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Creating Culturally
Relevant Discourse
Through Digital Curation
61st Annual Conference for Michigan Reading Association
Grand Rapids, MI, March 13, 2017, 10:15 – 11:45
Sue Ann Sharma & Mark E. Deschaine
dr.sueann@gmail.com & desch1me@cmich.edu
Today’s Takeaway
Today’s session will provide you with practical
ways to integrate the Five Cs Digital Curation
Framework with Web 2.0 tools. The goal is to
garner culturally relevant materials to increase
positive reader and writer identities, while
fostering and engaging in dialogic discourse
that examines voice, culture and perspective.
Think-Pair-Share
What are some of the successes and barriers to
integrating culturally relevant materials into your
curriculum and instruction?
How do you engage students in dialogic
discourse to examine voice, culture and
perspective?
What is Digital Curation?
"The intentional process of mindfully mining,
organizing, and archiving digital resources”
(Deschaine & Sharma, 2015)
Historical Links
Retrieved from http://www.oddee.com/item_93915.aspx
The Five Cs of
Digital Curation
Allows for the“remixing data from multiple
sources, including individuals users,
while providing their own data and
services in a form that allows the
remixing of others”
(O’Reilly, 2005, para 1).
Developing
21st- Century
Thinkers and
Learners
“…no text is neutral and that all
texts are created from particular
ideological positions or
perspectives”
(Vasquez et al., 2010, p. 265).
❑ Develop instructional resources
from
❑ divergent perspective;
❑ disparate mediums; with
❑ commonality of thought
Giving and
Getting
Meaning with
Digital Tools
❑ Instructional resources reflects
❑ Orientation
❑ Advocacy, and
❑ Perspectives
❑ Creator’s local sphere of
influence
❑ Larger scholarly community
❑ The voice of the marginalized,
voiceless, and silenced
Are You on Woo Woo?
Retrieved from https://www.youtube.com/watch?v=iESw5aL12II
Collect and Categorize with
Reliable, Accessible, and
Scalable Cloud Storage❏ Google Docs
❏ LiveBinders
❏ Protopage
❏ Pinterest
❏ Google Drive
❏ Learni.st
❏ PearlTrees
❏ Edmodo
❏ Scoop.it!
❏ TouchCast
Collect
❏ Amass resources
❏ acquire
❏ assemble
❏ preserve digitally
❏ store
Categorize
❏ “Functional criteria
plays[s] an essential
role in adults’ artifact
concepts and that
function overrides
appearance as the basis
for how we categorize
artifacts” (Nelson et al.,
2000, p. 134).
Scoopit
Disability Supports
Retrieved from http://www.scoop.it/u/mark-deschaine
Pinterest
Advocating Acceptance and
Awareness
Retrieved from https://www.pinterest.com/ssharma/awareness-and-acceptance/
Protopage
Virtual Desktop
Retrieved from http://www.protopage.com/suesharma
Critique
❏ Intentionally sort and
exclude based on subtle
(or not so subtle)
differences
❏ “…the point of critique is
to make the hidden and
invisible in the work
visible” (Anderson, 2003, p. 19)
Conceptualize
❏ Active transformation
from one intent to
another
❏ Augment the
instructional utility of
the original resource to
meet instructional
domains
ensure
oppression of
past does not
occur again?
“Those who cannot remember
the past are condemned to
repeat it.”
(Santayana, Reason in Common
Sense, The Life of Reason, Vol.1 )
When the Nazis came for the communists,
I remained silent;
I was not a communist.
When they locked up the social democrats,
I remained silent;
I was not a social democrat.
When they came for the trade unionists,
I did not speak out;
I was not a trade unionist.
When they came for the Jews,
I remained silent;
I wasn't a Jew.
When they came for me,
there was no one left to speak out.
Martin Niemöller Retrieved from
https://en.wikiquote.org/wiki/Martin_Niem%C3%B6ller
sociocultural
approach to
literacy and
technology
(Gee, 2010, p. 165)
Critique and conceptualize
disparate curricular items from
different contexts to encourage
a broader critical world view of
the issues and needs of those
impacted by the materials.
