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FORWARD
DOING
FORWARD DOING
There’s never been a better time

simultaneously, and the quality of

for brands to immerse themselves

everything from tiny ads to giant

in digital marketing than right now.

web sites is sorely lacking.

The rewards for those bold enough
to engage, embrace and encourage

The purpose of these pages is to

the changes at play in our business

inspire you to think broadly about

are astonishing.

digital; to take risks, be compelling
and ambitious; to make the most

However, there’s never been a

out of what is truly a historic

more confusing time to leap into

opportunity.

digital either. The landscape is
constantly shifting, audiences

Think of this as rocket fuel for

are expanding and splintering

forward doing.
BEFORE
WE
BEGIN,
A
FEW
QUICK
FACTS
Today there are more than 7B
people on the planet, half of whom
are under the age of 30 and have
never known life without the
Internet.
There are more than 5B mobile
subscriptions, representing
approximately 77% of the world’s
population; of these, 1.5B belong to
smartphone users.
There are over 2B people
connected to the Internet; 70% of
them read blogs, while 57% say
they talk to others more often
online than in real life.
The last truly new platforms were
Google, which gave us access to
content on the web via search;
Facebook, which reiterated the
web via the social graph; and
Twitter; which delivered a blogging
platform, news hub and social
network.
AND
A
FEW
QUICK
THOUGHTS
The web can be simultaneously

In the future, online marketing

overwhelming – because there’s

will move away from generic

so much to explore – and

advertising and toward inluence

underwhelming – because you

marketing; behavior advertising

can’t always ind what you’re

will move away from assumptions

looking for.

and toward speciic actions. As a
result, consumer rights and privacy

The newness of the social web

will become more pronounced and

has been like a rush of people

focused issues.

to one big city. In the future,
however, there will be many big

We will see more “megamercials”

cities, each made up of multiple

– tightly integrated brand

neighborhoods.

advertising containted within
digital experiences. This is much

Forget swiping – the future is

like the old soap operas, who got

all about gestures. Natural user

their name because of Proctor

interfaces extended from gaming

& Gamble’s Oxydol soap powder

will migrate to web and mobile

sponsorship of radio dramas in the

applications.

1930’s.

Unless brands improve their social

As brand ambassadors, we need

marketing, future interactions with

to provide consumers with an

customers will feel less friendly

authentic online experience – one

and more commercial.

that’s both more fun and useful.
WE HAVE QUICKLY MOVED FROM THE
INFORMATION WEB TO THE SOCIAL WEB
WE CAN DO
IF WE REINVENT
WE
ARE
THE
CONNECTED
GENERATION

The rise of social networks is not
a new phenomenon. If you look
at the timeline and the amount of
sites considered social networks,
they have existed for many years
now.
Fast-forward to today, content
is everywhere; blogs, feeds,
aggregators, and social networks.
These services exist to allow
people to have creative expression
and each service is distinctly
separate from each other.
The social graph has all these
themes: connectedness, openness,
community, conversation, identity,
self-expression and participation.
DIGITAL
BEHAVIORS
HAVE
CHANGED
WE NEED TO ENTERTAIN,
INFORM AND PROVIDE
UTILITY, OR PEOPLE
WILL CLICK-OFF AND
SWITCH-OFF
ATTENTION
IS
THE
NEW
ECONOMY
The popularity of Google, lightning

We have become a skimming

fast Internet connections and

culture, absorbing just enough

instant access to everything online,

information to feel informed. So

it feels a lot like our brains have

perhaps it is time for us to rewire

become mushy. Meaning, we no

our elastic brains and reengage

longer focus our time going deep

in all the beauty that digital has to

into a subject unless it is topic we

ofer and not just a subset of it.

are really impassioned by.
People are treating their location

Naturally, a number of services

as part of their social identity.

have grown up around this practice,

They broadcast it as an extension

including Google Latitude, Loopt,

of their social behavior, showing

Facebook Places, Gowalla and the

friends and acquaintances what

category leader, Foursquare.

they’re doing as well as when and
where.

