUILDING
EXPERIMENT
DESCRIPTION
OF
PROSODY
IN
Emily
Strouse
Lieven
De
Couvreur,
Jan
Detand,
Ana
Correia
de
Barros
&
WRITTEN
DISCOURSE
THROUGH
Walter
Dejonghe
&
Richard
Carlos
Duarte
DYNAMIC
TYPOGRAPHY
094:
LIVING
WITH
THINGS.
IDLENESS
Goossens
Giles
Rollestone
THROUGH
INTERACTION
DESIGN
(CS)
008:
DESIGN
AS
A
PROPOSED
OF
Monika
Hoinkis
096:
FROM
LOVE
TO
HATE:
THE
EXPERIENCE:
A
NEW
CONCEPT
OF
011:
PIC-‐A-‐MOOD;
DEVELOPMENT
TIPPING
POINT
OF
SERVICE
WELL
LIVING
AND
APPLICATION
OF
A
PICTORIAL
DESIGN.
Angelo
Fernando
da
CRUZ,
Edgar
MOOD-‐REPORTING
INSTRUMENT
James
Rock
Charles
STUBER,
André
Conti
SILVA,
Pieter
Desmet,
Martijn
Vastenburg,
Marcelo
AIMI
&
Filipe
Campelo
Daan
Van
Bel
&
Romero
Natalia
Xavier
DA
COSTA
Chair:
tbc
Chair:
tbc
Chair:
tbc
Chair:
tbc
19:00
onwards
Opening
ceremony:
drinks
&
canapés
Venue:
The
Terrace
(Block
L)/
The
Street
(CS)
=
Case
study
Provisional
programme.
Version
4
19
9.8.
2012
4
5. Thursday
13th
September
2012
8:30
–
9:00
Refreshments
Venue:
The
Street
9:00
–
10:00
Keynote
speaker:
Bernardo
Fleming
Room:
Platform
Theatre
(M
005)
+
spill
over
in
Studio
Theatre
(J
004)
10:00
–
10:30
Coffee
break
Venue:
The
Street
10:30
–
12:00
Session
4A:
Session
4B:
Session
4C:
Session
4D:
Society/culture:
Process
methodology
tools
and
The
self/the
object:
Process
methodology
tools
and
Parallel
Health
and
wellbeing
-‐1-‐
methods
Scent
methods:
Metrics
-‐1-‐
sessions
4
Room:
Platform
Theatre
(M
005)
Room:
Studio
Theatre
(J
004)
Room:
Lecture
Theatre
(E
002)
Room:
Lecture
Theatre
(E
003)
039:
NANNY
ANNIE
PROGRAM
(NAP)
013:
SENSORY
AND
SUSTAINABLE
065:
SEEING
TRUST
-‐
SMELLING
TRUST:
015:
FOR
WHAT
IT
IS
WORTH:
María
Ana
Barrera
STRATEGIES
IN
THE
COMMUNICATING
EMOTIONS
ANTICIPATED
EXPERIENCE
METHODOLOGICAL
APPROACH
TO
THROUGH
DESIGN
IN
ARTISTIC
EVALUATION
042:
DESIGN
FOR
WELL-‐BEING
IN
DESIGN
PERFUMERY
Lutz
Gegner
&
Mikael
Runonen
CARE
HOMES
FOR
THE
ELDERLY
Claudia
DeGiorgi,
Beatrice
Lerma,
Noppeney
Claus
&
Lzicar
Robert
Hugh
Miller
&
Mirja
Kälviäinen
Cristina
Allione
&
Eleonora
Buiatti
016:
NATURAL
LANGUAGE
IN
066:
THE
INFLUENCE
OF
SENSORY
MEASURING
USER
EMOTIONS:
A
014:
CONTENDING
STIGMA
IN
PRODUCT
PROPERTIES
ON
AFFECTIVE
QUALITATIVE
APPROACH
TO
Design
Council
UK
Case
studies
(CS)
PRODUCT
DESIGN
-‐
USING
INSIGHTS
AND
SYMBOLIC
PRODUCT
EXPERIENCE
QUANTITATIVE
SURVEY-‐BASED
Mat
Hunter
FROM
SOCIAL
PSYCHOLOGY
AS
A
Anna
Fenko
&
EMOTION
MEASUREMENT
STEPPING
STONE
FOR
DESIGN
Hendrik
N.
J.
Schifferstein
Leandro
Tonetto
&
STRATEGIES
Pieter
Desmet
Kristof
Vaes,
Pieter
Jan
Stappers,
091:
EMOTION,
LOCATION
AND
THE
Achiel
Standaert
&
SENSES:
A
VIRTUAL
DÉRIVE
SMELL
017:
INTRODUCING
PrEmo2
-‐
NEW
Kristine
Desager
MAP
OF
PARIS
(CS)
DIRECTIONS
FOR
THE
NON-‐VERBAL
Kate
McLean
MEASUREMENT
OF
EMOTION
IN
084:
VALIDATION
OF
A
VISUAL
STYLE
DESIGN
(CS)
Gaël
Laurans
&
Pieter
Desmet
Andrea
Debije-‐Meessen,
Jacqueline
Jansen,
Eddy
van
Vliembergen
Chair:
Chair:
tbc
Chair:
tbc
Chair:
tbc
12:00
–
13:00
Keynote
speaker:
Dr.
Michael
Apter
Room:
Platform
Theatre
(M
005)
+
spill
over
in
Studio
Theatre
(J
004)
(CS)
=
Case
study
Provisional
programme.
Version
4
19
9.8.
2012
5