Is Paris Burning?
Retrieved from
http://www.telegraph.co.uk/news/worldnews/
northamerica/usa/11242108/Ferguson-
timeline-of-events-since-Michael-Browns-
death.html
Retrieved from
http://www.cliomuse.com/is-paris-
burning.html
Retrieved from
https://www.amazon.com/Selma/dp
/B01A9R2LTQ/ref=sr_1_12?ie=UT
F8&qid=1489327396&sr=8-
12&keywords=selma
Conceptualization of Historical Events
Mitchell, Jerry and Derek H. Alderman. 2014. "A Street Named for a King: A Lesson in the Politics of Place-Naming." Social Education
78(3): 137-142.
❏ The public display of
artifacts
❏ Extend teacher voice
and impact
❏ Support learning needs
of individual students
❏ Helps create a critically
conscious classroom
❏ Provides resilience to
the materials
❏ Fosters interdisciplinary
study
November, 2010; Vasquez et al., 2010) Retrieved from http://www.livebinders.com/play/play?id=57084
Paul Conrad’s
Political Cartoons 1959-1990s
Retrieved from http://latimesblogs.latimes.com/culturemonster/2011/12/huntington-library-
closed-through-at-least-friday-due-to-wind-damage.html
History
Science
Standards
CCSS 11.10
(2) Examine and analyze the key events,
policies, and court cases in the
evolution of civil rights, including . . .
Brown v. Board of Education. . . .
(6) Analyze the passage and effects of
civil rights and voting rights legislation
(e.g., 1964 Civil Rights Act, Voting Rights
Act of 1965)
❑ Students compare the present with the past,
evaluating the consequences of past events and
decisions and determining the lessons that were
learned. (Chronological and Spatial Thinking)
❑ Students distinguish valid arguments from
fallacious arguments in historical interpretations.
(Historical Research, Evidence, and Point of View)
❑ Students construct and test hypotheses: collect,
evaluate, and employ information from multiple
primary and secondary sources: apply it in oral and
written presentations. historical Research,
Evidence, and Point of View)
❑ Students understand the meaning, implication, and
impact of historical events and recognize that
events could have taken other directions. (Historical
Interpretation)
Civil Rights Cartoons
“I’m hijacking the bus!...Take us back
to 1954!” March 17, 1972
Source: Conrad Collection, The Huntington Library, Art
Collections, and Botanical Gardens, January-June 1972.
“Administration Line – Untitled
Cartoon February 15, 1970
Source: Conrad Collection, The Huntington Library, Art
Collections, and Botanical Gardens, 1968-May 1970.
Illustration
choice
❑ What is the message that the
cartoonist wishes to portray?
❑ What symbols did Conrad use
in the cartoon?
❑ How effective is the cartoon?
❑ What emotions does the
cartoon evoke today, a
generation after it was first
published?
Cartoon Analysis
❑ Visuals
❑ List the objects or people you see
in the cartoon.
❑ What symbols, if any, are used in
the cartoon?
❑ What do you think each symbol
means?
❑ Words
❑ Identify the cartoon caption or
title.
❑ Does the cartoonist use words or
phrases to identify objects or
people within the cartoon?
❑ What words or phrases in the
cartoon appear to be the most
significant?
Adapted from U.S. National Archives & Records Administration’s Cartoon Analysis Worksheet,
http://www.archives.gov/digital_classroom/lessons/analysis_worksheets/cartoon.html
Curation Cautions
● Intellectual property
● Copyright
● Privacy issues
● Time
● Speed of transition to alternative media
● Over-focus on tool function versus content
design
● Inconsistency of Infrastructure
Curation Benefits
● Can be in incremental step
● Allow co-creation of instructional materials with
students
● Amplifies both teacher and student voice
● Extends instructional opportunities
● Cost effective alternatives to commercial products
● Encourages interdisciplinary collaboration and
discussion
Thank You!
