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TECHNICAL
                       WRITING

                       Vince
Ricci,
Part‐time
Lecturer

Center
for
Innovation
in
Engineering
Education
(CIEE)


                  English
for
Engineers
and
Scientists

Stanford
University

B.A.,
History
 


June
1992

James
W.
Lyons
Award
for

Service

Awarded
Public
Service

Summer
Fellowship
to
write

&
edit
National
Guide
to

Fundraising
&
Development



New
York
University
(NYU)

M.A.,
Educational

Communication
&

Technology
(ECT)

December
2001

Cognitive
Science

Instructional
Design

Museum
exhibit
design

Marketing

•  Writing
teacher


•  Distinguished
Teacher
Award

•  Grant
writer

•  Admissions
counselor


•  400+
clients


•  Harvard,
Stanford,
Kellogg,

  Chicago,
Wharton,
MIT

•  5
attending
HBS
from
2010

1.  Kaplan
book

2.  Cochrane
article

3.  References


4.  Homework

 Chapter 1: definitions
 Chapter 2: purpose, audience and
 context
CHAPTER 1
What is 
technical writing?
Informative writing that involves 
  technical
  scientific
  engineering
Convey complex information 
  to a specific audience
If audience cannot understand or
     use information presented,
           writer has failed
Good technical writing is 
  accurate
  clear
  concise
ACCURACY
Avoid writing phrase like
“Increasing the temperature
caused a large change in the
        reaction rate.”
Instead, write
“Increasing the temperature by
10°C doubled the reaction rate.”
CLARITY
If a report does not contain clear
   information, the reader cannot
    understand, believe, or care
Three questions
  Do I understand?
  Do I believe?
  Do I care?
CONCISENESS
end result  result 
future plans  plans
Something cute
Goal-oriented
   Convey information
 No extraneous material 
Find essential information
Specific format 
Allows reader to quickly locate
everything in organized fashion
CHAPTER 2
PURPOSE
AUDIENCE
CONTEXT
Consider 
  purpose of document 
  intended audience 
  context
P
A
C
1.  Purpose
2.  Audience
3.  Context
If the audience cannot use, 
     apply or understand 
    information presented 
 then the author has failed
PURPOSE
Ultimate goal?
 Practical
 Purpose determines format
1.    Title

2.    Abstract

3.    Introduction

4.    Body

5.    Results

6.    Discussion

7.    Conclusion

8.    Acknowledgments
9.    References
AUDIENCE
Tailor communication 
to meet audience needs
Who are your intended readers?
Use different language 
     when addressing 
      technical expert 
as opposed to an audience 
that has limited knowledge
What will audience members do
     with the information?
Consider knowledge level
CONTEXT
Context determines 
how reader or listener 
     will receive 
   and interpret 
   the message
Help writer determine 
     what format 
    is appropriate 
  and how subject 
should be approached
 Accuracy

 Clarity

 Conciseness

 Purpose

 Audience

 Context

Writing
Tips


for
Ph.D.
Students
John H. Cochrane
Graduate School of Business
   University of Chicago
 Insert image
1. ORGANIZATION
Figure out the one central and
novel contribution of your paper.
        Write this down
       in one paragraph.
   As with all your writing, 
    this must be concrete.
 A
contribution
includes
an

 addition
to
your
field’s
overall

 knowledge

How
do
you

add
value?

Don’t write 
      “I analyzed data 
on executive compensation 
      and found many 
    interesting results.”
Explain 
the central results
For example, Fama and French
  1992 start their abstract with
“Two easily measured variables,
 size and book-to-market equity,
        combine to capture 
  the cross-sectional variation 
    in average stock returns
    associated with market , 
         size, leverage, 
     book-to-market equity, 
   and earnings-price ratios.”
“Two easily measured variables
            size and 
   book-to-market equity…
“…combine to capture 
the cross-sectional variation…
“…in average stock returns…
“…associated with 
       market , 
           size, 
        leverage, 
  book-to-market equity, 
and earnings-price ratios.”
“Two easily measured variables,
 size and book-to-market equity,
        combine to capture 
  the cross-sectional variation 
    in average stock returns
    associated with market , 
         size, leverage, 
     book-to-market equity, 
   and earnings-price ratios.”
Distilling one central contribution 
      will take some thought.
Focus on one contribution, 
    and help readers 
    to get it quickly.
Your readers 
are busy and impatient.
Never assume 
 read whole paper 
from start to finish
Make it easy 
for your readers 
     to skim.
Readers want to know 
  your basic result.
Organize the paper in “triangular”
   or “newspaper” style, not in
      “joke” or “novel” style.
Notice how newspapers start 
with the most important part, 
 then fill in background later 
       for readers who 
      want more details.
Main
idea

