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Sarah Avram, Jean Suyat and Eryn Crowl
STRUCTUE:
Genre – Where does 30 Rock fit in?
Series – The background of 30 Rock
Episode – Episode 2.10
GENRE
- 30 Rock is a situation comedy but toes the line between a multitude of genres
- Takes elements from classic and contemporary iterations of the sitcom genre and has revived the
concept of the sitcom
- 30 Rock has subtly modified the sitcom
- Shows like 30 Rock, My Name is Earl and Scrubs have rejuvenated the sitcom in terms of
inventiveness and has constructed its own formula
- 30 Rock offers new alternatives to the previous sitcom format by amplifying or minimizing elements
- 30 Rock’s style of comedy is based on tight storytelling, verbal humor and character-revealing
situations, but 30 Rock uses caricature like jokes, satirical first person observations
- Works on two district genre levels due to the show-within-a-show premise.
GENRE
- Works in part as a sitcom and part as a form of sketch comedy – in reference to Tina Fey’s previous
experience at SNL
- 30 Rock combines the elements of sketch comedy to create a show with heightened intertextuality
and also fits within the sitcom genre.
SERIES
Common themes
- American Politics
- Feminism
- Representation of race
- Culture of television industry
GUEST POLITICIANS
- Condoleezza Rice
- Al Gore
- Tucker Carlson
- “The "halitosis bomb" and "gay bomb" are informal names for two theoretical non-lethal chemical
weapons that a United States Air Force research laboratory speculated about producing; the theories
involve discharging female sex pheromones over enemy forces in order to make them sexually
attracted to each other.”
“Don’t waste your energy trying to educate or change opinions; go over, under, through, and opinions
will change organically when you’re the boss. Or they won’t. Who cares? Do your thing, and don’t
care if they like it.” ― Tina Fey
The C- Word
- Critical of the television industry
- Creative VS Corporate
- Writers VS The money makers
- What is being produced and how
EPISODE
- Episode 2.10, written by Robert Carlock and Donald Grover, directed by Richard Shepard
- Afraid to breech the legality of the strike
- Hollywood was hit by 3 months of a continuous writers strike
- Writers Guild of America (WGA) against the Alliance of Motion Picture and Television Producers
(AMPTP)
- The AMPTP and the WGA finally reached an agreement that ended the strike
- Episode recap
- “…That’s something you do when you’re married and have a family.”
- Makes reference to societies “typical” woman stereotype
Liz’s struggle to be the “typical” woman
- Punctuated with reminders that Liz Lemon is not your ‘typical’ woman
- AOL’s TV Squad said the episode "was a good episode to go into the hiatus with, if that makes things
better". (C. Wayne, 2008).
- This episode did sustain two unofficial titles; “Liz the Business Woman” and “Coffee & TV”
CONCLUSION
- District levels of genre – show-within-a-show
- Intersects global issues
-Laugh at everything, but question everything
WATCH IT!
REFERENCES
L. Bratslavsky (2009), “Television Representing Television: How NBC’s 30 Rock Parodies and Satirizes the
Cultural Industries”, Thesis presented to the University of Oregon, Oregon
S. Hume (2006), “30 Rock – Creating a New Genre?”, The New F-World blog, http://the-new-f-
word.blogspot.com.au/..., date visited 7 September 2013
Kevin Klowden and Anusuya Chatterjee with Ross DeVol, “Writers’ Strike of 2007–2008 - The Economic
Impact of Digital Distribution, 2008, http://www.milkeninstitute.org/pdf/writers_strike.pdf, date visited 8
September 2013
George Freitag, “30 Rock – Episode 2.10 recap”, 2008, http://www.buddytv.com/articles/30-rock/30-rock-
episode-210-recap-15575.aspx, date visited 8 September 2013
Michael Neal, “Coffee & TV” 2008, http://www.televisionwithoutpity.com/show/30-rock/coffee-tv/, date visited
9 September 2013
W. Morris (2013), “30 Rock Landed on Us: Identity politics and NBC's most subversive
show”, http://www.grantland.com/story/_/id/8900291/30-rock-race-identity-politics, date visited Sept 7th
2013
L. Mizejewski (2012), “Feminism, Postfeminism, Liz Lemonism”, Genders Issue 55, Spring
2012, http://www.genders.org/g55/g55_mizejewski.html, date visted Sept 7th 2013
A. Seubsaeng, (2013), “30 Rock: A Political History”, http://www.motherjones.com/mixed-
media/2013/01/hilarious-politics-30-rock-nbc-tina-fey, date visited Sept 7th 2013

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30rock audio

  • 1. Sarah Avram, Jean Suyat and Eryn Crowl
  • 2. STRUCTUE: Genre – Where does 30 Rock fit in? Series – The background of 30 Rock Episode – Episode 2.10
  • 3. GENRE - 30 Rock is a situation comedy but toes the line between a multitude of genres - Takes elements from classic and contemporary iterations of the sitcom genre and has revived the concept of the sitcom - 30 Rock has subtly modified the sitcom - Shows like 30 Rock, My Name is Earl and Scrubs have rejuvenated the sitcom in terms of inventiveness and has constructed its own formula - 30 Rock offers new alternatives to the previous sitcom format by amplifying or minimizing elements - 30 Rock’s style of comedy is based on tight storytelling, verbal humor and character-revealing situations, but 30 Rock uses caricature like jokes, satirical first person observations - Works on two district genre levels due to the show-within-a-show premise.
