SlideShare a Scribd company logo
1 of 53
Participating in the
   Creative Commons
         Michael Sauers
Technology Innovation Librarian
  Nebraska Library Commission
EULA
(reasonableagreement.org)
i ≠ lawyer
DMCA
 me
copyright.gov
“All rights reserved. No part
      of this book may be
 reproduced in any form or by
 any electronic or mechanical
 means, including information
     storage and retrieval
  systems, without permission
      in writing from the
     publisher, except by a
 reviewer who may quote brief
     passages in a review.”
©
    =
restrict
Anime Music Videos
a serious example
“…to be printed in
   a magazine or
   newspaper, or
  electronically
  transmitted on
     radio or
   television.”
But what about
  fair use?
17 U.S.C. § 107
Notwithstanding the provisions of sections 106 and 106A, the
fair use of a copyrighted work, including such use by
reproduction in copies or phonorecords or by any other means
specified by that section, for purposes such as criticism,
comment, news reporting, teaching (including multiple copies
for classroom use), scholarship, or research, is not an
infringement of copyright. In determining whether the use made
of a work in any particular case is a fair use the factors to
be considered shall include—

   1.the purpose and character of the use, including whether
   such use is of a commercial nature or is for nonprofit
   educational purposes;
   2.the nature of the copyrighted work;
   3.the amount and substantiality of the portion used in
   relation to the copyrighted work as a whole; and
   4.the effect of the use upon the potential market for or
   value of the copyrighted work.