        Context

What


    Why
/
How

A good joke or a mystery novel
       has a long windup 
    to the final punchline.
Put the punchline 
  right up front 
 and then slowly 
explain the joke.
Main
idea

        Context

Too often, we never really find out 
what the contribution of the paper
       is until the last page, 
          the last table, 
      and the last 5 minutes
Context




           Main
           idea
Main
idea

        Context

We don’t care how you came 
to figure out the right answer.
Why
/
How





             What
What


    Why
/
How

 Contribution
(what)
before

 methods
(why
/
how)

 Readers
skim

 Triangular
style

 Open
with
punchline

Your Abstract
Most journals 
allow 100-150 words.
The main function of the abstract
     is to communicate your
            contribtuion
Do not mention 
other literature 
in the abstract.
Must be concrete
Say what you find, 
not what you look for.
Don’t write 
 “data are analyzed, 
theorems are proved, 
discussion is made.”
Your Introduction
The introduction should start 
with what you do in this paper,
     the major contribution.
Don’t just state your conclusion
        “My results show 
 that the pecking-order theory 
           is rejected.”
Give the fact behind that result.
    “In a regression of x on y,
         controlling for z, 
      the coefficient is q.”
The first sentence is the hardest.
“Two easily measured variables,
 size and book-to-market equity,
        combine to capture 
  the cross-sectional variation 
    in average stock returns
    associated with market , 
         size, leverage, 
     book-to-market equity, 
   and earnings-price ratios.”
Do not start with philosophy
     “Financial economists 
     have long wondered 
  if markets are efficient.”
Do not start with 
    “The finance literature 
has long been interested in x.”
Start with 
your central contribution.
What


    Why
/
How

“Two easily measured variables,
 size and book-to-market equity,
        combine to capture 
  the cross-sectional variation 
    in average stock returns
    associated with market , 
         size, leverage, 
     book-to-market equity, 
   and earnings-price ratios.”
Three pages is a good upper limit
       for the introduction.
 Abstract
‐
no
literature
review

 Introduction
‐
first
sentence

 Start
with
contribution

Your Literature Review
Others





          You
First, your readers are most
   interested in figuring out 
        what you do.
You


       Others

After you’ve explained 
   your contribution, 
  then you can write 
a brief literature review.
Make it a separate section
Be generous in your citations.
Set your paper off against 
2 or 3 closest current papers, and
 give proper credit to people who
     deserve priority for things 
       that might otherwise 
            seem new
Body of Your Paper
Your task now 
is to get to the central result 
     as fast as possible.
Most papers start with 
 long motivation
 long literature review
 big complex model 
 descriptive statistics
 preliminary results
 side discussions
boring 
boring 
Put nothing before 
    the main result 
 that reader does not 
     need to know 
in order to understand 
    the main result.
Your Conclusions
Do not restate all of your findings.
One statement in the abstract,
     one in the introduction 
and once more in the body of the
     text should be enough.
You can include a short
       paragraph or two
  acknowledging limitations,
suggesting implications beyond
      those in the paper.
Keep it short
Don’t speculate
 Literature
review
–
meaningless

 before
your
contribution

 Body
of
the
paper
–
all
about

 your
main
result

 Short
conclusion

2. WRITING
Keep the paper 
 as short as possible. 
Every word must count.
As you edit, ask yourself 
“Can I make the same point in
       less space?” and 
“Do I really have to say this?”
Something cute
Don’t repeat
    If you’ve said it once, 
you don’t have to say it again.
repetition
repetition
Strive for precision
Document your work
A fellow graduate student must
  be able to sit down with your
   paper and reproduce every
  number in it from instructions
given in the paper, and any print
       or web appendices.
 Don't
repeat

 Be
precise

 Document
your
work

 Simple
is
best

Writing tips
The most important thing 
         in writing 
     is to keep track 
of what your reader knows
and doesn’t know.
<AUDIENCE>
Who are your intended readers?
Consider knowledge level
Keep in mind 
what you have explained 
and what you have not.
assumptions
assumptions
Use active tense
        Not passive
“it is assumed that x = 3” 
 “data were constructed 
         as follows”
Search for “is” and “are” in the
  document to root out every
   single passive sentence.
to be
to be
Take responsibility 
for what you are writing.
 Audience
is
king

 Assume
nothing

 Active
verbs

 Take
responsibility

Use normal sentence structure:
     subject, verb, object
Not
  “The insurance mechanisms 
       that agents utilize 
    to smooth consumption 
          in the face of 
transitory earnings fluctuations 
           are diverse”
Instead
  “People use a variety 
of insurance mechanisms 
to smooth consumption.”
Avoid technical jargon 
 wherever possible.
 Present
tense
(be
consistent)

 
Subject,
verb,
object

 No
jargon

 Concrete
examples

COCHRANE’S
CONCLUSION
Be
a

writer!