Sometimes, though, users may
only want a few people to know
where they are and what they’re
doing. That’s why apps which
allows users to share location
updates to speciic groups of

SOCIAL
MOBILITY

people – like Grouped{in} – are
becoming popular.
Location-based services present
marketers with a number of
opportunities to interact with
on-the-go customers, like
sending them a brand message,
encouraging them to update
their status, or rewarding them
for checking in with a site or
completing a task.
Such rewards range from virtual
recognition, like Foursquare’s
Super Swarm badges, to product
redemptions, like Scvnger’s point
system which ofers real-world
goods in exchange for actual store
visits.
The latter, more physical rewards

LOCATION
BASED
CAMPAIGNS

– which put a value on a customer
being present in a store or other
location, interacting with your
brand or service – will be a trend to
watch.
FROM “LEAN BACK”
TO “LEAN IN”

The development of immersive
entertainment technology is
encouraging us to go from
passively consuming content to
actively participating in its shape
and direction. Put more simply,
we’ve stopped leaning back and
started leaning in. As a result,
every screen we face – TV, laptop,
tablet and smart phone – will ofer
marketers a chance to provide a
unique experience for each and
every viewer.
For example, you can be watching

Future programming which

a TV show on your big screen,

engages users across multiple

researching the actors on your

devices in this manner becomes

tablet while checking your smart

more than simply immersive

phone to see which of your friends

entertainment – it becomes a

is tuned in as well. Or you may

compelling experience.

pause the game you’re playing
on your gaming console, only to
resume playing it hours later on
your tablet while lying crosscountry.
DIGITAL – ESPECIALLY
SOCIAL MEDIA –
ALLOWS US TO BREAK
OUR
CAMPAIGNS DOWN INTO
VALUABLE, INDIVIDUAL
CONVERSATIONS WITH
CONSUMERS
OFFLINE,
MEET
ONLINE
Quick Response (QR) codes have

Not only does this create enormous

helped oline and online converge

value for Tesco’s online shopping

in a quick and simple manner.

service, but it also creates oline

By scanning a QR code with a

awareness for the brand. Double

smart phone, users are able to

bonus.

complete a range of actions from
simple (opening a webpage or

In addition, the future of shopping

downloading a coupon) to to the

and brand interaction will likely

sophisticated (engaging in full-on

include Near Field Communication

e-commerce0.

(NFC). NFC technology enables
smartphones and other

For example, British grocery giant

compatible devices to establish

Tesco “brings the supermarket

radio communication simply by

to you” by letting shoppers buy

bringing them close to one another

produce and other food and retail

or touching them together. The

items by scanning images of their

possibilities of NFC have been

purchases with their smartphones,

proven to provide real value, but

with their order delivered the same

as of now, only a few brands have

day.

adopted it. Look for this to change.
AUGMENTED REALITY

Although augmented reality has
been available for several years,
its real potential has only realized
recently, thanks to higher-quality
cameras on smart phones and
tablets.
Iconic sunglass brand Ray-Ban put
augmented reality to work by using
such on-board cameras to allow
cutomers to try on sunglasses
virtually, then purchase their
favorite pair instantly.
There are also really smart retail
examples activating “targets”
(however it can be sound, video,
graphics or GPS data) and retail
packaging. A retail example is a
digital mirror developed by Lego
that virtually showcases (in 3D) the
select product, providing instant
value-add for customers.
The combination of a smartphone
or tablet camera, a print ad and
an app can bring almost any ad
to life – anywhere and anytime.
Simply by scanning the ad with the
device activates the app, turning
the previously static ad into a video,
game or 3D experience.
JEAN COCTEAU WAS
ONCE ASKED
IF THERE WAS A FIRE,
WHAT POSSESSION HE
WOULD RUN OUT OF
THE HOUSE WITH?
HE SAID, “THE FIRE”.
THE
POWER
OF
PARTNERSHIP
Never underestimate the power

Nike and British singer-songwriter

of a good partnership. Even the

Ellie Goulding have unique

simplest such arrangements

partnership fusing her music and

can help expand your audience,

with her passion for running. By

amplify your brand and alter public

participating in Nike projects, Ellie

perception.

extends their brand within her fan
base.

