Christopher Totten is a game artist and executive organizer of the Smithsonian American Art Museum's Indie Arcade event. As game artist in residence at American University, he creates games that explore artistic styles and techniques from other mediums. The Indie Arcade began as a one-day event showcasing regional indie games and has grown into an international event, increasing attendance from 4,000 to over 11,000. Totten's own games have incorporated paper cutouts, fabric patterns, and mixed media to bring artistic influences into gaming.
2. CHRISTOPHER TOTTEN
Executive Organizer
Smithsonian American Art Museum
Indie Arcade
Game Artist in Residence
American University
Author An Architectural Approach
to Level Design and Game Character
Creation in Blender and Unity
Community organizer
Washington, DC game
community, IGDA DC
CHRISTOPHER TOTTEN - @TOTTER87
3. SMITHSONIAN AMERICAN ART MUSEUM
INDIE ARCADE
1 day event showcasing indie
games
Classic gaming and game
cover bands by MAGFest
1st year: Mid-Atlantic
regional indie developers, 43
entries, 16 chosen games,
~4000 attendees
2nd year: International scope,
150+ entries, 32 chosen
games, 11,750 attendees
CHRISTOPHER TOTTEN - @TOTTER87
13. CHRISTOPHER TOTTEN - @TOTTER87
Left: Beat the Whites with the Red Wedge, El Lissitzky,
1920 – lithographic propaganda poster
Right: Lissitzky’s Revenge, Chris Totten, 2015 – paper
cutouts in the Construct 2 game engine
Link: bit.ly/1c1OfDF
14. CHRISTOPHER TOTTEN - @TOTTER87
Addie’s Patchwork Playground, Chris Totten, Anne Sullivan, and Alex
Neuenkirk, - Unity game with fabric patterns and handmade sprites
15. CHRISTOPHER TOTTEN - @TOTTER87
Dead Man’s Trail, Pie For Breakfast Studios - Unity
Editor's Notes
So what does all this have to do with video games?
Unlike history paintings, these pieces of art can vary in subject. Some eye-candy or mood-setting pieces of concept art show epic scenes just as The Last Day of Pompeii or the myriad of history paintings derived from the Bible did. Others conceptualize landscapes and close-ups of characters, depending on the production needs of the game.
By observing the transition from AAA-like 3D games to retro pixel art, he contends that pixel art has become for many designers, a sort of return to the roots of video game graphics. An effort to recreate the authenticity of the game medium much as the Arts and Crafts movement of the 19th century created hand-made objects as a rebellion against the Industrial Revolution.
In a Digital Games Research Association Conference paper by scholar Jesper Juul titled High Tech, Low Tech Authenticity: The Creation of Independent Style at the Independent Games Festival, Juul explores the art history of winning games at the Independent Games Festival.
Courbet and other artists’ breaking with the hierarchical form opened the doors for artists to explore other subject matter and techniques in painting, resulting in a plethora of styles and even entire art movements – Impressionism, Pointillism, Fauvism, Art Nouveau, Modernism, Cubism, Surrealism, Pop Art, and others.
The downsides of pixel art, however, are that while it was once the sign of being “unique” it’s now EVERYWHERE…
These games have gotten significant exposure on gaming news sites and online communities such as GameJolt.
These games have gotten significant exposure on gaming news sites such as Rock Paper Shotgun and online communities such as GameJolt (12,000 plays for the demo, 25,000 views)
Being a developer myself, I’m looking to see how such methods can be integrated into production pipelines. Are they faster? What kind of look or novelty do they generate? One such exploration was a game called Zup!, which is now available on the iOS and Android app stores. Foam core cutouts, cotton ball clouds, and a scanner created not only a novel art style, but also an entire game’s worth of character, environment, and UI art in under a week.
Likewise, I am undertaking a project called Atelier Games, named after the method of learning art by studying under renowned masters. The first in this series is a mash-up of Russian Suprematist artist El Lissitzky and Yar’s Revenge, titled Lissitzky’s Revenge.