SlideShare a Scribd company logo
1 of 43
Prepared By : Mazadul Hasan sheshir
ID: 2010000400008
13th Batch (session 2009-2013)
Department : Wet Processing Technology
Email: mazadulhasan@yahoo.com
Blog : www. Textilelab.blogspot.com (visit)
Southeast University
Department Of Textile Engineering
I/A 251,252 Tejgaon Dhaka Bangladesh
Prepared By :
Total Textile Process at a Glance
CONTENTS:
3/26/2014DRAWING & TEXTURISING
4
Introduction
What is Drawing?
Purpose of Drawing.
Principle of Drawing.
Drawing process.
Errors in Drawing.
Texturising.
Drawing.
What is texturising?
Drawing machine.
Purpose of texturising.
Steps of texturising
Texturising methods.
Conclusion.
3/26/2014DRAWING & TEXTURISING5
Introduction
With the exception of silk ,all filaments are manufactured from
man-made materials. These materials, however don’t occur in
fibrous in nature. They are primarily made from chemicals that
must be formed and solidified into fiber form. Synthetic fibers
have been developed that posses describable characteristics, such
ass a high softening point to allow for ironing, high tensile
strength , adequate stiffness, and describable yarn quality. In their
origional state, the fiber–forming polymers are normally solids
and therefore must be first converted into a liquid form to be
suitable for extrusion. After extrusion there are some operation is
done for complete this process and to produce a good quality of
yarn. From these we will discuss about Drawing ant Texturising.
-Drawing is very important process of spinning.
-This process is used to increase the orientation
of polymer molecules.
-It produces filament with desired strength.
Fig. Two Stage Drawing Process
-Drawing process increases tensile
strength and hardness of filament.
-It orients the polymer molecules
along the filament.
-Crystallinity increases due to the
orientation of polymer molecules.
Fig: Change in orientation of polymer molecules
 High degree of orientation of polymer molecules
that tends to increase fibre stiffness.
 Lower moisture absorption.
 Unlimited breaking strength.
 Transparency and luster.
 Changed dyeing properties.
 Resistance to penetration by foreign molecules.
What is Drawing?
3/26/2014DRAWING & TEXTURISING9
Historically , the term Drawing was used in connection with the draw
frame in staple spinning. Drafting was used regarding roller drafting
system in roving and ring spinning .Polymeric fibre drawing is an
important industrial process. The objective behind drawing fibres is to
induce molecular orientation in the fibre, thereby increasing their strength
in the direction of the stretch. That is, Extension of the filaments to many
times their original length. By means of this operation, the more or less
randomly oriented chain molecules are aligned in the longitudinal
direction and the filaments its defirutive stress-strain characteristics.
Purpose of Drawing:
3/26/2014DRAWING & TEXTURISING10
The prime purpose of drawing of a yarn is to a desirable quality for the
following reasons:
The orientation of the polymer molecules can be increased after the
spinning process by a subsequent drawing process.
To convert relatively week spun fibres to fibres with greater molecular
orientation and the resulting greater strength.
To produce a filament with a desired strength, accomplished by
inducing sufficient orientation of the polymer molecules along the axial
direction of the filament.
To produce fibres with the specific properties desired.
To increase the crystalline zone in fibres.
Principle of drawing:
3/26/2014DRAWING & TEXTURISING11
Consider a sample of the input material before and after discontinuous
drawing. If there were no losses in the process, the mass of the input
sample would be the same as it is after drawing. Let p be the packing
density, a the cross sectional area , l the sample length, piaili be the mass
in the input sample, and poaolo be the mass after drawing. It follows that;
piaili ≈ poaolo
And if the packing density is constant
pili ≈ polo
For the purely theoretical case, the change in cross sectional area is
inversely proportional to the change in length. This is discontinuous
drawing. However ,in production. The process of elongation takes place
continuously wit the input and output mass flows nominally constant.
Thus , the formula can be restated to say that the cross sectional area is
inversely proportional to the speed ratio. In practice this is modified by
changes in the packing density and small losses have to be taken into
account , but it forms the basis of all drawing.
Drawing process:
3/26/2014DRAWING & TEXTURISING12
The drawing process of a fibre involves passing the fibre tow over a
series of rollers. The rollers rotate at specified constant angular
velocities, each faster than the older. In some processes all the draw is
introduced in one step, in a single stage of feed and take-up rollers. This
single draw can result in fibre breakage so it is customary to involve more
than one more draw processes in the industries.
Molecular orientation during drawing
A typical two-stage drawing process:
3/26/2014DRAWING & TEXTURISING13
Bechtel at. Al gave a model for a two-stage draw process in which most of
the draw was provided in the first stage( between 2.2 and 2.7 draw ratio)
and a relatively smaller draw (1.1-1.2) in the second stage. As the number
of stages is increased, it is possible to keep each free span and roller at a
different temperature and induce the maximum molecular orientation in
the fibre.
Drawing machine:
3/26/2014DRAWING & TEXTURISING14
Place of Origin: Shandong China (Mainland)
Brand Name: TONGDA
Model Number: FA-316A
Type: Spinning Production Line
Spinning Method: Ring Spinning
Automatic: Yes
Condition: New
Textile machine: draw frame
Draw frame: high speed draw frame
Delivery number: 2 holes
Maxmium output speed: 600m/min
Total drafting mutiple: 5-14
times
Drafting style: 5 over 4 with pressure bar
Feeding sliver number: 6-8
pcs
Mainframe OAD: 2790*950*1645mm
Weight: 2200kg
Motor power: 4.0kw
Impact of drawing
3/26/2014DRAWING & TEXTURISING15
The degree of alignment of fibre molecules affects the properties of a
fibre in several way;
 Fibres change in appearance as they are drawn. In the undrawn
stage , nylon is usually dull and opaque. As the filaments are drawn and
molecule orientation increase, the filaments acquire the transparency and
luster.
 The more closely the molecules pack together, the greater is the
ultimate strength, or breaking strength, of the fibre.
 This increase in ultimate strength is accompanied by a decrease in
the amount of elongation that the fibre can sustain before reaching its
breaking point.
 Because the closely packed molecules no longer have great freedom
of movement , a high degree of orientation also tend to increase fibre
stiffness and rigidity.
 Increased resistance to penetration by foreign molecules also
improves the general chemical stability of a fibre, since highly oriented
fibres are more resistant to chemical attack.
Errors in drawing
3/26/2014DRAWING & TEXTURISING16
Where there is a number of drafting stages, the results are
cumulative and the range of error wavelengths can be very large.
Yarns show not only an extremely large range of errors translate
into faults in the fabric. The end result of these irregularities is that
the fabrics made from the yarns show undesirable patterning known
as moiré or barrě , which reduces their values.
What is Texturising?
Texturing is a procedure used to increase the volume and the elasticity of a
filament fibres. The essential properties of textured yarns and the products
made from them are softness, fullness, a high degree of elasticity, thermal
