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Effects of Design Features on Visitors’ Behavior in a Museum Setting Ting-Ray Chang Oral Defense for Master of Arts in Interaction Design April 11 th , 2008
Presentation Background of study Questions & Hypothesis Function Model Methods Data Analysis Conclusion, Limitation, and Future Direction Q & A Committee time  Time Table
Background of study Behavior Environment Actors Context
Actors   Single adult visitors, including: KU Students Community/ Regional visitors Background of study Context
[object Object],[object Object],[object Object],[object Object],[object Object],Before After Background of study Context
Environment  The North wall with 29 art pieces of 20 th  and 21 st  centuries  Background of study Context
Visitors’ paths, stop-locations, and viewing time/frequency Behavior Context
What Environmental Features Related to Design Decisions have an Impact on Visitors’ Behavior? Question
Hypothesis ,[object Object],[object Object],[object Object],[object Object],[object Object]
Curator’s Decisions (Based on museological and educational purposes and one’s background in art/history) Exhibition Designer’s Decisions (Based on the limitations and requirements of exhibits and one’s intuition/experiences of design) Visitors’ Behavior (length and frequency of viewing art display) Use of Space (movements in the space including pathways, distance between art and visitors, stops) Display of  Arts (size, locations of art, distances between art pieces, lighting, clusters/grouping, eye-level deviation) Function Model
1) Measuring physical settings of display 2) Rating art pieces by the curator 3) Tracking visitors’ viewing paths and stop-locations and  documenting visitors’ time spent and frequency on art pieces 4) Grouping and Analyzing data  Methods
Methods Display Location,  Clusters, Size measurement, Lighting,  Distance between the Art Pieces,  and Eye-level Height Deviation ,[object Object]
Methods Mapping clusters and weighted-locations: The clusters of art pieces were identified by the physical locations on the wall. The “grouping” of viewing art pieces could affect the way visitors interact with the art. The weighted-location of an art piece is calculated by the total value of the rating of the surrounding pieces. The locations of art pieces could be defined by the importance of art pieces displayed nearby.
Methods Mapping distance between the art pieces: The average distance for one art piece from one’s center to the other surrounded pieces’ centers(image a.) and from one’s edge to the edges of other surrounded pieces (image b.) were measured and calculated in AutoCAD. Image a.  Image b.
Methods Mapping Eye-level Height Deviation: The standard is based on Bailey’s human factors study (1996) where the median eye-level height is 62 inches. The distance from the center of each art piece to the 62 inches horizontal-line was measured as the eye-level height deviation.
[object Object],[object Object],[object Object],[object Object],Methods Piece type Lighting standards Works on paper 5-7 foot candles. Photos 7-10 foot candles but can depend on some variables. Textiles 5-7 foot candles. Oil and Acrylic paintings As high as 20 foot candles. Water color paintings Low, 5-7 foot candles but varies. Ceramic and metal objects Can be quite high as in well over 20 foot candles
Methods ,[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Observation Sheet Methods
4) Categorizing and Analyzing data The data were complex with many factors and large quantity and were divided,  categorized and analyzed in many ways in order to understand the data better. As an example, the data were categorized by visitors’ behavioral patterns. Methods Direction Path pattern Complication of path/cluster
[object Object],[object Object],[object Object],Analysis Methods
Data ,[object Object]
Low-Frequency High-Frequency Long-Time Continuous High-Frequency Analysis ,[object Object]
Data ,[object Object]
Main-Pathway Safety-Distance Analysis ,[object Object]
[object Object],Viewed-Frequency compare to both the physical design of display measured, including lighting, cluster, distance between art pieces, and eye-level deviation and the importance of Art pieces, including canonical importance, popularity and the Museum goal. Data
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Data
Curator’s and Exhibition Designer’s Decisions Canonical Importance, popularity, museum goal  Visitors’ Behavior Frequency, Time Display of  Arts Lighting, Cluster, Eye-level deviation, Weighted-Location, Distance (from center of an art piece to others) Analysis
Curator’s and Exhibition Designer’s Decisions Canonical Importance , popularity, museum goal  Visitors’ Behavior Frequency, Time Display of  Arts Lighting(0.378**), Cluster(0.436**),  Eye-level deviation(0.405**), Weighted-Location(0.470**) Distance (from center of an art piece to others) Analysis
Curator’s and Exhibition Designer’s Decisions Canonical Importance, popularity, museum goal  Visitors’ Behavior Display of  Arts Lighting, Cluster,  Eye-level deviation,  Weighted-Location, Distance (from center of an art piece to others) Analysis Frequency(0.469**),  Time(-0.487**),  Frequency(0,506**), Time(-0.466**)
Display of  Arts Lighting, Cluster, Eye-level deviation, Weighted-Location, Distance (from center of an art piece to others) Curator’s and Exhibition Designer’s Decisions Canonical Importance, popularity,  museum goal  Visitors’ Behavior Time (-0.523**),  Frequency(0.621**)  Analysis
Curator’s and Exhibition Designer’s Decisions Canonical Importance Visitors’ Behavior Time Display of  Arts Cluster, Weighted-Location Analysis [ + ] [  ] [  ]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Conclusion
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Limitation
Future Direction ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Future Direction
Thank you for Your Time! Q & A

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Effects of Design Features on Visitors’ Behavior in a Museum Setting

  • 1. Effects of Design Features on Visitors’ Behavior in a Museum Setting Ting-Ray Chang Oral Defense for Master of Arts in Interaction Design April 11 th , 2008
  • 2. Presentation Background of study Questions & Hypothesis Function Model Methods Data Analysis Conclusion, Limitation, and Future Direction Q & A Committee time Time Table
  • 3. Background of study Behavior Environment Actors Context
  • 4. Actors Single adult visitors, including: KU Students Community/ Regional visitors Background of study Context
  • 5.
