6. Takashi Iba井庭 崇
博士(政策・メディア) - Ph.D in Media and Governance
慶應義塾大学SFC 総合政策学部 教授
慶應義塾大学クリエイティブ・ラーニング・ラボ代表
株式会社クリエイティブシフト代表取締役社長
国際学術組織 The Hillside Group 理事
CreativeShift
The Pattern Language Company
26. 1990 20182000 2010
SFC
started
1993
undergrad master
2004
part-time
lecturer
Sabbatical
@ MIT
doctor
assistant
professor
Quarter Century of My Life @Keio SFC
Sabbatical
@ UO
2005 2009 2019
associate
professor professor
75. Takashi Iba, "An Autopoietic
Systems Theory for Creativity”,
Procedia - Social and Behavioral
Sciences, Vol.2, Issue 4, 2010, pp.
Collaborative Innovation Networks Conference 2009
Procedia
Social and
Behavioral
Sciences
www.elsevier.com/locate/procedia
COINs2009: Collaborative Innovation Networks Conference
An Autopoietic Systems Theory for Creativity
Takashi Ibaab
aMIT Center for Collective Intelligence, Cambridge MA, USA
bFaculty of Policy Management, Keio University, Japan
AAbbssttrraacctt
In this paper, a new, non-psychological and non-sociological approach to understanding creativity is proposed.
The approach is based on autopoietic system theory, where an autopoietic system is defined as a unity whose
organization is defined by a particular network of production processes of elements. While the theory was
originally proposed in biology and then applied to sociology, I have applied it to understand the nature of
creation, and called it "Creative Systems Theory". A creative system is an autopoietic system whose element
is "discovery", which emerges only when a synthesis of three selections has occurred: "idea", "association",
and "consequence". With using these concepts, we open the way to understand creation itself separated from
psychic and social aspects of creativity. On this basis, the coupling between creative, psychic, and social
systems is discussed. I suggest, in this paper, the future of creativity studies, re-defining a discipline
"Creatology" for inquiring creative systems and propose an interdisciplinary field as "Creative Sciences" for
interdisciplinary connections among creatology, psychology, and so on.
Keywords; creativity; systems theory; autopoiesis; pattern language
11.. IInnttrroodduuccttiioonn
In this paper, a new, non-psychological and non-sociological approach to understanding creativity
is proposed. The approach is based on autopoietic system theory, where an autopoietic system is
defined as a unity whose organization is defined by a particular network of production processes
of elements. While the theory was originally proposed in biology and then applied to sociology, I
have applied it to understand the nature of creation, and called it "Creative Systems Theory". A
creative system is an autopoietic system whose element is "discovery", which emerges only when a
synthesis of three selections has occurred: "idea", "association", and "consequence". With using
these concepts, we open the way to understand creation itself separated from psychic and social
aspects of creativity. On this basis, the coupling between creative, psychic, and social systems is
discussed. I suggest, in this paper, the future of creativity studies, re-defining a discipline
"Creatology" for inquiring creative systems and propose an interdisciplinary field as "Creative
Sciences" for interdisciplinary connections among creatology, psychology, and so on.
There are several reasons why study of creativity is pursued from so many angles today. First,
against the backdrop of the shift from labor-intensive work to knowledge-intensive work, many
people involved in business need to make full use of intelligence and creativity for obtaining
創造システム理論
Creative Systems Theory
76. 無我の創造(Egoless Creation)
井庭 崇, 「パターン・ランゲージによる無我の創造のメカニズム:オートポイエーシスのシステム理論による理解」,
7th Asian Conference on Pattern Languages of Programs(AsianPLoP2018) , 2018
AsianPLoP2018 WWS Version
1
Abstract:
egoless creation
1. Introduction
(Alexander,
1979, p.31)
Page 1 of 21
Illuminating Egoless Creation with
Theories of Autopoietic Systems
Iba, Takashi, Faculty of Policy Management, Keio University, Endo 5322, Fujisawa,
Kanagawa, Japan, iba@sfc.keio.ac.jp
Yoshikawa, Ayaka, Faculty of Environment and Information Studies, Keio University, Endo
5322, Fujisawa, Kanagawa, Japan
Abstract:
This paper examines one of the most important but overlooked concepts in pattern language
theory; creation processes without the self (ego). Christopher Alexander, the inventor of the
pattern language concept and methodology, focused on a generative mechanism beyond the
individual designer level and claimed that creation originated from this basis. In this paper,
first, the similarities between Alexander’s arguments and those of fiction writers who claim
that, ‘the author does not intentionally create the story; the characters in the story act on their
own, and the story unfolds itself’ are examined under an ‘egoless creation’ concept. Then,
egoless creation is examined through the theories of autopoetic systems: Social Systems
Theory and Creative Systems Theory. It was found that egoless creation is a state in which
the chain of generated discoveries within a creative system is experienced by the psychic
system, that the patterns in a pattern language work primarily as `discovery media' within the
creative system, and that pattern language facilitates a structural coupling of the psychic and
the social systems. Through these analyses, this paper illuminates the egoless creation
concept from a systems theory perspective.