Research papers 
   are essays. 
Spend at least 50% 
  of any project 
    on writing.
Pay attention to the writing in
       papers you read. 
  Notice the style adopted 
  by authors you admire.
Most of all, learn to write
 Read
everything

 Write
anything

 Reference
style
guides

Strunk and White 
“The Elements of Style”
William Zinsser 
“On Writing Well”
Diana Hacker
“A Pocket Style Manual”
 Notice
tone

 Create
your
own

William Zinsser — 
                             “On Writing Well”
Strunk and White — 
                      “The Elements of Style”
Diana Hacker — 
                      “A Pocket Style Manual”
  Review slides bit.ly/VT-526
  Print/read bit.ly/CochranePhD

  Check bit.ly/VinceTek
Objective
‐
learn
how
to
write


for
peers
from
a
different


academic
discipline
①    Write
a
single
one
(A4)
page
proposal
for
a
piece

     of
writing
in
your
field

      •    Introduction

      •    One
Body
Paragraph

      •    Conclusion


      •    Between
350‐600
words

      •    Follow
“Purdue
OWL”
handout
tips


•    Bring
five
printed
copies
next
week

•    These
are
for
your
Peer
Review
Group

•    You
will
share
papers
with
each
other

•    You
will
give
each
other
feedback
Something cute
Author____________
Reviewer_____________


The
goals
of
peer
review
are
1)
to
help
improve
your
classmate's

paper
by
pointing
out
strengths
and
weaknesses
that
may
not
be

apparent
to
the
author,
and
2)
to
help
improve
editing
skills.


INSTRUCTIONS


Read
the
paper(s)
assigned
to
you
twice,
once
to
get
an
overview

of
the
paper,
and
a
second
time
to
provide
constructive
criticism

for
the
author
to
use
when
revising
his/her
paper.
Answer
the

questions
below.


1.
Were
the
basic
sections
adequate?
If
not,
what
is
missing?





2.
Did
the
writer
use
subheadings
well
to
clarify
the
sections

of
the
text?
Why
or
why
not?
Explain
with
details.





3.
Was
the
material
ordered
in
a
way
that
was
logical,
clear,

easy
to
follow?
Why
or
why
not?
Explain
with
details.

4.
Were
there
any
grammatical
or
spelling
problems?








5.
Was
the
writer’s
writing
style
clear?
Were
the
paragraphs

and
sentences
cohesive?

6.
Did
the
writer
adequately
summarize
and
discuss
the

topic?
Why
or
why
not?
Explain
with
details.








7.
Did
the
writer
make
some
contribution
of
thought
to
the

paper,
or
merely
summarize
data
or
publications?
Why
or

why
not?
Explain
with
details.

"As a peer reviewer, your job is not to
provide answers. You raise questions;
the writer makes the choices. You act
as a mirror, showing the writer how the
draft looks to you and pointing our
areas which need attention."
- Sharon Williams
①  Read
all
before
commenting

②  Give
yourself
enough
time


③  Point
out
strengths


④  Be
kind

⑤  Make
comments
text‐specific

⑥  Stick
to
major
issues



⑦  Make
reasonable
suggestions


⑧  Discuss
complicated
feedback


⑨  Review
your
comments
before
sharing


①  Be
respectful


②  Use
"I"
statements

③  Offer
suggestions,
not

   commands

④  Provide
reader's
point
of
view

⑤  Phrase
comments
clearly
and

   carefully


⑥  Make
sure
comments
are

   constructive
and
specific

④  Provide
reader's
point
of
view

⑤  Phrase
comments
clearly
and

   carefully


⑥  Make
sure
comments
are

   constructive
and
specific

"This paper is confusing. It keeps
 saying the same things over and
            over again" 
                 
  "It sounds like paragraph five
      makes the same point as
        paragraphs 2 and 3."
Thank
you.

  bit.ly/VinceTek

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Introduction to Technical Writing