insulation and moist transporting properties. All yarns which can be shaped
by heat are suitable for texturing. The prime purpose of texturing filament
yarn is to create a bulky structure.
3/26/2014DRAWING & TEXTURISING17
The process of introducing crimp, loop, coils to
continuous filament yarn is called Texturizing. It
stabilizes the POY through heating and drawing.
Two types of manmade POY can be textured-
Nylon (Used in manufacturing of ladies hosiery)
Polyester (Used in apparel & home furnishing)
- Introduce mechanically by passing the filament
between gear like rollers.
- Produced chemically by controlling coagulation of a
filament in order to create asymmetric cross-section
in the fibre.
-The twist geometry is set by cooling the yarn in a
highly twisted state.
-This process is applied with drawing process.
-False-twist is applied for Nylon and Polyester.
- Introduced crimp are like as the shape of knitted loop
- Yarn is knitted into tubular fabric
- Then unraveled to produced textured yarn
-This method is used with a single type of yarn or with
a blend of filament yarns
-It is carried out by feeding a wet yarn or a dry yarn
Plus a small amount of water into a high-speed jet of
air.
-Yarns textured in such a process contain a large
number of very fine filaments
Purpose of texturing:
The prime purpose of texturing filament yarn is to create a bulky
structure that is desirable for the following reason;
The voids in the structure cause the material to have good
insulation properties.
The voids in the structure change the density of the
material(Which makes possible a lightweight yarn with good covering
properties)
The disorganized (or less organized) surface of the yarn gives
dispersed light reflections, which, in turn, give a desirable matte
appearance.
The sponge like structure feels softer than a lean twisted flat yarn.
The crimped or coiled filament structure gives a lower effective
modulus of elasticity to the structure when compare with that of a flat
yarn.
3/26/2014DRAWING & TEXTURISING23
Steps of texturising:
3/26/2014DRAWING & TEXTURISING24
Deform the filament.
Set the deformation.
Remove the deformation.
Texturising method:
3/26/2014DRAWING & TEXTURISING25
Real twist Texturising
False twist Texturising
Draw Texturising
Knit de knit
Air jet Texturising
Stuffer box
Gear crimping
Edge crimping method
Texturising by co-extrusion
1. Real twist Texturising:
3/26/2014DRAWING & TEXTURISING26
Hare a batch of package of yarn was then taken from the twister and
placed in an autoclave. The temperature of the yarn was raised above
Tg and then allowed to cool. The product taken from the autoclave
was non-twist lively or dead, but the fibre deformations were set into
their newly twisted shapes. To develop the bulk, it was necessary to
untwist the yarns until the filament were approximately parallel and
separated, and then relax them
2. False twist Texturising:
3/26/2014DRAWING & TEXTURISING27
Here partially oriented yarn(POY) is fed
into a heating zone(200-230 c). Where
insert twist is set. The yarn then passes
through a cooling zone to a twist unit.
Consisting of a series of revolving discs.
Which insert twist ,when twisted yarn is
relaxed, the yarn retains a thermal memory,
which produces yarn with a high
bulk/stretch potential. Bulk/ stretch can be
controlled by passing the yarn through a
second heater.
Draw Texturising:
3/26/2014DRAWING & TEXTURISING28
As Texturising speeds rise, they approach the speed used for filament drawing
and it becomes possible to contemplate a merger between the two operations.
There are two forms of draw texturising ;
a) Sequential,
b)Simultaneous.
Draw Texturing Machine
4. Air jet Texturising:
3/26/2014DRAWING & TEXTURISING29
In this method of texturing, yarns led through
the turbulent region of a air jet at a rate faster
than if is drawn off on the far side of the jet, in
the jet, the yarn structure is opened , loops are
locked inside and others are locked on the
surface of the yarn. An example of this method
is the taslam process;
Air jet textured yarn.
5. Knit de knit:
3/26/2014DRAWING & TEXTURISING30
Knit -de-Knit texturing is used on drawn
fibre in order to produce crimp of a knitted
loop shape. In this process a yarn is knitted
into a tubular fabric, set in place by means of
heat, and then unraveled to produce textured
yarn.
6. Stuffer box:
3/26/2014DRAWING & TEXTURISING31
The crimping unit consists of
two feed rolls and a brass tube
stuffer box. By compressing the
yarn into the heated stuffer
box, the individual filaments are
caused to fold or bend at a sharp
angle, while being
simultaneously set by a heating
device.
7. Gear crimping:
3/26/2014DRAWING & TEXTURISING32
In this method filament is run between a pair of intermeshing gear
wheels. The resultants yarn is left with the impression of the gear wheel
teeth.
8.Edge crimping method:
3/26/2014DRAWING & TEXTURISING33
In this method of Texturising. Thermoplastic filaments in a heated and
stretched condition are drawn over a crimping edge and cooled. Edge-
Crimping machine are make align yarn.
9. Texturising by co-extrusion:
3/26/2014DRAWING & TEXTURISING34
Co-extrusion is where two or more
polymer components are extruded
through the same nozzle to produce a
filament with stripes of different
polymers. It is difficult to manage more
than two components; thus two
component system are likely to be most
significant commercially. There are two
distinct possibilities. The first is to have
the stripes firmly bonded to each other in
such a fashion that treatment will cause it
to curl or otherwise texture in the manner
of a bi-component yarn. The second is to
make the stripes have little or no
bonding, in which case the filament can
be decomposed into a series of finer
ones.
3/26/2014DRAWING & TEXTURISING35
As already pointed out, textured yarns are
characterized by higher extensibility,
elasticity and bulkiness than flat yarns
Schematic longitudinal view of textured
yarns
Among the various properties, generally
assessed with methods similar to those used
for other types of yarn, there is a method of
particular importance and for specific use,
termed crimp contraction (or crimp
elasticity).This property is essentially
assessed on false-twist yarns and is defined
as “the contraction of a textured yarn due to
crimp development, expressed as
percentage rate of the stretched out (not
crimped) yarn length”
Properties of textured yarns:
Difference between texturising
methods:
3/26/2014DRAWING & TEXTURISING36
3/26/2014DRAWING & TEXTURISING37
3/26/2014DRAWING & TEXTURISING38
What type of yarns can be textured:
3/26/2014DRAWING & TEXTURISING39
Synthetic filament yarns made from
polyester
Nylon and polypropylene.
Polyester yarns are normally in the
range between 50 and 300 den, with the
emphasis on 75 and 150 den.
Nylon yarns are in the range from 15-
110 den,
The majority of fine hosiery yarns
being 20 den and coarser yarns being
70 den.
Textured effect:
3/26/2014DRAWING & TEXTURISING40
1. Yarn Manufacturing Technology
Link : http://www.facebook.com/pages/Yarn-Manufacturing-
Technology/485014954866808
2. Fabric Manufacturing Technology
Link : http://www.facebook.com/pages/Fabric-Manufacturing-
Technology/459520217425605
3. Garments Manufacturing Technology
Link : http://www.facebook.com/pages/Garments-Manufacturing-
Technology/472364799463126
3. Wet processing Technology
Link : http://www.facebook.com/pages/Wet-Processing-Technology-Dyeing-
/468645219825404
4. Fashion-Design-and-Technology
Link : http://www.facebook.com/pages/Fashion-Design-and-
Technology/587655294583875?ref=ts&fref=ts
My Facebook Textile related Pages
http://www.textilelab.blogspot.com (Visit My Blog for more Info )