Instagram and Topshop teamed
up to provide customers with

The Intel and Vice partnership

makeovers from a professional

brings together two diametrically

stylist. The resulting “after”

opposed brands for a common

photos were immediately posted

purpose. Building the Creators

to Facebook in real-time, with

Project, combining art, music and

the caption, “Wish you were at

technology on a collaborative

Topshop.”

sharing platform. Beautiful.
There were 5,000 tweets per day in
2007. Today, there are almost 250
M. Facebook has over 750 M users
Flickr has more than 3.6 Bphotos.
Foursquare counts 10 M-plus
members, plus over 250,000
registered stores on its business
platform.
The Huington Post surpassed
100M comments per month in
September 2011. And there are
approximately 27M pieces of
branded content passed around via
links every day.
Everything is social now.

SOCIAL ATTENTION
NO
LINE
BETWEEN
ONLINE
AND
OFFLINE

Whether it is a smart-phone app
that enables you to activate a QR
code, to a Facebook “like” on a
person’s wall or enabling people to
physically “like” objects through an
RFID Facebook card. These are real
examples of oline meeting online
and online meeting oline.
Twitter is now promoting
interactivity through Twitter
parties, think of these as old school
communities and Facebook is
banking on the wisdom of friends
and crowds. Soon both with be
encouraging real oline meet-ups.
When done seamlessly and
naturally it is an enjoyable
experience.
WE’RE
GETTING
COMFORTABLE
WITH
THE
COMPANY
OF
STRANGERS
PARTICIPATION
PLAYGROUND
Using the web to reinforce your brand and enabling the community to
feel loved is the value of participation. Shortly, the future of participation,
especially in publishing will move way beyond comments and into
pictures, audio and video in real-time.
It is amazing how many brands will

everywhere, allowing them to create

take an advertisement designed

a mosaic similar to those used on

for commercial TV and simply

store shopping bags as well as in a

repurpose it for the web. However,

previous brand campaign.

the value of creating a web-speciic
advertisement or companion piece

By the end of 2011, 200,000 people

is undeniable.

in over 126 countries updated
the Uniqlo Grid over 10M times,

The latest Evian Live Young

proving simply that, if people love

campaign features adults wearing

your brand, they will participate in

baby t-shirts, dancing to Wordy

shaping and recreating it.

Rappinghood by French electronica
artist Uie. The digital piece isn’t

Still, the ultimate example of the

simply a repurposed TV spot;

participation playground is the

instead it employs stop-motion

Johnny Cash Project. Directed

video to put users into the action,

by Chris Milk, The Johnny Cash

involving an entire conusmer

Project contains more than 250,000

community with the brand.

hand-drawn contributions from
individuals in 172 countries. All the

Uniqlo also found a way to call upon

illustrations are brought together,

its worldwide community of fans to

ultimately, to create a completely

empower the brand. The company’s

crowd-sourced tribute to the Man in

Grid gave access to the same

Black, set to his otherworldly, “Ain’t

grid of Uniqlo logos to customers

No Grave”.
FROM
PUSH
TO
PULL

The carefully researched content

In a world of endless options, we

and well-crafted opinions of

all need help in making decisions.

content curators may give them

No longer can we rely on a handful

a hint of omnipotence. However,

of suppliers to provide the media

consumers are rapidly becoming

we consume. Push to pull is all

powerful news editors and

about the rise of devices and sites

opinion-shapers through written

that help us manage our choices.

contributions on platforms such as

Curators and editors – either

The Huington Post.

professional or peer – are essential
to helping create a valuable,
manageable online experience.
SO
WHAT’S NEXT?
LET’S SPARK
IDEAS
FOR
THE
FUTURE
BEFORE
NOW
NEXT
This three-word trend describes
the ability to record – and perhaps
even predict – physical and online
activities.
Before – Before is a time stamp of
our past activities. For example,
posting a photo Facebook wall or
a video on Youtube are “before”

Next – If there are services that

experiences.

detail our before and now, why
not one that recommends where

Now – Posting photos via

we should go next? Predictive

Instagram is a “now” experience,

technologies that refer to our social

much like “checking-in”

graph for recommendations on the

on Foursquare or Gowalla,

next venue or activity can provide

or otherwise posting your

a valuable method for reining our

whereabouts at a given moment.

physical experiences based on

It’s a record of the very immediate

where we’ve already been or what

present.

we’ve already done.
As mentioned earlier, the web
may initially seem overwhelming
because there is so much to
explore. But it can quickly become
underwhelming when you can’t ind
what you’re looking for. Curation
is the key to ixing this dilemma.
Services that are efectively curated
ensure our time used eiciently, so
that we can enjoy the web and be
more productive.
Examples of curated e-commerce
enable a brand to provide new niche
opportunities within a category.
Many startups have identiied these
and have developed substantial
businesses in the process for
example Zaarly.com for local
money and Fab.com for discounted
designer products; both these
services.