Mark E. Deschaine, PhD
desch1me@cmich.edu
Sue Ann Sharma, PhD
dr.sueann@gmail.com

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Creating Culturally Relevant Discourse Through Digital Curation

  • 1. Creating Culturally Relevant Discourse Through Digital Curation 61st Annual Conference for Michigan Reading Association Grand Rapids, MI, March 13, 2017, 10:15 – 11:45 Sue Ann Sharma & Mark E. Deschaine dr.sueann@gmail.com & desch1me@cmich.edu
  • 2. Today’s Takeaway Today’s session will provide you with practical ways to integrate the Five Cs Digital Curation Framework with Web 2.0 tools. The goal is to garner culturally relevant materials to increase positive reader and writer identities, while fostering and engaging in dialogic discourse that examines voice, culture and perspective.
  • 3. Think-Pair-Share What are some of the successes and barriers to integrating culturally relevant materials into your curriculum and instruction? How do you engage students in dialogic discourse to examine voice, culture and perspective?
  • 4. What is Digital Curation? "The intentional process of mindfully mining, organizing, and archiving digital resources” (Deschaine & Sharma, 2015)
  • 5. Historical Links Retrieved from http://www.oddee.com/item_93915.aspx
  • 6. The Five Cs of Digital Curation Allows for the“remixing data from multiple sources, including individuals users, while providing their own data and services in a form that allows the remixing of others” (O’Reilly, 2005, para 1).
  • 7. Developing 21st- Century Thinkers and Learners “…no text is neutral and that all texts are created from particular ideological positions or perspectives” (Vasquez et al., 2010, p. 265). ❑ Develop instructional resources from ❑ divergent perspective; ❑ disparate mediums; with ❑ commonality of thought
  • 8. Giving and Getting Meaning with Digital Tools ❑ Instructional resources reflects ❑ Orientation ❑ Advocacy, and ❑ Perspectives ❑ Creator’s local sphere of influence ❑ Larger scholarly community ❑ The voice of the marginalized, voiceless, and silenced
  • 9. Are You on Woo Woo? Retrieved from https://www.youtube.com/watch?v=iESw5aL12II
  • 10. Collect and Categorize with Reliable, Accessible, and Scalable Cloud Storage❏ Google Docs ❏ LiveBinders ❏ Protopage ❏ Pinterest ❏ Google Drive ❏ Learni.st ❏ PearlTrees ❏ Edmodo ❏ Scoop.it! ❏ TouchCast
  • 11. Collect ❏ Amass resources ❏ acquire ❏ assemble ❏ preserve digitally ❏ store Categorize ❏ “Functional criteria plays[s] an essential role in adults’ artifact concepts and that function overrides appearance as the basis for how we categorize artifacts” (Nelson et al., 2000, p. 134).
  • 12. Scoopit Disability Supports Retrieved from http://www.scoop.it/u/mark-deschaine
  • 13. Pinterest Advocating Acceptance and Awareness Retrieved from https://www.pinterest.com/ssharma/awareness-and-acceptance/
  • 14. Protopage Virtual Desktop Retrieved from http://www.protopage.com/suesharma
  • 15. Critique ❏ Intentionally sort and exclude based on subtle (or not so subtle) differences ❏ “…the point of critique is to make the hidden and invisible in the work visible” (Anderson, 2003, p. 19) Conceptualize ❏ Active transformation from one intent to another ❏ Augment the instructional utility of the original resource to meet instructional domains
  • 16. ensure oppression of past does not occur again? “Those who cannot remember the past are condemned to repeat it.” (Santayana, Reason in Common Sense, The Life of Reason, Vol.1 ) When the Nazis came for the communists, I remained silent; I was not a communist. When they locked up the social democrats, I remained silent; I was not a social democrat. When they came for the trade unionists, I did not speak out; I was not a trade unionist. When they came for the Jews, I remained silent; I wasn't a Jew. When they came for me, there was no one left to speak out. Martin Niemöller Retrieved from https://en.wikiquote.org/wiki/Martin_Niem%C3%B6ller
  • 17. sociocultural approach to literacy and technology (Gee, 2010, p. 165) Critique and conceptualize disparate curricular items from different contexts to encourage a broader critical world view of the issues and needs of those impacted by the materials. Is Paris Burning? Retrieved from http://www.telegraph.co.uk/news/worldnews/ northamerica/usa/11242108/Ferguson- timeline-of-events-since-Michael-Browns- death.html Retrieved from http://www.cliomuse.com/is-paris- burning.html Retrieved from https://www.amazon.com/Selma/dp /B01A9R2LTQ/ref=sr_1_12?ie=UT F8&qid=1489327396&sr=8- 12&keywords=selma
  • 18. Conceptualization of Historical Events Mitchell, Jerry and Derek H. Alderman. 2014. "A Street Named for a King: A Lesson in the Politics of Place-Naming." Social Education 78(3): 137-142.