Editor's Notes

  1. Good afternoon. I am Vince Ricci. It is my honor to be here at University of Tokyo, Center for Innovation in Engineering Education (CIEE). This is English for Engineers and Scientists, Section A. I am going to spend the next 100 minutes giving an Introduction to Technical Writing in English. Special thanks Morimura-sensei, Mr. Entzinger and entire staff of CIEE. I enjoy this event and want to thank you all for being here today.
  2. Stanford B.A., History June 1992James Lyons Award for ServiceAwarded Public Service Summer Fellowship to write &amp; edit National Guide to Fundraising &amp; Development
  3. NYU M.A., Educational Communication &amp; Technology (ECT) December 2000Cognitive Science, Instructional DesignThen speak anecdote re. how I came to Japan. Plug “Diaspora”?
  4. Writing teacher since 1990Louisiana Distinguished Teacher Award at most prestigious private school in Southeastern U.S.Secured steady funding by writing winning grant proposals for U.S. Government plus major corporations
  5. Admissions counselor since 2002Helped over 400 clients write thousands of essaysAdmitted to every top school5 will attend HBS from 2010
  6. We have 100 mins totalWill be ending at 18:10I will try to leave time for questions at endAlso hope you have questions in middleSeveral times I will ask you to raise your handsKeeps us all awake during these long afternoons
  7. Kaplan Technical Writing: A Resource for Technical Writers at All Levels By Carrie Hannigan, Diane Martinez, Carrie Wells, Tanya Peterson, Carolyn Stevenson
  8. Hereafter, “Kaplan”
  9. CHAPTER 1
  10. WHAT IS TECHNICAL WRITING?
  11. Technical writing is informative writing, which involves technical, scientific, and engineering-based topicsQuick poll of the audienceHow many Engineering students?
  12. Here are some tasks done by Technical communicators: First, we write and edit user manuals. Most of you research and write grants and proposals, and deliver presentations. Much respect to John Freeman. I heard he gave a great lecture on presentations a few weeks ago.Quick note re. ESL issues. Much respect! I assume you are decent tech communicators in your native tongue. Raise hands if native language is not English. Is it Japanese? Thanks for efforts!
  13. Technical writing is designed to convey information of a complex nature to a specific audience
  14. If the audience cannot understand or use the information presented, the writer has failed in his or her purpose
  15. Fail!
  16. Good technical writing is accurate, clear, and concise
  17. Clear
  18. ACCURACY
  19. Inaccurate technical documents can result in very real physical, financial, or environmental repercussions. Anecdote - NASA Genesis space mission; probe crashed to earth because design documentation failed to specify proper way to install parachutes. More recently, BP oil spill in Gulf of Mexico (two robots crashed into each other and knocked out the plug)
  20. A word on CLARITY
  21. If a report does not contain clear information, the reader cannot comprehend the writer&apos;s intent or follow instructions
  22. Finally, the authors third point, CONCISENESS follows ACCURACY and CLARITY in the list of critical factors for technical writing. CONCISE simply means brief, short, direct.
  23. Technical writing is characterized by direct language that gets right to the point;It avoids flowery descriptions that can obscure meaning. I think you get the point here. Technical writing is not poetry.
  24. When in doubt, cut it out
  25. Technical writing is goal-oriented; its goal is to convey information.The reader should not have to shift through extraneous material to find essential information
  26. The various types of technical documents all have a specific format that allows the reader to quickly locate everything the reader or listener needs in an organized fashion
  27. Now, I just said that Technical writing is not poetry, but that does not make it crude or ugly. In fact, technical writing is beautiful in its simplicity. It is sophisticated content conveyed in a clean and usable way
  28. clarity
  29. Kaplan Technical Writing(“Kaplan”)
  30. Equally important is the technical writer&apos;s understanding of purpose
  31. audience
  32. and context
  33. To be an effective technical communicator the writer must consider the purpose of the document, the intended audience and the context in which the writer is writing or presenting
  34. PurposeAudienceContext
  35. To take these 3 things into account will directly affect the effectiveness of the technical document
  36. If the audience cannot use, apply or understand the information presented then the author has failed
  37. Fail!
  38. Because technical communication has set specific goals and requirements, the technical communicator must have a plan for success
  39. PURPOSE:The first consideration should be the purpose of the document or presentation
  40. What is the ultimate goal of the communication?Quick poll – what is your ultimate goal here today? Why are you here? how many of you need to write something in English? First time for you? Scared?
  41. Technical communication is generally designed to be practical
  42. Purpose determines format or style
  43. Next,DEFINE THE AUDIENCE
  44. Knowing the audience is the key to any successful technical communication
  45. If the audience is known the writer can tailor the communication to meet the needs of that audience