The fact that a work is unpublished shall not itself bar a
finding of fair use if such finding is made upon consideration
of all the above factors.
§ 108. Limitations on exclusive rights: Reproduction by libraries and archives
How Current is This?
(a) Except as otherwise provided in this title and notwithstanding the provisions of section 106, it is not an infringement of copyright for a library or archives, or any of its
employees acting within the scope of their employment, to reproduce no more than one copy or phonorecord of a work, except as provided in subsections (b) and (c), or to distribute
such copy or phonorecord, under the conditions specified by this section, if—(1) the reproduction or distribution is made without any purpose of direct or indirect commercial
advantage;
(2) the collections of the library or archives are(i) open to the public, or
(ii) available not only to researchers affiliated with the library or archives or with the institution of which it is a part, but also to other persons doing research in a
specialized field; and
(3) the reproduction or distribution of the work includes a notice of copyright that appears on the copy or phonorecord that is reproduced under the provisions of this section, or
includes a legend stating that the work may be protected by copyright if no such notice can be found on the copy or phonorecord that is reproduced under the provisions of this
section.
(b) The rights of reproduction and distribution under this section apply to three copies or phonorecords of an unpublished work duplicated solely for purposes of preservation and
security or for deposit for research use in another library or archives of the type described by clause (2) of subsection (a), if—(1) the copy or phonorecord reproduced is currently
in the collections of the library or archives; and
(2) any such copy or phonorecord that is reproduced in digital format is not otherwise distributed in that format and is not made available to the public in that format outside the
premises of the library or archives.
(c) The right of reproduction under this section applies to three copies or phonorecords of a published work duplicated solely for the purpose of replacement of a copy or phonorecord
that is damaged, deteriorating, lost, or stolen, or if the existing format in which the work is stored has become obsolete, if—(1) the library or archives has, after a reasonable
effort, determined that an unused replacement cannot be obtained at a fair price; and
(2) any such copy or phonorecord that is reproduced in digital format is not made available to the public in that format outside the premises of the library or archives in lawful
possession of such copy.
For purposes of this subsection, a format shall be considered obsolete if the machine or device necessary to render perceptible a work stored in that format is no longer manufactured
or is no longer reasonably available in the commercial marketplace.
(d) The rights of reproduction and distribution under this section apply to a copy, made from the collection of a library or archives where the user makes his or her request or from
that of another library or archives, of no more than one article or other contribution to a copyrighted collection or periodical issue, or to a copy or phonorecord of a small part of
any other copyrighted work, if—(1) the copy or phonorecord becomes the property of the user, and the library or archives has had no notice that the copy or phonorecord would be used
for any purpose other than private study, scholarship, or research; and
(2) the library or archives displays prominently, at the place where orders are accepted, and includes on its order form, a warning of copyright in accordance with requirements that
the Register of Copyrights shall prescribe by regulation.
(e) The rights of reproduction and distribution under this section apply to the entire work, or to a substantial part of it, made from the collection of a library or archives where
the user makes his or her request or from that of another library or archives, if the library or archives has first determined, on the basis of a reasonable investigation, that a
copy or phonorecord of the copyrighted work cannot be obtained at a fair price, if—(1) the copy or phonorecord becomes the property of the user, and the library or archives has had
no notice that the copy or phonorecord would be used for any purpose other than private study, scholarship, or research; and
(2) the library or archives displays prominently, at the place where orders are accepted, and includes on its order form, a warning of copyright in accordance with requirements that
the Register of Copyrights shall prescribe by regulation.
(f) Nothing in this section—(1) shall be construed to impose liability for copyright infringement upon a library or archives or its employees for the unsupervised use of reproducing
equipment located on its premises: Provided, That such equipment displays a notice that the making of a copy may be subject to the copyright law;
(2) excuses a person who uses such reproducing equipment or who requests a copy or phonorecord under subsection (d) from liability for copyright infringement for any such act, or for
any later use of such copy or phonorecord, if it exceeds fair use as provided by section 107;
(3) shall be construed to limit the reproduction and distribution by lending of a limited number of copies and excerpts by a library or archives of an audiovisual news program,
subject to clauses (1), (2), and (3) of subsection (a); or
(4) in any way affects the right of fair use as provided by section 107, or any contractual obligations assumed at any time by the library or archives when it obtained a copy or
phonorecord of a work in its collections.
(g) The rights of reproduction and distribution under this section extend to the isolated and unrelated reproduction or distribution of a single copy or phonorecord of the same
material on separate occasions, but do not extend to cases where the library or archives, or its employee—(1) is aware or has substantial reason to believe that it is engaging in the
related or concerted reproduction or distribution of multiple copies or phonorecords of the same material, whether made on one occasion or over a period of time, and whether intended
for aggregate use by one or more individuals or for separate use by the individual members of a group; or
(2) engages in the systematic reproduction or distribution of single or multiple copies or phonorecords of material described in subsection (d): Provided, That nothing in this clause
prevents a library or archives from participating in interlibrary arrangements that do not have, as their purpose or effect, that the library or archives receiving such copies or
phonorecords for distribution does so in such aggregate quantities as to substitute for a subscription to or purchase of such work.
(h)(1) For purposes of this section, during the last 20 years of any term of copyright of a published work, a library or archives, including a nonprofit educational institution that
functions as such, may reproduce, distribute, display, or perform in facsimile or digital form a copy or phonorecord of such work, or portions thereof, for purposes of preservation,
scholarship, or research, if such library or archives has first determined, on the basis of a reasonable investigation, that none of the conditions set forth in subparagraphs (A),
(B), and (C) of paragraph (2) apply.
(2) No reproduction, distribution, display, or performance is authorized under this subsection if—(A) the work is subject to normal commercial exploitation;
(B) a copy or phonorecord of the work can be obtained at a reasonable price; or
(C) the copyright owner or its agent provides notice pursuant to regulations promulgated by the Register of Copyrights that either of the conditions set forth in subparagraphs (A)
and (B) applies.
(3) The exemption provided in this subsection does not apply to any subsequent uses by users other than such library or archives.
(i) The rights of reproduction and distribution under this section do not apply to a musical work, a pictorial, graphic or sculptural work, or a motion picture or other audiovisual
work other than an audiovisual work dealing with news, except that no such limitation shall apply with respect to rights granted by subsections (b), (c), and (h), or with respect to
pictorial or graphic works published as illustrations, diagrams, or similar adjuncts to works of which copies are reproduced or distributed in accordance with subsections (d) and
(e).
17 U.S.C. § 113
In the case of a work lawfully
reproduced in useful articles that
have been offered for sale or other
distribution to the public,
copyright does not include any right
to prevent the making, distribution,
or display of pictures or
photographs of such articles in
connection with advertisements or
commentaries related to the
distribution or display of such
articles, or in connection with news
reports.
huh?
hhttp://flickr.com/photos/34041589@N00/453859907
clearance
 culture
permission
  culture
fair use
        =
  the right to
hire a lawyer &
defend yourself
Lawrence
                                                        Lessig
http://www.flickr.com/photos/mariocarvajal/230462082
creativecommons.org
c
 =
allow
Choose…
how?
get…
<a rel=quot;licensequot;
href=quot;http://creativecommons.org
  /licenses/by-nc-sa/3.0/us/quot;>
examples
search.creativecommons.org
Any problems?
“Once you choose a
license for your work,
  it's irrevocable.”
Negative market
    effect?
What is
“non-commercial”?
Unintended use
Right of publicity
Michael Sauers

msauers@nlc.state.ne.us

del.icio.us/travelinlibrarian/cc

www.slideshare.net/
travelinlibrarian

More Related Content

Similar to Participating in the Creative Commons (CIL2009)