  • 4. GENRE - Works in part as a sitcom and part as a form of sketch comedy – in reference to Tina Fey’s previous experience at SNL - 30 Rock combines the elements of sketch comedy to create a show with heightened intertextuality and also fits within the sitcom genre.
  • 5. SERIES Common themes - American Politics - Feminism - Representation of race - Culture of television industry
  • 6. GUEST POLITICIANS - Condoleezza Rice - Al Gore - Tucker Carlson
  • 7. - “The "halitosis bomb" and "gay bomb" are informal names for two theoretical non-lethal chemical weapons that a United States Air Force research laboratory speculated about producing; the theories involve discharging female sex pheromones over enemy forces in order to make them sexually attracted to each other.”
  • 8.
  • 9. “Don’t waste your energy trying to educate or change opinions; go over, under, through, and opinions will change organically when you’re the boss. Or they won’t. Who cares? Do your thing, and don’t care if they like it.” ― Tina Fey
  • 11.
  • 12. - Critical of the television industry - Creative VS Corporate - Writers VS The money makers - What is being produced and how
  • 13.
  • 14. EPISODE - Episode 2.10, written by Robert Carlock and Donald Grover, directed by Richard Shepard - Afraid to breech the legality of the strike - Hollywood was hit by 3 months of a continuous writers strike - Writers Guild of America (WGA) against the Alliance of Motion Picture and Television Producers (AMPTP) - The AMPTP and the WGA finally reached an agreement that ended the strike
  • 16. - “…That’s something you do when you’re married and have a family.” - Makes reference to societies “typical” woman stereotype Liz’s struggle to be the “typical” woman - Punctuated with reminders that Liz Lemon is not your ‘typical’ woman - AOL’s TV Squad said the episode "was a good episode to go into the hiatus with, if that makes things better". (C. Wayne, 2008). - This episode did sustain two unofficial titles; “Liz the Business Woman” and “Coffee & TV”
  • 17. CONCLUSION - District levels of genre – show-within-a-show - Intersects global issues -Laugh at everything, but question everything
  • 19. REFERENCES L. Bratslavsky (2009), “Television Representing Television: How NBC’s 30 Rock Parodies and Satirizes the Cultural Industries”, Thesis presented to the University of Oregon, Oregon S. Hume (2006), “30 Rock – Creating a New Genre?”, The New F-World blog, http://the-new-f- word.blogspot.com.au/..., date visited 7 September 2013 Kevin Klowden and Anusuya Chatterjee with Ross DeVol, “Writers’ Strike of 2007–2008 - The Economic Impact of Digital Distribution, 2008, http://www.milkeninstitute.org/pdf/writers_strike.pdf, date visited 8 September 2013 George Freitag, “30 Rock – Episode 2.10 recap”, 2008, http://www.buddytv.com/articles/30-rock/30-rock- episode-210-recap-15575.aspx, date visited 8 September 2013 Michael Neal, “Coffee & TV” 2008, http://www.televisionwithoutpity.com/show/30-rock/coffee-tv/, date visited 9 September 2013 W. Morris (2013), “30 Rock Landed on Us: Identity politics and NBC's most subversive show”, http://www.grantland.com/story/_/id/8900291/30-rock-race-identity-politics, date visited Sept 7th 2013 L. Mizejewski (2012), “Feminism, Postfeminism, Liz Lemonism”, Genders Issue 55, Spring 2012, http://www.genders.org/g55/g55_mizejewski.html, date visted Sept 7th 2013 A. Seubsaeng, (2013), “30 Rock: A Political History”, http://www.motherjones.com/mixed- media/2013/01/hilarious-politics-30-rock-nbc-tina-fey, date visited Sept 7th 2013