  46. Is the audience technically savvy or composed of lay (non-technical) people? If you know your audience, you can address them appropriately
  47. The writer uses different language when addressing a technical expert as opposed to addressing an audience that has limited knowledge
  48. To summarize, remember these three points. First, ask yourself who are your intended readers?
  49. Second, considerWhat would audience members be doing with the information?
  50. Finally,try to consider the knowledge level of the audience
  51. Next, we will discuss our third point in this series. After Purpose and Audience, you as the writer must consider CONTEXT
  52. Context largely determines how the reader or listener will receive and interpret the message
  53. Thinking about context will help the writer determine what format is appropriate and how the subject should be approached. To use today’s lecture as an example, I had to consider the fact that this class comes in the middle of the course. I tried to learn what information you already received when framing this presentation.
  54. Failing to consider context may result in the message being rejected, particularly if the goal is to persuade
  55. So, to sum up. As a technical writer, your goals areAccuracyClarityConciseness
  56. You are likely to achieve those goals if you rememberPurposeAudienceContext
  57. Kaplan Technical Writing(“Kaplan”)
  58. Hereafter, “Kaplan”
  59. After this class, you will read chapter 3 online.
  60. That is your homework. More about that at the end of today.
  61. Writing Tips for PhD StudentsPOLL – any of you Ph.D. students?Does not matter. This article applies to any technical writer. In fact, it is required reading for my clients, who are applying to MBA programs. It is simply the best writing advice I know b/c it is accurate, clear and concise. Let’s take a look.
  62. John H. Cochrane, Graduate School of Business (Booth),University of ChicagoI was just on campus visiting former clients and meeting admissions directorDid not meet Professor Cochrane, but would love to do so in the future
  63. John H. Cochrane, Graduate School of Business (Booth),University of Chicago
  64. Image of Booth Hyde ParkHarper Center
  65. 1. ORGANIZATION
  66. Figure out the one central and novel contribution of your paper. Write this down in one paragraph. As with all your writing, this must be concrete. THIS IS COCHRANE’S PUNCHLINE, HIS MAIN POINT. IT IS THE FIRST SENTENCE OF HIS ARTICLE. HE IS FOLLOWING HIS OWN ADVICE. THIS IS ALSO THE MAIN POINT OF TODAY’S LECTURE. PLEASE CIRCLE THIS SLIDE ON YOUR HANDOUTS.
  67. I use Cochraneb/c he is concrete. I like Kaplan, but first two chapters are somewhat abstract since they cover technical writing theory. Cochrane gives many examples of what NOT to do. Here he says: Don’t write “I analyzed data on executive compensation and found many interesting results.”
  68. Explain what the central results are.
  69. For example, Fama and French 1992 start their abstract with TOUGH SENTENCE. THE HARDEST THING YOU WILL READ TODAY. BUT I WILL HELP YOU.
  70. “Two easily measured variables, size and book-to-market equity, combine to capture the cross-sectional variation in average stock returns associated with market β, size, leverage, book-to-market equity, and earnings-price ratios.”
  71. “Two easily measured variables, size and book-to-market equity
  72. combine to capture the cross-sectional variation
  73. in average stock returns
  74. associated with market β, size, leverage, book-to-market equity, and earnings-price ratios.”
  75. “Two easily measured variables, size and book-to-market equity, combine to capture the cross-sectional variation in average stock returns associated with market β, size, leverage, book-to-market equity, and earnings-price ratios.”
  76. Distilling your one central contribution will take some thought.
  77. It will cause some pain, because you will start to realize how much you’re going to have to throw out.
  78. Once you do it, though, you’re in a much better position to focus the paper on that one contribution, and help readers to get it quickly.
  79. Your readers are busy and impatient. BACK TO KAPLAN’S POINT ABOUT AUDIENCE.
  80. No reader will ever read the whole thing from start to finish. PERHAPS THAT IS A BIT EXTREME. BUT I TELL MY CLIENTS THE SAME THING. you cannot expect them to read it all. You are competing for limited resources. What you send will be read, but perhaps not with any interest.
  81. Readers skim. You have to make it easy for them to skim. (I tell my clients that a reader will spend 10-20 seconds on a resume. You spend HOURS!) Skim means “read as fast as possible for main ideas. Skip the details. I suspect many of you skim when you read Japanese.
  82. Most readers want to know your basic result.
  83. Only a few care how it is different from others.
  84. Organize the paper in “triangular” or “newspaper” style, not in “joke” or “novel” style.
  85. Notice how newspapers start with the most important part, then fill in background later for the readers who kept going and want more details. (do you even make it past the headlines?)
  86. “triangular” style means that the main idea comes first. A fellow counselor tells his clients to put the end at the beginning. This counselor is a journalist by training (Fulbright Fellow with a Masters from UC Berkeley). Then, you can explain the context at the end
  87. Think of this as what and how.Write WHAT you thinkBefore explaining WHY you think it and HOW you found that answer