More Related Content

What's hot (20)

Process sequence of weaving
Process sequence of weavingProcess sequence of weaving
Process sequence of weaving
 
Combing
CombingCombing
Combing
 
Spinning Process
Spinning Process Spinning Process
Spinning Process
 
Fancy Spinning
Fancy SpinningFancy Spinning
Fancy Spinning
 
pillinng test & abrasion resistance
pillinng test & abrasion resistance pillinng test & abrasion resistance
pillinng test & abrasion resistance
 
ROTOR SPINNING PROCESS
ROTOR SPINNING PROCESSROTOR SPINNING PROCESS
ROTOR SPINNING PROCESS
 
Roller printing.
Roller printing.Roller printing.
Roller printing.
 
Nonwoven Presentation
Nonwoven PresentationNonwoven Presentation
Nonwoven Presentation
 
Change of fabric gsm vary with yarn count
Change of fabric gsm vary with yarn countChange of fabric gsm vary with yarn count
Change of fabric gsm vary with yarn count
 
Faults in the Knitted Fabrics
Faults in the Knitted FabricsFaults in the Knitted Fabrics
Faults in the Knitted Fabrics
 
FRICTION SPINNING TECHNOLOGY, (M.S)
FRICTION SPINNING TECHNOLOGY, (M.S)FRICTION SPINNING TECHNOLOGY, (M.S)
FRICTION SPINNING TECHNOLOGY, (M.S)
 
Man made fiber spinning
Man made fiber spinningMan made fiber spinning
Man made fiber spinning
 
Rotor spinning
Rotor spinningRotor spinning
Rotor spinning
 
Crimp & Crimp Interchange
Crimp & Crimp Interchange Crimp & Crimp Interchange
Crimp & Crimp Interchange
 
Singeing
SingeingSingeing
Singeing
 
Projectile Loom | Rapier Loom | Multi-Phase Loom | Weaving Technology | Study...
Projectile Loom | Rapier Loom | Multi-Phase Loom | Weaving Technology | Study...Projectile Loom | Rapier Loom | Multi-Phase Loom | Weaving Technology | Study...
Projectile Loom | Rapier Loom | Multi-Phase Loom | Weaving Technology | Study...
 
Special Yarns
Special YarnsSpecial Yarns
Special Yarns
 
Ball Warping Process
Ball Warping ProcessBall Warping Process
Ball Warping Process
 
Singeing
SingeingSingeing
Singeing
 
Uster evenness tester
Uster evenness testerUster evenness tester
Uster evenness tester
 

Viewers also liked

Drawing Processes in Manufacturing
Drawing Processes in ManufacturingDrawing Processes in Manufacturing
Drawing Processes in ManufacturingJuned Patel
 
TYPES OF YARNS & APPLICATION& PROPERTIES
TYPES OF YARNS & APPLICATION& PROPERTIESTYPES OF YARNS & APPLICATION& PROPERTIES
TYPES OF YARNS & APPLICATION& PROPERTIESTina Dhingra
 
Polyester Presentation
Polyester PresentationPolyester Presentation
Polyester Presentationimraniqbal990
 
Web stitching & stitch bonding warp knitt
Web stitching & stitch bonding warp knittWeb stitching & stitch bonding warp knitt
Web stitching & stitch bonding warp knittHimanshu Gupta
 
Line Drawing Techniques
Line Drawing TechniquesLine Drawing Techniques
Line Drawing TechniquesFrank Curkovic
 
The Visual Elements of Art: TEXTURE
The Visual Elements of Art: TEXTUREThe Visual Elements of Art: TEXTURE
The Visual Elements of Art: TEXTURERosa Fernández
 
13 textile (pp.333 336)
13 textile (pp.333 336)13 textile (pp.333 336)
13 textile (pp.333 336)Hitesh Shah
 
cfd analysis on ejector cooling system with variable throat geometry
 cfd analysis on ejector cooling system with variable throat geometry cfd analysis on ejector cooling system with variable throat geometry
cfd analysis on ejector cooling system with variable throat geometryIjripublishers Ijri
 
Industrial Internet
Industrial InternetIndustrial Internet
Industrial InternetDeepam Goyal
 
Learning to see
Learning to seeLearning to see
Learning to seejinankb
 
Sexu bereko pertsonen arteko ezkontzaren aldekoak, bai eta sexu aldaketaren a...
Sexu bereko pertsonen arteko ezkontzaren aldekoak, bai eta sexu aldaketaren a...Sexu bereko pertsonen arteko ezkontzaren aldekoak, bai eta sexu aldaketaren a...
Sexu bereko pertsonen arteko ezkontzaren aldekoak, bai eta sexu aldaketaren a...Irekia - EJGV
 

Viewers also liked (20)

Drawing Processes in Manufacturing
Drawing Processes in ManufacturingDrawing Processes in Manufacturing
Drawing Processes in Manufacturing
 
