Cheryl Ball presented at Moravian College on how she uses the editorial pedagogy she developed for her work as editor of the Journal Kairos to teach multimodal, digital scholarship to students in her classes.
3. New London
Group’s Modes of
Meaning
• linguistic (delivery,
vocab, logos, …)
• aural (music, sound
effects, …)
• visual (colors,
perspective, …)
• gestural (body,
kinesics,
feeling/affect, …)
• spatial (layout,
architecture, …)
any combination = multimodal
4. New London Group’s
Pedagogy of
Multiliteracies
• Situated practice
• Overt instruction
• Critical framing
• Transformed practice
image from http://www.psephizo.com/
Available Designs
Design(ing)
Redesign(ing)
5. Rhetorical genre
studies
• real-world genres
• actual audiences
• evaluative criteria based
on above
Bawarshi & Reiff, Genre: An introduction, 2010.
http://wac.colostate.edu/books/bawarshi_reiff/
free book
|
/
pulling everything together under a Big pedagogical Tent
Kairos is how I learned to enact an editorial pedagogy in my classrooms.
What is Kairos [explain: audience, online, peer reviewed scholarship, my editorialship]
What are webtexts? [RQs, unique designs]
(Ima come back to how this relates to my class… let me introduce the editorial part of my pedagogy)
Authors for Kairos don’t ever get accepted in first submission.
developmental
formative
recursive
evaluative
asking students to compose webtexts in my writing-intensive classes (not always…
macro example peer review: rhetoricity
dynamic criteria mapping
Matsuda —>(listen once. Write down key words once.)
undergraduate student research publications (special issue)