  88. A good joke or a mystery novel has a long windup to the final punchline. (Punchline  Main point)
  89. put the punchline right up front and then slowly explain the joke. Readers don’t stick around to find the punchline in Table 12.
  90. (Most writers) get this exactly wrong, and we never really find out what the contribution of the paper is until the last page, the last table, and the last 5 minutes of the seminar.
  91. Often, my clients’ first drafts are written in a funnel style, with the main idea at the end.
  92. I often read essays where the writer explains why he believes something, and how he found his answer. As a reader, I am not interested in why and how until I know if WHAT he was to say (his conclusion or main point) is in fact interesting, new, valuable.
  93. A good paper is not a travelogue of your search process. We don’t care how you came to figure out the right answer.
  94. We don’t care how you came to figure out the right answer. We don’t care about the hundreds of things you tried that did not work. Save it for your memoirs. (e.g. Thomas Edison and the light bulb.)
  95. Contribution firstReaders skimTriangular styleOpen with punchline (put the end at the beginning)
  96. Your Abstract
  97. Most journals allow 100-150 words. Obey this limit now.
  98. The main function of the abstract is to communicate the one central and novel contribution, which you just figured out.
  99. You should not mention other literature in the abstract.
  100. Like everything else, the abstract must be concrete.
  101. Say what you find, not what you look for.
  102. Don’t write “data are analyzed, theorems are proved, discussion is made.”
  103. Your Introduction
  104. The introduction should start with what you do in this paper, the major contribution. You must explain that contribution so that people can understand it.
  105. Don’t just state your conclusion: “My results show that the pecking-order theory is rejected.”
  106. Give the fact behind that result. “In a regression of x on y, controlling for z, the coefficient is q.”
  107. The first sentence is the hardest.
  108. “Two easily measured variables, size and book-to-market equity, combine to capture the cross-sectional variation in average stock returns associated with market β, size, leverage, book-to-market equity, and earnings-price ratios.”
  109. Do not start with philosophy, “Financial economists have long wondered if markets are efficient.”
  110. Do not start with “The finance literature has long been interested in x.”
  111. Your paper must be interesting on its own, and not just because lots of other people wasted space on the subject.
  112. Do not start with a long motivation of how important the issue is to public policy. It’s a waste of space.
  113. Start with your central contribution.
  114. “Two easily measured variables, size and book-to-market equity, combine to capture the cross-sectional variation in average stock returns associated with market β, size, leverage, book-to-market equity, and earnings-price ratios.”
  115. How do you add value?
  116. A contribution includes an addition to your field’s overall knowledge
  117. Three pages is a good upper limit for the introduction.
  118. Abstract - no literature reviewIntroduction - first sentenceStart with contribution
  119. Your literature review
  120. Do not start your introduction with a page and a half of other literature.
  121. Returning to our funnel metaphor, this is like putting the ideas of others before your own. This is the not the place to be humble. Can you show confidence in your new idea? What are you contributing to your field? IMAGE of a soldier in battle holding a human shield to catch arrows or bullets. It is cowardly. Be confident!
  122. First, your readers are most interested in just figuring out what you do.
  123. They can’t start wondering if it’s better than what others have done until they understand what you do.
  124. Second, most readers do not know the literature
  125. It’s going to be hard enough to explain your paper in simple terms; WHY do you want to explain everyone else’s too.
  126. After you’ve explained your contribution, then you can write a brief literature review.
  127. Make it a separate section so people can skip if not interested
  128. Remember, it will be very hard for people to understand how your paper is different from others’ given that they don’t understand your paper yet, and most of them have not read the other papers.
  129. Remember, put the end at the beginning
  130. The WHAT before the WHY and HOW
  131. Be selfish! (anecdote of t-shirt in Ikebukuro)
  132. Having said that, you can and should remember to be generous in your citations. As you explain your contribution, give credit where credit is due.
  133. You do not have to say that everyone else did it all wrong for your approach and improvements to be interesting.
  134. The main point of the literature review should be to set your paper off against the 2 or 3 closest current papers, and to give proper credit to people who deserve priority for things that might otherwise seem new in your paper.
  135. Body of the paper
  136. Your task now is to get to the central result as fast as possible. CENTRAL RESULT = MAIN RESULT = CONTRIBUTION = MAIN POINT = PUNCHLINE.
  137. Most papers do precisely the opposite: They have a long motivation, a long literature review, a big complex model that then gets ignored, descriptive statistics, preliminary results, a side discussion or two and then finally Table 12 of “main estimates.”