TYPES OF YARNS & APPLICATION& PROPERTIES
TYPES OF YARNS & APPLICATION& PROPERTIESTYPES OF YARNS & APPLICATION& PROPERTIES
TYPES OF YARNS & APPLICATION& PROPERTIES
 
Drawing Processes
Drawing ProcessesDrawing Processes
Drawing Processes
 
Textures
TexturesTextures
Textures
 
Fibre to yarn
Fibre to yarnFibre to yarn
Fibre to yarn
 
Polyester Presentation
Polyester PresentationPolyester Presentation
Polyester Presentation
 
Thesisabstract
ThesisabstractThesisabstract
Thesisabstract
 
Web stitching & stitch bonding warp knitt
Web stitching & stitch bonding warp knittWeb stitching & stitch bonding warp knitt
Web stitching & stitch bonding warp knitt
 
Texturing
TexturingTexturing
Texturing
 
Weaving, knitting, poy,cp,texturising
Weaving, knitting, poy,cp,texturisingWeaving, knitting, poy,cp,texturising
Weaving, knitting, poy,cp,texturising
 
Polyester
PolyesterPolyester
Polyester
 
Fabric Construction
Fabric ConstructionFabric Construction
Fabric Construction
 
Line Drawing Techniques
Line Drawing TechniquesLine Drawing Techniques
Line Drawing Techniques
 
The Visual Elements of Art: TEXTURE
The Visual Elements of Art: TEXTUREThe Visual Elements of Art: TEXTURE
The Visual Elements of Art: TEXTURE
 
Methods to determine the dye chemistry
Methods to determine the dye chemistryMethods to determine the dye chemistry
Methods to determine the dye chemistry
 
13 textile (pp.333 336)
13 textile (pp.333 336)13 textile (pp.333 336)
13 textile (pp.333 336)
 
cfd analysis on ejector cooling system with variable throat geometry
 cfd analysis on ejector cooling system with variable throat geometry cfd analysis on ejector cooling system with variable throat geometry
cfd analysis on ejector cooling system with variable throat geometry
 
Industrial Internet
Industrial InternetIndustrial Internet
Industrial Internet
 
Learning to see
Learning to seeLearning to see
Learning to see
 
Sexu bereko pertsonen arteko ezkontzaren aldekoak, bai eta sexu aldaketaren a...
Sexu bereko pertsonen arteko ezkontzaren aldekoak, bai eta sexu aldaketaren a...Sexu bereko pertsonen arteko ezkontzaren aldekoak, bai eta sexu aldaketaren a...
Sexu bereko pertsonen arteko ezkontzaren aldekoak, bai eta sexu aldaketaren a...
 

Similar to Drawing and texturising

Effects of bleaching on cotton fabric
Effects of bleaching on cotton fabricEffects of bleaching on cotton fabric
Effects of bleaching on cotton fabricSazed Salman
 
Air jet-spinning-of-cotton-yarns
Air jet-spinning-of-cotton-yarnsAir jet-spinning-of-cotton-yarns
Air jet-spinning-of-cotton-yarnsSamrat Dewan
 
Presentation on spirality & shrinkage
Presentation on spirality & shrinkagePresentation on spirality & shrinkage
Presentation on spirality & shrinkageSwapnil Ekramul
 
Dry laid nonwoven
Dry laid nonwovenDry laid nonwoven
Dry laid nonwovendevisweety
 
Yarn properties effecting comfort of the fabric
Yarn properties effecting comfort of the fabricYarn properties effecting comfort of the fabric
Yarn properties effecting comfort of the fabrichema upadhayay
 
Effect of count and stitch length on spirality of single jersey knit fabric
Effect of count and stitch length on spirality of single jersey knit fabricEffect of count and stitch length on spirality of single jersey knit fabric
Effect of count and stitch length on spirality of single jersey knit fabriceSAT Publishing House
 
Effect of count and stitch length on spirality of single jersey knit fabric
Effect of count and stitch length on spirality of single jersey knit fabricEffect of count and stitch length on spirality of single jersey knit fabric
Effect of count and stitch length on spirality of single jersey knit fabriceSAT Journals
 
Textile manufacturing and fabric processing (fiber to fabric)
Textile manufacturing and fabric processing (fiber to fabric)Textile manufacturing and fabric processing (fiber to fabric)
Textile manufacturing and fabric processing (fiber to fabric)damayantimeher
 
wet laid web preparation
wet laid web preparationwet laid web preparation
wet laid web preparationMelkamuKenito
 
Abhi rana)4. dry laid non woven fabrics
Abhi rana)4. dry laid non woven fabricsAbhi rana)4. dry laid non woven fabrics
Abhi rana)4. dry laid non woven fabricsAbhishek Rana
 

Similar to Drawing and texturising (20)

Non woven Process
Non woven ProcessNon woven Process
Non woven Process
 
thesis
thesisthesis
thesis
 
Effects of bleaching on cotton fabric
Effects of bleaching on cotton fabricEffects of bleaching on cotton fabric
Effects of bleaching on cotton fabric
 
Non woven
Non wovenNon woven
Non woven
 
yarn count in friction spinning
yarn count in friction spinningyarn count in friction spinning
yarn count in friction spinning
 
Air jet-spinning-of-cotton-yarns
Air jet-spinning-of-cotton-yarnsAir jet-spinning-of-cotton-yarns
Air jet-spinning-of-cotton-yarns
 
Presentation on spirality & shrinkage
Presentation on spirality & shrinkagePresentation on spirality & shrinkage
Presentation on spirality & shrinkage
 
Dry laid nonwoven
Dry laid nonwovenDry laid nonwoven
Dry laid nonwoven
 
NewDev.Part-I.pdf
NewDev.Part-I.pdfNewDev.Part-I.pdf
NewDev.Part-I.pdf
 
Yarn properties effecting comfort of the fabric
Yarn properties effecting comfort of the fabricYarn properties effecting comfort of the fabric
Yarn properties effecting comfort of the fabric
 
Presentation
PresentationPresentation
Presentation
 
Presentation
PresentationPresentation
Presentation
 
Effect of count and stitch length on spirality of single jersey knit fabric
Effect of count and stitch length on spirality of single jersey knit fabricEffect of count and stitch length on spirality of single jersey knit fabric
Effect of count and stitch length on spirality of single jersey knit fabric
 
Effect of count and stitch length on spirality of single jersey knit fabric
Effect of count and stitch length on spirality of single jersey knit fabricEffect of count and stitch length on spirality of single jersey knit fabric
Effect of count and stitch length on spirality of single jersey knit fabric
 
Textile manufacturing and fabric processing (fiber to fabric)
Textile manufacturing and fabric processing (fiber to fabric)Textile manufacturing and fabric processing (fiber to fabric)
Textile manufacturing and fabric processing (fiber to fabric)
 
Effect of stitch length on physical and mechanical properties of single jerse...
Effect of stitch length on physical and mechanical properties of single jerse...Effect of stitch length on physical and mechanical properties of single jerse...
Effect of stitch length on physical and mechanical properties of single jerse...
 
