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ANDREA RESMINI



    GROUNDHOGS
    in THE SOURCE CODE
    navigation as cross-channel sense-making
       IASUMMIT 2012

ย                       ย 
WE SAY NAVIGATE
    WE REALLY MEAN
       UNDERSTAND
ย     ย 
ย    ย 
ย    ย 
ย    KEVIN LYNCH, SKETCHES
          ย 
                      MNSU.EDU
ย    KEVIN LYNCH, SKETCHES
          ย 
                      MNSU.EDU
ย    KEVIN LYNCH, SKETCHES
          ย 
                      MNSU.EDU
ย    ย 
ย    ย 
DISTINCTIONS WERE MADE
         AMONG THE DIFFERENT
     PHYSICAL PARTS OF THE CITY
             THESE PARTS WERE
    ORGANIZED IN A PERSONALLY
             MEANINGFUL MESH
ย                ย 
PEOPLE WERE RECONNECTING
       PERCEIVED FRAGMENTS IN
         MEANINGFUL PATTERNS
ย                ย 
THE ODYSSEY, 700 BC




ย        ย 
ย    ย 
ย    ย 
ย    ย 
MONKEY ISLAND, 1990




ย         ย 
ย    ย 
ย    ย 
ย    ย 
SUCKER PUNCH, 2011




ย        ย 
ย    ย 
ย    ย 
ย    ย 
THE ODYSSEY, 700 BC




ย        ย 
MONKEY ISLAND, 1990




ย         ย 
QUESTS CONNECT MAPS
     WITH PERSONAL SPACE

ย           ย 
MP & THE HOLY GRAIL, 1975




ย             ย 
QUESTS ARE A MIDDLE GROUND
    BETWEEN NARRATIVE AND
              ACTIONABILITY
ย             ย 
DRACULA, 1897




ย    ย 
KHOONI DRACULA, 1992




ย          ย 
BRAM STOKER, 1906




ย       ย 
                 BRITANNICA.COM
MONOLOGIC



                          POLYLOGIC


           DIALOGIC
ย                      ย 
DICTATION
        CYLINDERS


ย    ย 
ย    ย    SHORTHAND
ย    ย    SHIPS' LOGS
DIARY
ย    ย 
        ENTRIES
ย    NEWSPAPERS CLIPPINGS
     ย 
                  GRUNGERABBIT.COM
ย    TYPEWRITTEN TEXT
     ย 
ย    ย    PHASE #1
           DRACULASCASTLE.EU
ย    ย    PHASE #2
         ASSOMMOIR.WORDPRESS.COM
                DRACULASCASTLE.EU
ย    ย    PHASE #3
             DRACULA3d
ย    ย    PHASE #4
ย 
    1   2   ย 
                3   4
NOW.
    WAIT A SEC THERE.

ย      ย 
ย    ย 
ย    ย 
ย    ย 
ย    ย 
THE HOBBIT, 2012




ย     ย 
โ€œPLACE IS A WAY TO
    UNDERSTAND THE WORLDโ€

ย              ย 
                   YI FU TUAN
GROUNDHOG DAY, 1993




ย         ย 
ย    ย 
ย    ย 
ย    ย 
โ€œHE'S TRAPPED IN SOME
          KIND OF TIME WARP.โ€
    โ€œA SUPERNATURAL FORCE IS
              SHOWING HIM HIS
                 WEAKNESSES.โ€
ย               ย 
                    ROGER EBERT
SOURCE CODE, 2011




ย      ย 
ย    ย 
ย    ย 
ย    ย 
โ€œIT'S A F***ING
     VIDEOGAME!โ€
ย        ย 
            EVERYONE
ย    ย 
DATABASE




ย    ย 
3D NAVIGATION




ย    ย 
WE ARE LEARNING HOW TO
     NAVIGATE THE DATABASE

ย             ย 
ย    ย 
ย    ย 
PLACE IS WHERE WE PAUSE
    SPACE IS WHERE WE MOVE

ย             ย 
ย    ย 
NAVIGATION COREOGRAPHS
THE BALLET OF CROSS-CHANNEL
            USER EXPERIENCE
ย             ย 
ย                          ย 
    DAN WILLIS, INTENT PATHS (http://www.flickr.com/photos/uxcrank/5730905682/in/photostream/)
THROUGH NAVIGATION WE
     BUILD SENSE AND WEAVE
     PLACES INTO A COHESIVE
      NARRATIVE ONCE AGAIN
ย             ย 
THE LANGUAGE WE USE
        FOR THIS SENSE-MAKING
            PROCESS IS THAT OF
    INFORMATION ARCHITECTURE
ย                ย 
THANK YOU.

          @resmini
ย    ย 

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