CURATION CULTURE
FOCUS ON THE EXPLORERS
In the traditional bell curve of

Innovative companies need to

adoption, the early adopters,

focus on the explorers – the ones

innovators and explorers are at the

who create the momentum at the

head, followed in the middle by the

early stages of business. These

vast majority, with the laggards and

individuals are more likely to become

luddites bringing up the rear.

evangelists, the ampliiers for your
services, brands and ideas. Give the
explorers love, because they love
you.
“WE WANT TO
TAKE THAT STUPID
LITTLE BOX WE
WERE FORCED INTO
AS ADVERTISERS,
BLOW IT UP, AND
CHANGE THE WAY
WE INTERACT WITH
THE CUSTOMER,
AND WE WANT IT
TO BE AROUND THE
EXPERIENCE.”
Jim Farley, the CMO of Ford
ENGAGEMENT NOT CLICK-THROUGH
We are now seeing much richer – not

Not surprisingly, these six new formats

simply larger – ad formats, which

also achieve much better results

provide deeper, more engaging

than previous ads. It’s something of

experiences. In fact, they even serve

a hallelujia moment for the display

the same purpose micro-sites use to,

business, thanks in large part to AOL

but don’t require the user ever to leave

(Portrait and Pushdown), Google/

the page the ad appears on.

Youtube (Masthead), Microsoft
(Filmstrip), Unicast & Mediamind
(Genex Slider) and Unicast (Sidekick).
There are multiple points of
social contact online: Facebook
and Linkedin proiles, Instagram
timelines, Flickr photos; YouTube
and Vimeo videos, Tweets and
Foursquare updates – your
digital footprint is complex and

SOCIAL
BRIDGE

unmistakable. And each part of it
serves a unique purpose.
So cross the social bridge. And
when you do, think of it as your
path across the web – a journey
that makes use of all your services,
and the design of which is yours
to control. Looking at it this way
makes it easier for you to inluence
the social graph, and decide what
information you share with others.
Encourage a remix culture – both

Ensure that your products will

in how you market your brand and

have a social life by giving all your

how consumers interact with it.

communications social features,
like ratings or reviews.

Harness the power and resources
of pre-existing communities.

Talk to the individual, but aim to
change the whole community by

Find your ideal audience – the true

being compelling and ambitious.

brand builders – by seeding and
connecting; seek out people with

Be transparent. Take down the

real inluence.

walls between producer and
consumer by allowing both to
create.

FINAL
THOUGHTS
“A LOT OF TIMES,
PEOPLE DON’T KNOW
WHAT THEY WANT
UNTIL YOU SHOW IT
TO THEM.”
STEVE JOBS
There are over 2B people

for creative companies both large

connected to the internet today, and

and small. He served as AOL’s

what they do online is changing our

European Head of Media and

lives – and our world – faster than

Marketing before taking on his

at any time in history. But how can

current mantle.

your business turn what appears
to be chaos and uncertainty into a

Engaging, witty and refreshingly

path to growth and proit?

candid, Shing provides both
historical perspective and current

You talk to a prophet, that’s how.

context as he lays out his vision of
the brave, new world of marketing

David Shing is AOL’s Digital

to come – one he believes will

Prophet. He spends most of his

belong to those willing to embrace

time watching the future take

change and take risks now, and

shape across the vast online

that he dearly hopes will suck a

landscape. The rest he spends

great deal less than it does at the

talking to people about where

moment.

things are headed, and how we can
get the most out of it.

The opportunities are incredible.
The rewards are real. And Shing’s

Shing has spent most of his adult

here to show you the way. That,

life in the digital world, working

after all, is what prophets do.
ABOUT
SHINGY
Disclaimer:
Thoughts and opinions within this book are
mine and not necessarily relective of my
employer.