Evaluation of physico mechanical properties of 1×1 interlock cotton knitted f...
Evaluation of physico mechanical properties of 1×1 interlock cotton knitted f...Evaluation of physico mechanical properties of 1×1 interlock cotton knitted f...
Evaluation of physico mechanical properties of 1×1 interlock cotton knitted f...
 
wet laid web preparation
wet laid web preparationwet laid web preparation
wet laid web preparation
 
Abhi rana)4. dry laid non woven fabrics
Abhi rana)4. dry laid non woven fabricsAbhi rana)4. dry laid non woven fabrics
Abhi rana)4. dry laid non woven fabrics
 
Manufacture of composites
Manufacture  of  compositesManufacture  of  composites
Manufacture of composites
 

More from Md. Mazadul Hasan Shishir

Handbook of garments manufacturing technology
Handbook of garments manufacturing technologyHandbook of garments manufacturing technology
Handbook of garments manufacturing technologyMd. Mazadul Hasan Shishir
 
project on Application of Disperse & Reactive Dyes In a P/C Blended Fabric of...
project on Application of Disperse & Reactive Dyes In a P/C Blended Fabric of...project on Application of Disperse & Reactive Dyes In a P/C Blended Fabric of...
project on Application of Disperse & Reactive Dyes In a P/C Blended Fabric of...Md. Mazadul Hasan Shishir
 
PROJECT : REACTION MECHANISM OF REACTIVE DYES IN ON CELLULOSE FIBER.
PROJECT  : REACTION MECHANISM OF  REACTIVE DYES IN  ON CELLULOSE FIBER.PROJECT  : REACTION MECHANISM OF  REACTIVE DYES IN  ON CELLULOSE FIBER.
PROJECT : REACTION MECHANISM OF REACTIVE DYES IN ON CELLULOSE FIBER.Md. Mazadul Hasan Shishir
 
Industrial attachment of Sadma fashion wear ltd
Industrial attachment of Sadma fashion wear ltdIndustrial attachment of Sadma fashion wear ltd
Industrial attachment of Sadma fashion wear ltdMd. Mazadul Hasan Shishir
 
Industrial attachment of Olio apparels ltd (envoy group)
Industrial attachment of Olio apparels ltd (envoy group)Industrial attachment of Olio apparels ltd (envoy group)
Industrial attachment of Olio apparels ltd (envoy group)Md. Mazadul Hasan Shishir
 
Industrial attachment of divine group of industries limited (dgi).
Industrial attachment of divine group of industries limited (dgi).Industrial attachment of divine group of industries limited (dgi).
Industrial attachment of divine group of industries limited (dgi).Md. Mazadul Hasan Shishir
 

More from Md. Mazadul Hasan Shishir (20)

A note of textile terms and definitions
A note of textile terms and definitionsA note of textile terms and definitions
A note of textile terms and definitions
 
Handbook of garments manufacturing technology
Handbook of garments manufacturing technologyHandbook of garments manufacturing technology
Handbook of garments manufacturing technology
 
carbon fibre
carbon fibrecarbon fibre
carbon fibre
 
Acrylic fiber
Acrylic fiber   Acrylic fiber
Acrylic fiber
 
Elastomeric Fiber
Elastomeric Fiber Elastomeric Fiber
Elastomeric Fiber
 
project on Application of Disperse & Reactive Dyes In a P/C Blended Fabric of...
project on Application of Disperse & Reactive Dyes In a P/C Blended Fabric of...project on Application of Disperse & Reactive Dyes In a P/C Blended Fabric of...
project on Application of Disperse & Reactive Dyes In a P/C Blended Fabric of...
 
Presentation of sayeed
Presentation of sayeedPresentation of sayeed
Presentation of sayeed
 
PROJECT : REACTION MECHANISM OF REACTIVE DYES IN ON CELLULOSE FIBER.
PROJECT  : REACTION MECHANISM OF  REACTIVE DYES IN  ON CELLULOSE FIBER.PROJECT  : REACTION MECHANISM OF  REACTIVE DYES IN  ON CELLULOSE FIBER.
PROJECT : REACTION MECHANISM OF REACTIVE DYES IN ON CELLULOSE FIBER.
 
INTERSTOFF APPARELS LTD
INTERSTOFF APPARELS LTDINTERSTOFF APPARELS LTD
INTERSTOFF APPARELS LTD
 
INDUSTRIAL ATTACHMENT OF GTA SPORTS LTD
INDUSTRIAL ATTACHMENT OF GTA SPORTS LTD INDUSTRIAL ATTACHMENT OF GTA SPORTS LTD
INDUSTRIAL ATTACHMENT OF GTA SPORTS LTD
 
Apex weaving & finishing mills limited
Apex weaving & finishing mills limitedApex weaving & finishing mills limited
Apex weaving & finishing mills limited
 
Industrial Attachment of GTA Sports Ltd.
Industrial Attachment of GTA Sports Ltd. Industrial Attachment of GTA Sports Ltd.
Industrial Attachment of GTA Sports Ltd.
 
Reactive Dye
Reactive Dye Reactive Dye
Reactive Dye
 
Weaving
Weaving Weaving
Weaving
 
Industrial attachment of urmi garments ltd
Industrial attachment of urmi garments ltdIndustrial attachment of urmi garments ltd
Industrial attachment of urmi garments ltd
 
Industrial attachment of Sadma fashion wear ltd
Industrial attachment of Sadma fashion wear ltdIndustrial attachment of Sadma fashion wear ltd
Industrial attachment of Sadma fashion wear ltd
 
Industrial attachment of mitali fasions ltd
Industrial attachment of mitali fasions ltdIndustrial attachment of mitali fasions ltd
Industrial attachment of mitali fasions ltd
 
Industrial attachment of Olio apparels ltd (envoy group)
Industrial attachment of Olio apparels ltd (envoy group)Industrial attachment of Olio apparels ltd (envoy group)
Industrial attachment of Olio apparels ltd (envoy group)
 
Industrial attachment of divine group of industries limited (dgi).
Industrial attachment of divine group of industries limited (dgi).Industrial attachment of divine group of industries limited (dgi).
Industrial attachment of divine group of industries limited (dgi).
 