  138. By then we’re all asleep.
  139. Do better!
  140. Here’s the rule: There should be nothing before the main result that a reader does not need to know in order to understand the main result.MAIN RESULT = CONTRIBUTION = MAIN POINT = PUNCHLINE.
  141. Conclusions should be short and sweet.
  142. Do not restate all of your findings.
  143. One statement in the abstract, one in the introduction and once more in the body of the text should be enough! That means you can write a 3 sentence conclusion.
  144. You can include a short paragraph or two acknowledging limitations, suggesting implications beyond those in the paper
  145. Keep it short though — don’t write your grant application here outlining all of your plans for future research. Since 1992, I have told my students to NEVER exceed the scope of the paper in the conclusion. The conclusion summarizes what you have already written. It does not discuss what you will write in the future. No new ideas in the conclusion.
  146. Don’t speculate; the reader wants to know your facts not your opinions.
  147. Literature review – meaningless before your contributionBody of the paper – all about your main resultShort conclusion
  148. 2 Writing
  149. Keep the paper as short as possible. Every word must count.
  150. As you edit the paper ask yourself constantly, “can I make the same point in less space?” and “Do I really have to say this?”
  151. When in doubt, leave it out
  152. Don’t repeat things. In other words, if you’ve said it once, you don’t have to say it again. Most of all, it uses up extra space and reader’s patience to have to see the same point made over and over again.
  153. Using the phrase “In other words” is a sign of trouble. (I admit I do this all the time!) Go back and say it once, right.
  154. General points
  155. Strive for precision. Read each sentence carefully. Does each sentence say something, and does it mean what it says?
  156. Document your work. A fellow graduate student must be able to sit down with your paper and all alone reproduce every number in it from instructions given in the paper, and any print or web appendices.
  157. Simple is better. Most students think they have to dress up a paper to look impressive. The exact opposite is true: The less math used, the better. The simpler the estimation technique, the better. Anecdote – iPhone!
  158. Don&apos;t repeatBe preciseDocument your workSimple is best
  159. Writing tips
  160. The most important thing in writing is to keep track of what your reader knows and doesn’t know.
  161. This brings us back to ourKaplan book -
  162. Knowing the audience is the key to any successful technical communicationTailor the communication to meet the needs of that audience
  163. ask yourself who are your intended readers?
  164. try to consider the knowledge level of the audience
  165. Most writers assume far too much. No, we do not have the details of every paper ever written in our heads.
  166. Keep in mind what you have explained and what you have not.
  167. The reader usually wants to understand your basic point, and won’t start criticizing it before he or she understands it.
  168. Thus, I advise writers to first state and explain what you do, and save defending it and comparing it to other approaches until much later.
  169. Use active tense. Not: “it is assumed that x = 3”, “data were constructed as follows.” Gee, I wonder who did that assuming and constructing?
  170. Search for “is” and “are” in the document to root out every single passive sentence.
  171. ANECDOTE – Mr. Freeman, my freshman year writing teacher, only let us use five forms of the verb “to be”
  172. Much bad writing comes down to trying to avoid responsibility for what you’re saying.
  173. That’s why people resort to passive sentences and use poor organization that puts the literature first and your idea last, and so on.
  174. Take a deep breath, and take responsibility for what you’re writing.
  175. Audience is kingAssume nothingActive verbsTake responsibility
  176. Present tense is usually best. You can say “Fama and French 1993 find that” even though 1993 was a while ago.
  177. The same goes for your own paper; describe what you find in Table 5 not what you will find in Table 5.
  178. Most importantly, though, keep the tense consistent. Don’t start a paragraph in past tense and finish it in the future.
  179. Use the normal sentence structure: subject, verb, object. SVO IS THE WAY TO GO!
  180. Not: “The insurance mechanisms that agents utilize to smooth consumption in the face of transitory earnings fluctuations are diverse”
  181. Instead: “People use a variety of insurance mechanisms to smooth consumption.”
  182. Avoid technical jargon wherever possible.
  183. Show it to your mother (if she reads English ;-)
  184. Writing should be concrete, not abstract. (Insert concrete examples.)
  185. Present tense (be consistent) Subject, verb, objectNo jargonConcrete examples
  186. Little writing tips
  187. Don’t use adjectives to describe your work: “striking results” “very significant” coefficients, etc. If the work merits adjectives, the world will give them to you.
  188. If you must use adjectives, don’t use double adjectives. Results are certainly not “very novel.”
  189. Use simple short words not big fancy words. “Use” not “utilize” “Several” not “diverse”