Trademarks
Any of the trademarks, service marks,
collective marks, design rights or similar
rights that are mentioned, used or cited in
the articles of this book are the property of
their respective owners. Unless otherwise
stated David Shing is neither endorsed by
nor ailiated with any of the holders of any
such rights and as such David cannot grant
any rights to use any otherwise protected
materials. Your use of any such or similar
incorporeal property is at your own risk.
THANK
YOU
FOR
READING
MY
BOOK
I would love to stay in touch, so
let’s connect through the usual
social circles:
Shingy.com
About.me
Facebook
Instagram
Linkedin
Skype
Twitter
As consumers we’re entering a cleansing period
when the quality of influence trumps quantity and a
brand’s utility matters more than its ads. I have long
sounded the alarm that we’re headed to a reality of
showing, not telling; a place where if a brand is not
contributing and adding value, it’s just being annoying.

Let’s aim for “movements, not moments”.

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thinkLA Trends Breakfast 2013 - David Shing Presentation

  • 2.
  • 4.
  • 5. There’s never been a better time simultaneously, and the quality of for brands to immerse themselves everything from tiny ads to giant in digital marketing than right now. web sites is sorely lacking. The rewards for those bold enough to engage, embrace and encourage The purpose of these pages is to the changes at play in our business inspire you to think broadly about are astonishing. digital; to take risks, be compelling and ambitious; to make the most However, there’s never been a out of what is truly a historic more confusing time to leap into opportunity. digital either. The landscape is constantly shifting, audiences Think of this as rocket fuel for are expanding and splintering forward doing.
  • 7. Today there are more than 7B people on the planet, half of whom are under the age of 30 and have never known life without the Internet. There are more than 5B mobile subscriptions, representing approximately 77% of the world’s population; of these, 1.5B belong to smartphone users. There are over 2B people connected to the Internet; 70% of them read blogs, while 57% say they talk to others more often online than in real life. The last truly new platforms were Google, which gave us access to content on the web via search; Facebook, which reiterated the web via the social graph; and Twitter; which delivered a blogging platform, news hub and social network.
  • 9. The web can be simultaneously In the future, online marketing overwhelming – because there’s will move away from generic so much to explore – and advertising and toward inluence underwhelming – because you marketing; behavior advertising can’t always ind what you’re will move away from assumptions looking for. and toward speciic actions. As a result, consumer rights and privacy The newness of the social web will become more pronounced and has been like a rush of people focused issues. to one big city. In the future, however, there will be many big We will see more “megamercials” cities, each made up of multiple – tightly integrated brand neighborhoods. advertising containted within digital experiences. This is much Forget swiping – the future is like the old soap operas, who got all about gestures. Natural user their name because of Proctor interfaces extended from gaming & Gamble’s Oxydol soap powder will migrate to web and mobile sponsorship of radio dramas in the applications. 1930’s. Unless brands improve their social As brand ambassadors, we need marketing, future interactions with to provide consumers with an customers will feel less friendly authentic online experience – one and more commercial. that’s both more fun and useful.
  • 10. WE HAVE QUICKLY MOVED FROM THE INFORMATION WEB TO THE SOCIAL WEB
  • 11.
  • 14.
  • 15. WE ARE THE CONNECTED GENERATION The rise of social networks is not a new phenomenon. If you look at the timeline and the amount of sites considered social networks, they have existed for many years now. Fast-forward to today, content is everywhere; blogs, feeds, aggregators, and social networks. These services exist to allow people to have creative expression and each service is distinctly separate from each other. The social graph has all these themes: connectedness, openness, community, conversation, identity, self-expression and participation.
  • 17. WE NEED TO ENTERTAIN, INFORM AND PROVIDE UTILITY, OR PEOPLE WILL CLICK-OFF AND SWITCH-OFF
  • 19. The popularity of Google, lightning We have become a skimming fast Internet connections and culture, absorbing just enough instant access to everything online, information to feel informed. So it feels a lot like our brains have perhaps it is time for us to rewire become mushy. Meaning, we no our elastic brains and reengage longer focus our time going deep in all the beauty that digital has to into a subject unless it is topic we ofer and not just a subset of it. are really impassioned by.