Apparel Merchandising
Apparel MerchandisingApparel Merchandising
Apparel Merchandising
 

Recently uploaded

How to Make a Pirate ship Primary Education.pptx
How to Make a Pirate ship Primary Education.pptxHow to Make a Pirate ship Primary Education.pptx
How to Make a Pirate ship Primary Education.pptxmanuelaromero2013
 
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions  for the students and aspirants of Chemistry12th.pptxOrganic Name Reactions  for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions for the students and aspirants of Chemistry12th.pptxVS Mahajan Coaching Centre
 
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17Celine George
 
A Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformA Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformChameera Dedduwage
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingTechSoup
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxheathfieldcps1
 
Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991
Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991
Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991RKavithamani
 
Science 7 - LAND and SEA BREEZE and its Characteristics
Science 7 - LAND and SEA BREEZE and its CharacteristicsScience 7 - LAND and SEA BREEZE and its Characteristics
Science 7 - LAND and SEA BREEZE and its CharacteristicsKarinaGenton
 
APM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across SectorsAPM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across SectorsAssociation for Project Management
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfsanyamsingh5019
 
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxPOINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxSayali Powar
 
Paris 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityParis 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityGeoBlogs
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactdawncurless
 
Presiding Officer Training module 2024 lok sabha elections
Presiding Officer Training module 2024 lok sabha electionsPresiding Officer Training module 2024 lok sabha elections
Presiding Officer Training module 2024 lok sabha electionsanshu789521
 
Concept of Vouching. B.Com(Hons) /B.Compdf
Concept of Vouching. B.Com(Hons) /B.CompdfConcept of Vouching. B.Com(Hons) /B.Compdf
Concept of Vouching. B.Com(Hons) /B.CompdfUmakantAnnand
 
Crayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon ACrayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon AUnboundStockton
 
Employee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptxEmployee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptxNirmalaLoungPoorunde1
 

Recently uploaded (20)

How to Make a Pirate ship Primary Education.pptx
How to Make a Pirate ship Primary Education.pptxHow to Make a Pirate ship Primary Education.pptx
How to Make a Pirate ship Primary Education.pptx
 
Staff of Color (SOC) Retention Efforts DDSD
Staff of Color (SOC) Retention Efforts DDSDStaff of Color (SOC) Retention Efforts DDSD
Staff of Color (SOC) Retention Efforts DDSD
 
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions  for the students and aspirants of Chemistry12th.pptxOrganic Name Reactions  for the students and aspirants of Chemistry12th.pptx
Organic Name Reactions for the students and aspirants of Chemistry12th.pptx
 
TataKelola dan KamSiber Kecerdasan Buatan v022.pdf
TataKelola dan KamSiber Kecerdasan Buatan v022.pdfTataKelola dan KamSiber Kecerdasan Buatan v022.pdf
TataKelola dan KamSiber Kecerdasan Buatan v022.pdf
 
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
Incoming and Outgoing Shipments in 1 STEP Using Odoo 17
 
A Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy ReformA Critique of the Proposed National Education Policy Reform
A Critique of the Proposed National Education Policy Reform
 
Grant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy ConsultingGrant Readiness 101 TechSoup and Remy Consulting
Grant Readiness 101 TechSoup and Remy Consulting
 
The basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptxThe basics of sentences session 2pptx copy.pptx
The basics of sentences session 2pptx copy.pptx
 
Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991
Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991
Industrial Policy - 1948, 1956, 1973, 1977, 1980, 1991
 
Science 7 - LAND and SEA BREEZE and its Characteristics
Science 7 - LAND and SEA BREEZE and its CharacteristicsScience 7 - LAND and SEA BREEZE and its Characteristics
Science 7 - LAND and SEA BREEZE and its Characteristics
 
APM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across SectorsAPM Welcome, APM North West Network Conference, Synergies Across Sectors
APM Welcome, APM North West Network Conference, Synergies Across Sectors
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdf
 
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptxPOINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
POINT- BIOCHEMISTRY SEM 2 ENZYMES UNIT 5.pptx
 
Paris 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activityParis 2024 Olympic Geographies - an activity
Paris 2024 Olympic Geographies - an activity
 
Accessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impactAccessible design: Minimum effort, maximum impact
Accessible design: Minimum effort, maximum impact
 
Presiding Officer Training module 2024 lok sabha elections
Presiding Officer Training module 2024 lok sabha electionsPresiding Officer Training module 2024 lok sabha elections
Presiding Officer Training module 2024 lok sabha elections
 
Concept of Vouching. B.Com(Hons) /B.Compdf
Concept of Vouching. B.Com(Hons) /B.CompdfConcept of Vouching. B.Com(Hons) /B.Compdf
Concept of Vouching. B.Com(Hons) /B.Compdf
 
Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝
Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝
Model Call Girl in Tilak Nagar Delhi reach out to us at 🔝9953056974🔝
 
Crayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon ACrayon Activity Handout For the Crayon A
Crayon Activity Handout For the Crayon A
 
Employee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptxEmployee wellbeing at the workplace.pptx
Employee wellbeing at the workplace.pptx
 

