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JARRY Virtual Reality at INA
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2. MISCELLANEOUS THEMATICS AND FORMATS
• ARTS AND SCIENCES
• SOCIAL IMPACT DOCUMENTARIES
• NARRATIVES, INTERACTIVE EXHIBITIONS, GAMES…
A LARGE LINE-UP OF VR EXPERIENCES
• MULTI-USERS IMMERSIVE EXHIBITIONS
• LOCATION-BASED EXPERIENCES
• NEW VR EXHIBITION FORMATS
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6. IS A VERTIGINOUS JOURNEY IN THE HISTORICAL COLLECTIVE MEMORY
A VIRTUAL REALITY EXPERIENCE THAT INVITES YOU TO STEP OUT OF YOUR BUBBLE,
AND TO QUESTION YOUR MEMORY AND PERSPECTIVE ON HISTORY.
8. The experience offers 5 steps
1 - To consult the archives on the web in a real time request
2 - To travel in time in the memory of the web (the algorithmic memory)
3 - To compare your request to other answers in other countries
4 - To listen people telling you their own memories (sensitive memory)
5 - To relive a moment of this historical moment, now
9. At the roots of this project: an obsessive question
How is built the collective memory nowadays?
The future collective memory, the one of our children
10. We have been inspired by the work of Mathias Blanc - Visuall-tek Project - University of Lille and CNRS
11. We have built an environment, a universe made with type signs
23. Leslie
Fire I think fire was my first thing that comes to mind…
When we got to the 40th floor that was the first time
that we saw the firefighters… they were carrying all
this equipment and they were trying to reassure us
and they were smiling at us and you're gonna be okay
just keep going downstairs. I know that those
firefighters didn't make it and they're not here anymore
most likely so that will always stick in my memory…
John
The first images I have is my
brother James Cartier he was 26
handsome youngman and he was
an electrician working at the World
Trade Center.
The same time that we were
running for our lives my brother
was losing his.
(…) I formed the motorcycle club to
keep the memory alive so
hopefully we'll keep going…
24. Shawn
It was a sunny day that
morning when I went to
work (…)
I remember when I was at
the rooftop there was a
couple of people ; they
were looking at the other
building as well and when
the building collapse none
of us say anything we were
just speechless we just
stood there and some
people cried.
Kamila
I remember huge disorientation because the way
you oriented yourself downtown was always the
side of
the Twin Towers and I looked down and they
were just not there. There was this huge white
cloud of smoke and everybody rushing uptown!
I was surprised and very hardened and very
loving towards my fellow New Yorkers that we
didn't try to save ourselves
at the cost of the others and this sense of
solidarity and people asking if you're okay people
lifting you in when you fall people sharing
whatever they have information water food it was
surprising.
You don't expect in a population that is so huge
and so anonymous to find those kind of very
human very warm instincts especially you know
how New Yorkers are.
28. - WE USED WEBVR TO CREATE A PLATFORM, EXTEND THE REACH OF THE
PROJECT AND EXPERIMENT IN AN OPEN ENVIRONMENT
- THE PLATFORM CAN BE EMBEDDED ON MEDIAS OR ARCHIVES CENTERS
WEBSITES.
THE CHOICE OF WEBVR
- WEBVR IS AN OPEN SPECIFICATION THAT MAKES IT POSSIBLE TO EXPERIENCE VR IN
YOUR BROWSER.
- THE GOAL IS TO MAKE IT EASIER FOR EVERYONE TO GET INTO VR EXPERIENCES, NO
MATTER WHAT DEVICE YOU HAVE.
- YOU NEED ONLY TWO THINGS TO EXPERIENCE WEBVR: A HEADSET AND A COMPATIBLE
BROWSER.
REPLAY MEMORIES allows you to compare your own personal memories to the worldwide collective memory. Can you be certain that the memories you have of a historical event actually match the event in question? Do we all share the same memories of a particular event?
At a time when the worldwide web is the first tool we turn to for looking up historical events, can we still believe that culture and education are major prisms through which a collective national memory is created?
What does our collective memory become when manipulated by algorithms?
Andres Jarach and Gordon are two authors and directors, coming from documentaries and digital art. They have decided to create a platform, in VR, to give the users the opportunity to be confronted to all these questions.
Today, our first reflex is to go on Google, or any search engine
We have wanted to bring this question in VR
Mathias Blanc is a sociologist, he works on our relationship with the images.
We are often passive facing the images or the moving images, as we are in front of a tv. He offers us to engage the body in the choice and the manipulation of the images
They symbolize the data on the web, and give us also some landmarks : we know in which part of the word we are in this universe
This art direction gives us also the opportunity to contrast with the archives
First, we had them floating in the VR space… and it was deceiving
It is as if the archives close our world. Archives lock us into our own certainties.
With the screen of the bubble, the transparancie, we can mettre en scène the 2D images
or the controllers
A. Nous pouvons ensuite nous déplacer géographiquement pour créer une nouvelle bulle dans un autre pays et confronter nos souvenirs à ceux d'autres parties du monde.
We are in a street of New York. Around us, new yorkers…
As in the movie Les Ailes du Désir, when you stare one of them, you can hear their memories
G. Tout à coup, dans notre dos, un bruit assourdissant qui nous fait nous retourner et
découvrir une archive de l’événement situé précisément à l’endroit où c’est arrivé
A 2D archive make you feel that you relive the event, in a live action shooted 360 environement
Replay memories has been selected to be part of INALab, a program created by INA to develop and experiment in coproduction with producers new and innovative contents.