  • 20. People are treating their location Naturally, a number of services as part of their social identity. have grown up around this practice, They broadcast it as an extension including Google Latitude, Loopt, of their social behavior, showing Facebook Places, Gowalla and the friends and acquaintances what category leader, Foursquare. they’re doing as well as when and where. Sometimes, though, users may only want a few people to know where they are and what they’re doing. That’s why apps which allows users to share location updates to speciic groups of SOCIAL MOBILITY people – like Grouped{in} – are becoming popular.
  • 21.
  • 22.
  • 23. Location-based services present marketers with a number of opportunities to interact with on-the-go customers, like sending them a brand message, encouraging them to update their status, or rewarding them for checking in with a site or completing a task. Such rewards range from virtual recognition, like Foursquare’s Super Swarm badges, to product redemptions, like Scvnger’s point system which ofers real-world goods in exchange for actual store visits. The latter, more physical rewards LOCATION BASED CAMPAIGNS – which put a value on a customer being present in a store or other location, interacting with your brand or service – will be a trend to watch.
  • 24. FROM “LEAN BACK” TO “LEAN IN” The development of immersive entertainment technology is encouraging us to go from passively consuming content to actively participating in its shape and direction. Put more simply, we’ve stopped leaning back and started leaning in. As a result, every screen we face – TV, laptop, tablet and smart phone – will ofer marketers a chance to provide a unique experience for each and every viewer.
  • 25. For example, you can be watching Future programming which a TV show on your big screen, engages users across multiple researching the actors on your devices in this manner becomes tablet while checking your smart more than simply immersive phone to see which of your friends entertainment – it becomes a is tuned in as well. Or you may compelling experience. pause the game you’re playing on your gaming console, only to resume playing it hours later on your tablet while lying crosscountry.
  • 26. DIGITAL – ESPECIALLY SOCIAL MEDIA – ALLOWS US TO BREAK OUR
  • 27. CAMPAIGNS DOWN INTO VALUABLE, INDIVIDUAL CONVERSATIONS WITH CONSUMERS
  • 29. Quick Response (QR) codes have Not only does this create enormous helped oline and online converge value for Tesco’s online shopping in a quick and simple manner. service, but it also creates oline By scanning a QR code with a awareness for the brand. Double smart phone, users are able to bonus. complete a range of actions from simple (opening a webpage or In addition, the future of shopping downloading a coupon) to to the and brand interaction will likely sophisticated (engaging in full-on include Near Field Communication e-commerce0. (NFC). NFC technology enables smartphones and other For example, British grocery giant compatible devices to establish Tesco “brings the supermarket radio communication simply by to you” by letting shoppers buy bringing them close to one another produce and other food and retail or touching them together. The items by scanning images of their possibilities of NFC have been purchases with their smartphones, proven to provide real value, but with their order delivered the same as of now, only a few brands have day. adopted it. Look for this to change.
  • 30. AUGMENTED REALITY Although augmented reality has been available for several years, its real potential has only realized recently, thanks to higher-quality cameras on smart phones and tablets. Iconic sunglass brand Ray-Ban put augmented reality to work by using such on-board cameras to allow cutomers to try on sunglasses virtually, then purchase their favorite pair instantly. There are also really smart retail examples activating “targets” (however it can be sound, video, graphics or GPS data) and retail
  • 31. packaging. A retail example is a digital mirror developed by Lego that virtually showcases (in 3D) the select product, providing instant value-add for customers. The combination of a smartphone or tablet camera, a print ad and an app can bring almost any ad to life – anywhere and anytime. Simply by scanning the ad with the device activates the app, turning the previously static ad into a video, game or 3D experience.
  • 33. IF THERE WAS A FIRE, WHAT POSSESSION HE WOULD RUN OUT OF THE HOUSE WITH? HE SAID, “THE FIRE”.
  • 34.
  • 35. THE POWER OF PARTNERSHIP Never underestimate the power Nike and British singer-songwriter of a good partnership. Even the Ellie Goulding have unique simplest such arrangements partnership fusing her music and can help expand your audience, with her passion for running. By amplify your brand and alter public participating in Nike projects, Ellie perception. extends their brand within her fan base. Instagram and Topshop teamed up to provide customers with The Intel and Vice partnership makeovers from a professional brings together two diametrically stylist. The resulting “after” opposed brands for a common photos were immediately posted purpose. Building the Creators to Facebook in real-time, with Project, combining art, music and the caption, “Wish you were at technology on a collaborative Topshop.” sharing platform. Beautiful.