Drawing and texturising

  • 1.
  • 2. Prepared By : Mazadul Hasan sheshir ID: 2010000400008 13th Batch (session 2009-2013) Department : Wet Processing Technology Email: mazadulhasan@yahoo.com Blog : www. Textilelab.blogspot.com (visit) Southeast University Department Of Textile Engineering I/A 251,252 Tejgaon Dhaka Bangladesh Prepared By :
  • 3. Total Textile Process at a Glance
  • 4. CONTENTS: 3/26/2014DRAWING & TEXTURISING 4 Introduction What is Drawing? Purpose of Drawing. Principle of Drawing. Drawing process. Errors in Drawing. Texturising. Drawing. What is texturising? Drawing machine. Purpose of texturising. Steps of texturising Texturising methods. Conclusion.
  • 5. 3/26/2014DRAWING & TEXTURISING5 Introduction With the exception of silk ,all filaments are manufactured from man-made materials. These materials, however don’t occur in fibrous in nature. They are primarily made from chemicals that must be formed and solidified into fiber form. Synthetic fibers have been developed that posses describable characteristics, such ass a high softening point to allow for ironing, high tensile strength , adequate stiffness, and describable yarn quality. In their origional state, the fiber–forming polymers are normally solids and therefore must be first converted into a liquid form to be suitable for extrusion. After extrusion there are some operation is done for complete this process and to produce a good quality of yarn. From these we will discuss about Drawing ant Texturising.
  • 6. -Drawing is very important process of spinning. -This process is used to increase the orientation of polymer molecules. -It produces filament with desired strength. Fig. Two Stage Drawing Process
  • 7. -Drawing process increases tensile strength and hardness of filament. -It orients the polymer molecules along the filament. -Crystallinity increases due to the orientation of polymer molecules. Fig: Change in orientation of polymer molecules
  • 8.  High degree of orientation of polymer molecules that tends to increase fibre stiffness.  Lower moisture absorption.  Unlimited breaking strength.  Transparency and luster.  Changed dyeing properties.  Resistance to penetration by foreign molecules.
  • 9. What is Drawing? 3/26/2014DRAWING & TEXTURISING9 Historically , the term Drawing was used in connection with the draw frame in staple spinning. Drafting was used regarding roller drafting system in roving and ring spinning .Polymeric fibre drawing is an important industrial process. The objective behind drawing fibres is to induce molecular orientation in the fibre, thereby increasing their strength in the direction of the stretch. That is, Extension of the filaments to many times their original length. By means of this operation, the more or less randomly oriented chain molecules are aligned in the longitudinal direction and the filaments its defirutive stress-strain characteristics.
  • 10. Purpose of Drawing: 3/26/2014DRAWING & TEXTURISING10 The prime purpose of drawing of a yarn is to a desirable quality for the following reasons: The orientation of the polymer molecules can be increased after the spinning process by a subsequent drawing process. To convert relatively week spun fibres to fibres with greater molecular orientation and the resulting greater strength. To produce a filament with a desired strength, accomplished by inducing sufficient orientation of the polymer molecules along the axial direction of the filament. To produce fibres with the specific properties desired. To increase the crystalline zone in fibres.
  • 11. Principle of drawing: 3/26/2014DRAWING & TEXTURISING11 Consider a sample of the input material before and after discontinuous drawing. If there were no losses in the process, the mass of the input sample would be the same as it is after drawing. Let p be the packing density, a the cross sectional area , l the sample length, piaili be the mass in the input sample, and poaolo be the mass after drawing. It follows that; piaili ≈ poaolo And if the packing density is constant pili ≈ polo For the purely theoretical case, the change in cross sectional area is inversely proportional to the change in length. This is discontinuous drawing. However ,in production. The process of elongation takes place continuously wit the input and output mass flows nominally constant. Thus , the formula can be restated to say that the cross sectional area is inversely proportional to the speed ratio. In practice this is modified by changes in the packing density and small losses have to be taken into account , but it forms the basis of all drawing.
  • 12. Drawing process: 3/26/2014DRAWING & TEXTURISING12 The drawing process of a fibre involves passing the fibre tow over a series of rollers. The rollers rotate at specified constant angular velocities, each faster than the older. In some processes all the draw is introduced in one step, in a single stage of feed and take-up rollers. This single draw can result in fibre breakage so it is customary to involve more than one more draw processes in the industries. Molecular orientation during drawing
  • 13. A typical two-stage drawing process: 3/26/2014DRAWING & TEXTURISING13 Bechtel at. Al gave a model for a two-stage draw process in which most of the draw was provided in the first stage( between 2.2 and 2.7 draw ratio) and a relatively smaller draw (1.1-1.2) in the second stage. As the number of stages is increased, it is possible to keep each free span and roller at a different temperature and induce the maximum molecular orientation in the fibre.
  • 14. Drawing machine: 3/26/2014DRAWING & TEXTURISING14 Place of Origin: Shandong China (Mainland) Brand Name: TONGDA Model Number: FA-316A Type: Spinning Production Line Spinning Method: Ring Spinning Automatic: Yes Condition: New Textile machine: draw frame Draw frame: high speed draw frame Delivery number: 2 holes Maxmium output speed: 600m/min Total drafting mutiple: 5-14 times Drafting style: 5 over 4 with pressure bar Feeding sliver number: 6-8 pcs Mainframe OAD: 2790*950*1645mm Weight: 2200kg Motor power: 4.0kw
  • 15. Impact of drawing 3/26/2014DRAWING & TEXTURISING15 The degree of alignment of fibre molecules affects the properties of a fibre in several way;  Fibres change in appearance as they are drawn. In the undrawn stage , nylon is usually dull and opaque. As the filaments are drawn and molecule orientation increase, the filaments acquire the transparency and luster.  The more closely the molecules pack together, the greater is the ultimate strength, or breaking strength, of the fibre.  This increase in ultimate strength is accompanied by a decrease in the amount of elongation that the fibre can sustain before reaching its breaking point.  Because the closely packed molecules no longer have great freedom of movement , a high degree of orientation also tend to increase fibre stiffness and rigidity.  Increased resistance to penetration by foreign molecules also improves the general chemical stability of a fibre, since highly oriented fibres are more resistant to chemical attack.
  • 16. Errors in drawing 3/26/2014DRAWING & TEXTURISING16 Where there is a number of drafting stages, the results are cumulative and the range of error wavelengths can be very large. Yarns show not only an extremely large range of errors translate into faults in the fabric. The end result of these irregularities is that the fabrics made from the yarns show undesirable patterning known as moiré or barrě , which reduces their values.