  190. Readers value your original idea, your contribution, not your fancy vocabulary. Use only words you KNOW.
  191. Don’t start your paper with a cute quotation.
  192. ADD KITTY CHAN IMAGE IF TIME
  193. Add kitty chan image if time…
  194. Add kitty chan image if time…
  195. Sorry, Kitty-chan!
  196. Minimize adjectivesNo quotes
  197. Professor Cochrane’s Conclusion
  198. Join the noble profession of writers.
  199. Many economists falsely think of themselves as scientists who just “write up” research. We are not; we are primarily writers.
  200. Economics and finance papers are essays. Most good economists spend at least 50% of the time they put into any project on writing. For me, it’s more like 80%.
  201. Pay attention to the writing in papers you read, and notice the style adopted by authors you admire.
  202. I got a lot out of reading William Zinsser’s &quot;On Writing Well.&quot;
  203. http://www.amazon.co.jp/Writing-Well-30th-Anniversary-Nonfiction/dp/0060891548/ref=sr_1_1?ie=UTF8&amp;s=english-books&amp;qid=1275026598&amp;sr=8-1
  204. Strunk and White’s The Elements of Style
  205. probably the best-known grammar and style text. Its witty style makes it an actual pleasure to read — very unusual for grammar texts. http://www.amazon.co.jp/gp/product/020530902X/ref=s9_simh_gw_p14_i3?pf_rd_m=AN1VRQENFRJN5&amp;pf_rd_s=center-1&amp;pf_rd_r=0R75NK5K9WR0359H64KF&amp;pf_rd_t=101&amp;pf_rd_p=463376736&amp;pf_rd_i=489986
  206. Diana Hacker’s “A Pocket Style Manual”
  207. quick-reference-style guide to grammar, punctuation, and mechanics. As a bonus, Hacker includes style guides from Chicago Manual, Modern Language Association (MLA), and American Psychological Association (APA.)http://www.amazon.co.jp/gp/product/0312593244/ref=s9_simh_gw_p14_i2?pf_rd_m=AN1VRQENFRJN5&amp;pf_rd_s=center-1&amp;pf_rd_r=0R75NK5K9WR0359H64KF&amp;pf_rd_t=101&amp;pf_rd_p=463376736&amp;pf_rd_i=489986
  208. Most of all
  209. Learn to write
  210. Unfortunately, there aren’t any shortcuts here. The best way is to first learn how to write (anything).
  211. Source -Writing great documentation: Technical styleJacob Kaplan-MossNovember 11, 2009 http://jacobian.org/writing/great-documentation/technical-style
  212. There are some important differences between (research papers) and your average prose, but a solid foundation of good written communication skills is the fundamental first step
  213. So how do you learn to write (anything) well? There’s only one answer: you’ll learn to write well if you write. A lot.
  214. You’ll probably want to balance out all this writing with a healthy dose of reading.
  215. Learn to identify the mechanical parts of what makes a piece of writing effective; try to identify what succeeds (and what fails) about everything you read.
  216. Watch for how authors accomplish “tone”.
  217. Read a number of pieces by the same author; you should be able to identify what makes that person’s writing distinctive.
  218. Malcolm Gladwell would be one good choice here: his writing style is quite distinctive, somewhat formulaic, and he’s got dozens of his articles online.
  219. Most importantly, Gladwell’s style is one that would work very well for technical writing — he’s got a fun, conversational tone that nonetheless can clearly communicate specific technical topics.
  220.  Insert Gladwellimage(s) and book titles
  221.  Insert Gladwellimage(s) and book titles
  222. It doesn’t matter all that much what you’re writing and reading. Tosa says one million words!
  223. Sure, there are different rules for fiction and non-fiction, literary criticism and technical documentation, etcBut you can always find something valuable if you keep your eyes and ears open
  224. Hendrix was always listening. No such thing as bad music
  225. The point is he made it his own
  226. The important aspects don’t change, though: good writing is clear, succinct, and communicates ideas effectively.
  227. It’s easy to get caught up in wanting your prose to be perfect from the first words you set down. It doesn’t work that way.
  228. While you’re writing, turn off the inner critic and just write.
  229. While you’re writing, turn off the inner critic and just write. You can turn the critic back on when you proofread and edit later
  230. but the important part is to just
  231. Do
  232. it
  233. Write anythingRead everythingReference style guideshttp://delicious.com/admissions/StyleGuidesNotice toneCreate your own
  234. Any questions?
  235. http://bit.ly/KapTechKaplan Technical Writing: A Resource for Technical Writers at All Levels By Carrie Hannigan, Diane Martinez, Carrie Wells, Tanya Peterson, Carolyn Stevensonhttp://bit.ly/CochranePhDWriting Tips for Ph.D. Students,John H. Cochrane, Graduate School of Business (Booth),University of Chicagohttp://jacobian.org/writing/great-documentation/technical-styleWriting great documentation: Technical style by Jacob Kaplan-Mosshttp://bit.ly/TechWritingBLOG http://techwritingtodai.blogspot.comVINCE http://twitter.com/TokyoVince
  236. William Zinsser — “On Writing Well”Strunk and White — “The Elements of Style”Diana Hacker — “A Pocket Style Manual” Malcolm Gladwell — various
  237. Review http://bit.ly/CochranePhDRead pages 19-68 of Kaplan book http://bit.ly/KapTech3Check links http://bit.ly/TechWriting
  238. Think of three questions you have related to Kaplan Chapter 3 (http://bit.ly/KapTech3) or technical writing in generalWrite them in EnglishEmail to V@VincePrep.com
  239. Good luck. Thank you!