  • 36. There were 5,000 tweets per day in 2007. Today, there are almost 250 M. Facebook has over 750 M users Flickr has more than 3.6 Bphotos. Foursquare counts 10 M-plus members, plus over 250,000 registered stores on its business platform. The Huington Post surpassed 100M comments per month in September 2011. And there are approximately 27M pieces of branded content passed around via links every day. Everything is social now. SOCIAL ATTENTION
  • 37. NO LINE BETWEEN ONLINE AND OFFLINE Whether it is a smart-phone app that enables you to activate a QR code, to a Facebook “like” on a person’s wall or enabling people to physically “like” objects through an RFID Facebook card. These are real examples of oline meeting online and online meeting oline. Twitter is now promoting interactivity through Twitter parties, think of these as old school communities and Facebook is banking on the wisdom of friends and crowds. Soon both with be encouraging real oline meet-ups. When done seamlessly and naturally it is an enjoyable experience.
  • 38.
  • 40. PARTICIPATION PLAYGROUND Using the web to reinforce your brand and enabling the community to feel loved is the value of participation. Shortly, the future of participation, especially in publishing will move way beyond comments and into pictures, audio and video in real-time.
  • 41. It is amazing how many brands will everywhere, allowing them to create take an advertisement designed a mosaic similar to those used on for commercial TV and simply store shopping bags as well as in a repurpose it for the web. However, previous brand campaign. the value of creating a web-speciic advertisement or companion piece By the end of 2011, 200,000 people is undeniable. in over 126 countries updated the Uniqlo Grid over 10M times, The latest Evian Live Young proving simply that, if people love campaign features adults wearing your brand, they will participate in baby t-shirts, dancing to Wordy shaping and recreating it. Rappinghood by French electronica artist Uie. The digital piece isn’t Still, the ultimate example of the simply a repurposed TV spot; participation playground is the instead it employs stop-motion Johnny Cash Project. Directed video to put users into the action, by Chris Milk, The Johnny Cash involving an entire conusmer Project contains more than 250,000 community with the brand. hand-drawn contributions from individuals in 172 countries. All the Uniqlo also found a way to call upon illustrations are brought together, its worldwide community of fans to ultimately, to create a completely empower the brand. The company’s crowd-sourced tribute to the Man in Grid gave access to the same Black, set to his otherworldly, “Ain’t grid of Uniqlo logos to customers No Grave”.
  • 42. FROM PUSH TO PULL The carefully researched content In a world of endless options, we and well-crafted opinions of all need help in making decisions. content curators may give them No longer can we rely on a handful a hint of omnipotence. However, of suppliers to provide the media consumers are rapidly becoming we consume. Push to pull is all powerful news editors and about the rise of devices and sites opinion-shapers through written that help us manage our choices. contributions on platforms such as Curators and editors – either The Huington Post. professional or peer – are essential to helping create a valuable, manageable online experience.
  • 43.
  • 44. SO
  • 49. This three-word trend describes the ability to record – and perhaps even predict – physical and online activities. Before – Before is a time stamp of our past activities. For example, posting a photo Facebook wall or a video on Youtube are “before” Next – If there are services that experiences. detail our before and now, why not one that recommends where Now – Posting photos via we should go next? Predictive Instagram is a “now” experience, technologies that refer to our social much like “checking-in” graph for recommendations on the on Foursquare or Gowalla, next venue or activity can provide or otherwise posting your a valuable method for reining our whereabouts at a given moment. physical experiences based on It’s a record of the very immediate where we’ve already been or what present. we’ve already done.
  • 50. As mentioned earlier, the web may initially seem overwhelming because there is so much to explore. But it can quickly become underwhelming when you can’t ind what you’re looking for. Curation is the key to ixing this dilemma. Services that are efectively curated ensure our time used eiciently, so that we can enjoy the web and be more productive. Examples of curated e-commerce enable a brand to provide new niche opportunities within a category. Many startups have identiied these and have developed substantial businesses in the process for example Zaarly.com for local money and Fab.com for discounted designer products; both these services. CURATION CULTURE