  • 6. Environment The North wall with 29 art pieces of 20 th and 21 st centuries Background of study Context
  • 7. Visitors’ paths, stop-locations, and viewing time/frequency Behavior Context
  • 8. What Environmental Features Related to Design Decisions have an Impact on Visitors’ Behavior? Question
  • 9.
  • 10. Curator’s Decisions (Based on museological and educational purposes and one’s background in art/history) Exhibition Designer’s Decisions (Based on the limitations and requirements of exhibits and one’s intuition/experiences of design) Visitors’ Behavior (length and frequency of viewing art display) Use of Space (movements in the space including pathways, distance between art and visitors, stops) Display of Arts (size, locations of art, distances between art pieces, lighting, clusters/grouping, eye-level deviation) Function Model
  • 11. 1) Measuring physical settings of display 2) Rating art pieces by the curator 3) Tracking visitors’ viewing paths and stop-locations and documenting visitors’ time spent and frequency on art pieces 4) Grouping and Analyzing data Methods
  • 12.
  • 13. Methods Mapping clusters and weighted-locations: The clusters of art pieces were identified by the physical locations on the wall. The “grouping” of viewing art pieces could affect the way visitors interact with the art. The weighted-location of an art piece is calculated by the total value of the rating of the surrounding pieces. The locations of art pieces could be defined by the importance of art pieces displayed nearby.
  • 14. Methods Mapping distance between the art pieces: The average distance for one art piece from one’s center to the other surrounded pieces’ centers(image a.) and from one’s edge to the edges of other surrounded pieces (image b.) were measured and calculated in AutoCAD. Image a. Image b.
  • 15. Methods Mapping Eye-level Height Deviation: The standard is based on Bailey’s human factors study (1996) where the median eye-level height is 62 inches. The distance from the center of each art piece to the 62 inches horizontal-line was measured as the eye-level height deviation.
  • 16.
  • 17.
  • 18.
  • 19. 4) Categorizing and Analyzing data The data were complex with many factors and large quantity and were divided, categorized and analyzed in many ways in order to understand the data better. As an example, the data were categorized by visitors’ behavioral patterns. Methods Direction Path pattern Complication of path/cluster
  • 20.
  • 21.
  • 22.
  • 23.
  • 24.
  • 25.
  • 26.
  • 27. Curator’s and Exhibition Designer’s Decisions Canonical Importance, popularity, museum goal Visitors’ Behavior Frequency, Time Display of Arts Lighting, Cluster, Eye-level deviation, Weighted-Location, Distance (from center of an art piece to others) Analysis
  • 28. Curator’s and Exhibition Designer’s Decisions Canonical Importance , popularity, museum goal Visitors’ Behavior Frequency, Time Display of Arts Lighting(0.378**), Cluster(0.436**), Eye-level deviation(0.405**), Weighted-Location(0.470**) Distance (from center of an art piece to others) Analysis
  • 29. Curator’s and Exhibition Designer’s Decisions Canonical Importance, popularity, museum goal Visitors’ Behavior Display of Arts Lighting, Cluster, Eye-level deviation, Weighted-Location, Distance (from center of an art piece to others) Analysis Frequency(0.469**), Time(-0.487**), Frequency(0,506**), Time(-0.466**)
  • 30. Display of Arts Lighting, Cluster, Eye-level deviation, Weighted-Location, Distance (from center of an art piece to others) Curator’s and Exhibition Designer’s Decisions Canonical Importance, popularity, museum goal Visitors’ Behavior Time (-0.523**), Frequency(0.621**) Analysis
  • 31. Curator’s and Exhibition Designer’s Decisions Canonical Importance Visitors’ Behavior Time Display of Arts Cluster, Weighted-Location Analysis [ + ] [ ] [ ]
  • 32.
  • 33.
  • 34.
  • 35.
  • 36. Thank you for Your Time! Q & A