  • 17. What is Texturising? Texturing is a procedure used to increase the volume and the elasticity of a filament fibres. The essential properties of textured yarns and the products made from them are softness, fullness, a high degree of elasticity, thermal insulation and moist transporting properties. All yarns which can be shaped by heat are suitable for texturing. The prime purpose of texturing filament yarn is to create a bulky structure. 3/26/2014DRAWING & TEXTURISING17
  • 18. The process of introducing crimp, loop, coils to continuous filament yarn is called Texturizing. It stabilizes the POY through heating and drawing. Two types of manmade POY can be textured- Nylon (Used in manufacturing of ladies hosiery) Polyester (Used in apparel & home furnishing)
  • 19.
  • 20. - Introduce mechanically by passing the filament between gear like rollers. - Produced chemically by controlling coagulation of a filament in order to create asymmetric cross-section in the fibre. -The twist geometry is set by cooling the yarn in a highly twisted state. -This process is applied with drawing process. -False-twist is applied for Nylon and Polyester.
  • 21. - Introduced crimp are like as the shape of knitted loop - Yarn is knitted into tubular fabric - Then unraveled to produced textured yarn -This method is used with a single type of yarn or with a blend of filament yarns -It is carried out by feeding a wet yarn or a dry yarn Plus a small amount of water into a high-speed jet of air. -Yarns textured in such a process contain a large number of very fine filaments
  • 22.
  • 23. Purpose of texturing: The prime purpose of texturing filament yarn is to create a bulky structure that is desirable for the following reason; The voids in the structure cause the material to have good insulation properties. The voids in the structure change the density of the material(Which makes possible a lightweight yarn with good covering properties) The disorganized (or less organized) surface of the yarn gives dispersed light reflections, which, in turn, give a desirable matte appearance. The sponge like structure feels softer than a lean twisted flat yarn. The crimped or coiled filament structure gives a lower effective modulus of elasticity to the structure when compare with that of a flat yarn. 3/26/2014DRAWING & TEXTURISING23
  • 24. Steps of texturising: 3/26/2014DRAWING & TEXTURISING24 Deform the filament. Set the deformation. Remove the deformation.
  • 25. Texturising method: 3/26/2014DRAWING & TEXTURISING25 Real twist Texturising False twist Texturising Draw Texturising Knit de knit Air jet Texturising Stuffer box Gear crimping Edge crimping method Texturising by co-extrusion
  • 26. 1. Real twist Texturising: 3/26/2014DRAWING & TEXTURISING26 Hare a batch of package of yarn was then taken from the twister and placed in an autoclave. The temperature of the yarn was raised above Tg and then allowed to cool. The product taken from the autoclave was non-twist lively or dead, but the fibre deformations were set into their newly twisted shapes. To develop the bulk, it was necessary to untwist the yarns until the filament were approximately parallel and separated, and then relax them
  • 27. 2. False twist Texturising: 3/26/2014DRAWING & TEXTURISING27 Here partially oriented yarn(POY) is fed into a heating zone(200-230 c). Where insert twist is set. The yarn then passes through a cooling zone to a twist unit. Consisting of a series of revolving discs. Which insert twist ,when twisted yarn is relaxed, the yarn retains a thermal memory, which produces yarn with a high bulk/stretch potential. Bulk/ stretch can be controlled by passing the yarn through a second heater.
  • 28. Draw Texturising: 3/26/2014DRAWING & TEXTURISING28 As Texturising speeds rise, they approach the speed used for filament drawing and it becomes possible to contemplate a merger between the two operations. There are two forms of draw texturising ; a) Sequential, b)Simultaneous. Draw Texturing Machine
  • 29. 4. Air jet Texturising: 3/26/2014DRAWING & TEXTURISING29 In this method of texturing, yarns led through the turbulent region of a air jet at a rate faster than if is drawn off on the far side of the jet, in the jet, the yarn structure is opened , loops are locked inside and others are locked on the surface of the yarn. An example of this method is the taslam process; Air jet textured yarn.
  • 30. 5. Knit de knit: 3/26/2014DRAWING & TEXTURISING30 Knit -de-Knit texturing is used on drawn fibre in order to produce crimp of a knitted loop shape. In this process a yarn is knitted into a tubular fabric, set in place by means of heat, and then unraveled to produce textured yarn.
  • 31. 6. Stuffer box: 3/26/2014DRAWING & TEXTURISING31 The crimping unit consists of two feed rolls and a brass tube stuffer box. By compressing the yarn into the heated stuffer box, the individual filaments are caused to fold or bend at a sharp angle, while being simultaneously set by a heating device.
  • 32. 7. Gear crimping: 3/26/2014DRAWING & TEXTURISING32 In this method filament is run between a pair of intermeshing gear wheels. The resultants yarn is left with the impression of the gear wheel teeth.
  • 33. 8.Edge crimping method: 3/26/2014DRAWING & TEXTURISING33 In this method of Texturising. Thermoplastic filaments in a heated and stretched condition are drawn over a crimping edge and cooled. Edge- Crimping machine are make align yarn.
  • 34. 9. Texturising by co-extrusion: 3/26/2014DRAWING & TEXTURISING34 Co-extrusion is where two or more polymer components are extruded through the same nozzle to produce a filament with stripes of different polymers. It is difficult to manage more than two components; thus two component system are likely to be most significant commercially. There are two distinct possibilities. The first is to have the stripes firmly bonded to each other in such a fashion that treatment will cause it to curl or otherwise texture in the manner of a bi-component yarn. The second is to make the stripes have little or no bonding, in which case the filament can be decomposed into a series of finer ones.
  • 35. 3/26/2014DRAWING & TEXTURISING35 As already pointed out, textured yarns are characterized by higher extensibility, elasticity and bulkiness than flat yarns Schematic longitudinal view of textured yarns Among the various properties, generally assessed with methods similar to those used for other types of yarn, there is a method of particular importance and for specific use, termed crimp contraction (or crimp elasticity).This property is essentially assessed on false-twist yarns and is defined as “the contraction of a textured yarn due to crimp development, expressed as percentage rate of the stretched out (not crimped) yarn length” Properties of textured yarns:
  • 39. What type of yarns can be textured: 3/26/2014DRAWING & TEXTURISING39 Synthetic filament yarns made from polyester Nylon and polypropylene. Polyester yarns are normally in the range between 50 and 300 den, with the emphasis on 75 and 150 den. Nylon yarns are in the range from 15- 110 den, The majority of fine hosiery yarns being 20 den and coarser yarns being 70 den.
  • 41.
  • 42.
  • 43. 1. Yarn Manufacturing Technology Link : http://www.facebook.com/pages/Yarn-Manufacturing- Technology/485014954866808 2. Fabric Manufacturing Technology Link : http://www.facebook.com/pages/Fabric-Manufacturing- Technology/459520217425605 3. Garments Manufacturing Technology Link : http://www.facebook.com/pages/Garments-Manufacturing- Technology/472364799463126 3. Wet processing Technology Link : http://www.facebook.com/pages/Wet-Processing-Technology-Dyeing- /468645219825404 4. Fashion-Design-and-Technology Link : http://www.facebook.com/pages/Fashion-Design-and- Technology/587655294583875?ref=ts&fref=ts My Facebook Textile related Pages http://www.textilelab.blogspot.com (Visit My Blog for more Info )