  • 51.
  • 52. FOCUS ON THE EXPLORERS
  • 53. In the traditional bell curve of Innovative companies need to adoption, the early adopters, focus on the explorers – the ones innovators and explorers are at the who create the momentum at the head, followed in the middle by the early stages of business. These vast majority, with the laggards and individuals are more likely to become luddites bringing up the rear. evangelists, the ampliiers for your services, brands and ideas. Give the explorers love, because they love you.
  • 54. “WE WANT TO TAKE THAT STUPID LITTLE BOX WE WERE FORCED INTO AS ADVERTISERS, BLOW IT UP, AND
  • 55. CHANGE THE WAY WE INTERACT WITH THE CUSTOMER, AND WE WANT IT TO BE AROUND THE EXPERIENCE.” Jim Farley, the CMO of Ford
  • 56. ENGAGEMENT NOT CLICK-THROUGH We are now seeing much richer – not Not surprisingly, these six new formats simply larger – ad formats, which also achieve much better results provide deeper, more engaging than previous ads. It’s something of experiences. In fact, they even serve a hallelujia moment for the display the same purpose micro-sites use to, business, thanks in large part to AOL but don’t require the user ever to leave (Portrait and Pushdown), Google/ the page the ad appears on. Youtube (Masthead), Microsoft (Filmstrip), Unicast & Mediamind (Genex Slider) and Unicast (Sidekick).
  • 57.
  • 58.
  • 59. There are multiple points of social contact online: Facebook and Linkedin proiles, Instagram timelines, Flickr photos; YouTube and Vimeo videos, Tweets and Foursquare updates – your digital footprint is complex and SOCIAL BRIDGE unmistakable. And each part of it serves a unique purpose. So cross the social bridge. And when you do, think of it as your path across the web – a journey that makes use of all your services, and the design of which is yours to control. Looking at it this way makes it easier for you to inluence the social graph, and decide what information you share with others.
  • 60. Encourage a remix culture – both Ensure that your products will in how you market your brand and have a social life by giving all your how consumers interact with it. communications social features, like ratings or reviews. Harness the power and resources of pre-existing communities. Talk to the individual, but aim to change the whole community by Find your ideal audience – the true being compelling and ambitious. brand builders – by seeding and connecting; seek out people with Be transparent. Take down the real inluence. walls between producer and consumer by allowing both to create. FINAL THOUGHTS
  • 61.
  • 62. “A LOT OF TIMES, PEOPLE DON’T KNOW WHAT THEY WANT
  • 63. UNTIL YOU SHOW IT TO THEM.” STEVE JOBS
  • 64. There are over 2B people for creative companies both large connected to the internet today, and and small. He served as AOL’s what they do online is changing our European Head of Media and lives – and our world – faster than Marketing before taking on his at any time in history. But how can current mantle. your business turn what appears to be chaos and uncertainty into a Engaging, witty and refreshingly path to growth and proit? candid, Shing provides both historical perspective and current You talk to a prophet, that’s how. context as he lays out his vision of the brave, new world of marketing David Shing is AOL’s Digital to come – one he believes will Prophet. He spends most of his belong to those willing to embrace time watching the future take change and take risks now, and shape across the vast online that he dearly hopes will suck a landscape. The rest he spends great deal less than it does at the talking to people about where moment. things are headed, and how we can get the most out of it. The opportunities are incredible. The rewards are real. And Shing’s Shing has spent most of his adult here to show you the way. That, life in the digital world, working after all, is what prophets do.
  • 66. Disclaimer: Thoughts and opinions within this book are mine and not necessarily relective of my employer. Trademarks Any of the trademarks, service marks, collective marks, design rights or similar rights that are mentioned, used or cited in the articles of this book are the property of their respective owners. Unless otherwise stated David Shing is neither endorsed by nor ailiated with any of the holders of any such rights and as such David cannot grant any rights to use any otherwise protected materials. Your use of any such or similar incorporeal property is at your own risk.
  • 67. THANK YOU FOR READING MY BOOK I would love to stay in touch, so let’s connect through the usual social circles: Shingy.com About.me Facebook Instagram Linkedin Skype Twitter
  • 68.
  • 69.
  • 70. As consumers we’re entering a cleansing period when the quality of influence trumps quantity and a brand’s utility matters more than its ads. I have long sounded the alarm that we’re headed to a reality of showing, not telling; a place where if a brand is not contributing and adding value, it’s just being annoying. Let’s aim for “movements, not moments”.