Keywords: Autopoiesis; Creation; Creative Systems Theory; Egoless; Pattern Language;
Social Systems Theory;
ISBN (tba)
www.purplsoc.org
Creative Commons Licence CC-BY-SA
http://web.sfc.keio.ac.jp/~iba/sb/log/eid535.html
77. Iba, T. (2009) “An Autopoietic Systems Theory for Creativity”, COINs2009.
創造 とは “発見”の連鎖である
100. Jean Piaget, “Development and Learning”, in Ripple, R. and Rockcastle, V. eds, Piaget
Rediscovered: A Report of the Conference on cognitive studies and Curriculum
Development, National Science Foundation and U.S. Office of Education, 1964, p.13
「教育の目的は、知識の量を増加させることでは
なく、子どもが発見し、発明する可能性を創り出
すことである。我々が、あまりに急いで教えると、子ど
も自ら発明したり、発見したりすることから遠ざけてしま
う。」
ジャン・ピアジェ
139. C. Alexander, S. Ishikawa, M. Silverstein, A Pattern Language:
Towns, Buildings, Construction, Oxford University Press, 1977
C. Alexander, The Timeless Way of Building, Oxford University
Press, 1979.
“A Pattern Language” in Architecture in the 70’s
Christopher Alexander, Emeritus Professor at UC Berkeley
クリストファー・アレグザンダー 他, 『パタン・ランゲージ:
環境設計の手引』, 鹿島出版会, 1984
クリストファー・アレグザンダー, 『時を超えた建設の道』,
鹿島出版会, 1993
140. Light on Two Sides of Every Room
159. どの部屋も2面採光
選択の自由があれば、人はつねに2つの壁面から採
光のある部屋に引かれ、採光が1面だけの部屋は使
おうとせず、寄り付かないであろう。 したがって、
各部屋の少なくとも2面が屋外空間に接するように
配置し、さらに少なくとも2方向以上から自然光が
入るよう外壁に窓を設けること。
このパタンは、おそらく他のどのパタンよりも部屋
の正否を左右するであろう。室内の昼光配分と2壁
面の窓は、部屋づくりの基本である。・・・
151. In addition, also 550 new words in Style Languages.
We have created 70 pattern languages in various
domain including 1,700 patterns for past 16 years.
193. “Words for a Journey” (Pattern Language for
living well with dementia)
in a meeting for supporters in a local community
(elementary school students)
196. In addition, also 550 new words in Style Languages.
We have created 70 pattern languages in various
domain including 1,700 patterns for past 16 years.
197. Pattern Languages empower people to create things they desire
to create, and enables them to participate in creative activities in
various domains.
198. If more pattern languages are created in various domains, it will
become much easier for people to try engaging in creative
activities in domains which they are not familiar with.
In this sense, Pattern Languages can be considered as
a soft social infrastructure.
199. From the creativity viewpoint, it can be said that this ability to
step into various creative activities is a new kind of `freedom’.
It can be said that pattern language is a tool to enhance
people’s creative ‘freedom’.
200. パターン・ランゲージ本
Ver. 0.50
Presentation Patterns Project
創造的プレゼンテーションのパターン・ランゲージ
プレゼンテーション・パターン
A Pattern Language for Creative Presentations
Ver. 0.60
Collaboration Patterns Project
創造的コラボレーションのパターン・ランゲージ
コラボレーション・パターン