  • 19. ❏ The public display of artifacts ❏ Extend teacher voice and impact ❏ Support learning needs of individual students ❏ Helps create a critically conscious classroom ❏ Provides resilience to the materials ❏ Fosters interdisciplinary study November, 2010; Vasquez et al., 2010) Retrieved from http://www.livebinders.com/play/play?id=57084
  • 20. Paul Conrad’s Political Cartoons 1959-1990s Retrieved from http://latimesblogs.latimes.com/culturemonster/2011/12/huntington-library- closed-through-at-least-friday-due-to-wind-damage.html
  • 21. History Science Standards CCSS 11.10 (2) Examine and analyze the key events, policies, and court cases in the evolution of civil rights, including . . . Brown v. Board of Education. . . . (6) Analyze the passage and effects of civil rights and voting rights legislation (e.g., 1964 Civil Rights Act, Voting Rights Act of 1965) ❑ Students compare the present with the past, evaluating the consequences of past events and decisions and determining the lessons that were learned. (Chronological and Spatial Thinking) ❑ Students distinguish valid arguments from fallacious arguments in historical interpretations. (Historical Research, Evidence, and Point of View) ❑ Students construct and test hypotheses: collect, evaluate, and employ information from multiple primary and secondary sources: apply it in oral and written presentations. historical Research, Evidence, and Point of View) ❑ Students understand the meaning, implication, and impact of historical events and recognize that events could have taken other directions. (Historical Interpretation)
  • 22. Civil Rights Cartoons “I’m hijacking the bus!...Take us back to 1954!” March 17, 1972 Source: Conrad Collection, The Huntington Library, Art Collections, and Botanical Gardens, January-June 1972. “Administration Line – Untitled Cartoon February 15, 1970 Source: Conrad Collection, The Huntington Library, Art Collections, and Botanical Gardens, 1968-May 1970.
  • 23. Illustration choice ❑ What is the message that the cartoonist wishes to portray? ❑ What symbols did Conrad use in the cartoon? ❑ How effective is the cartoon? ❑ What emotions does the cartoon evoke today, a generation after it was first published?
  • 24. Cartoon Analysis ❑ Visuals ❑ List the objects or people you see in the cartoon. ❑ What symbols, if any, are used in the cartoon? ❑ What do you think each symbol means? ❑ Words ❑ Identify the cartoon caption or title. ❑ Does the cartoonist use words or phrases to identify objects or people within the cartoon? ❑ What words or phrases in the cartoon appear to be the most significant? Adapted from U.S. National Archives & Records Administration’s Cartoon Analysis Worksheet, http://www.archives.gov/digital_classroom/lessons/analysis_worksheets/cartoon.html
  • 25. Curation Cautions ● Intellectual property ● Copyright ● Privacy issues ● Time ● Speed of transition to alternative media ● Over-focus on tool function versus content design ● Inconsistency of Infrastructure
  • 26. Curation Benefits ● Can be in incremental step ● Allow co-creation of instructional materials with students ● Amplifies both teacher and student voice ● Extends instructional opportunities ● Cost effective alternatives to commercial products ● Encourages interdisciplinary collaboration and discussion
  • 27. Thank You! Mark E. Deschaine, PhD desch1me@cmich.edu Sue Ann Sharma, PhD dr.sueann@gmail.com