Participating in the Creative Commons (WYLA)
Participating in the Creative Commons (WYLA)Participating in the Creative Commons (WYLA)
Participating in the Creative Commons (WYLA)Michael Sauers
 
Participating in the Creative Commons (NLA/NEMA 2008)
Participating in the Creative Commons (NLA/NEMA 2008)Participating in the Creative Commons (NLA/NEMA 2008)
Participating in the Creative Commons (NLA/NEMA 2008)Michael Sauers
 
Certificate_in_Intellectual_Property.PDF
Certificate_in_Intellectual_Property.PDFCertificate_in_Intellectual_Property.PDF
Certificate_in_Intellectual_Property.PDFShriya Pandey
 
Ask manual rev5
Ask manual rev5Ask manual rev5
Ask manual rev5hccit
 
Ask manual rev4
Ask manual rev4Ask manual rev4
Ask manual rev4Anil Yadav
 
Compressed mythbuntu 8.10-installation
Compressed mythbuntu 8.10-installationCompressed mythbuntu 8.10-installation
Compressed mythbuntu 8.10-installationnello751
 
Copyright in a Nutshell
Copyright in a NutshellCopyright in a Nutshell
Copyright in a NutshellHVCClibrary
 
Licenseb
LicensebLicenseb
Licensebtyghj
 
E reserve copyright law in the philippines
E reserve copyright law in the philippinesE reserve copyright law in the philippines
E reserve copyright law in the philippinesnorilyn kial
 
E reserve copyright law in the philippines
E reserve copyright law in the philippinesE reserve copyright law in the philippines
E reserve copyright law in the philippineslailah tawa
 
E reserve copyright law in the philippines
E reserve copyright law in the philippinesE reserve copyright law in the philippines
E reserve copyright law in the philippinesdelailah tawa
 
Copyright management.
Copyright management. Copyright management.
Copyright management. Iryna Kuchma
 
License
LicenseLicense
Licensetyghj
 
COPYRIGHT LAW OF THE UNITED STATES OF AMERICA
COPYRIGHT LAW OF THE UNITED STATES OF AMERICACOPYRIGHT LAW OF THE UNITED STATES OF AMERICA
COPYRIGHT LAW OF THE UNITED STATES OF AMERICAVogelDenise
 

Similar to Participating in the Creative Commons (CIL2009) (20)

Participating in the Creative Commons (WYLA)
Participating in the Creative Commons (WYLA)Participating in the Creative Commons (WYLA)
Participating in the Creative Commons (WYLA)
 
Copyright and Academic Libraries
Copyright and Academic LibrariesCopyright and Academic Libraries
Copyright and Academic Libraries
 
Participating in the Creative Commons (NLA/NEMA 2008)
Participating in the Creative Commons (NLA/NEMA 2008)Participating in the Creative Commons (NLA/NEMA 2008)
Participating in the Creative Commons (NLA/NEMA 2008)
 
Certificate_in_Intellectual_Property.PDF
Certificate_in_Intellectual_Property.PDFCertificate_in_Intellectual_Property.PDF
Certificate_in_Intellectual_Property.PDF
 
Ask manual rev5
Ask manual rev5Ask manual rev5
Ask manual rev5
 
License
LicenseLicense
License
 
Ask manual rev4
Ask manual rev4Ask manual rev4
Ask manual rev4
 
licence
licencelicence
licence
 
Compressed mythbuntu 8.10-installation
Compressed mythbuntu 8.10-installationCompressed mythbuntu 8.10-installation
Compressed mythbuntu 8.10-installation
 
Copyright in a Nutshell
Copyright in a NutshellCopyright in a Nutshell
Copyright in a Nutshell
 
Licenseb
LicensebLicenseb
Licenseb
 
E reserve copyright law in the philippines
E reserve copyright law in the philippinesE reserve copyright law in the philippines
E reserve copyright law in the philippines
 
E reserve copyright law in the philippines
E reserve copyright law in the philippinesE reserve copyright law in the philippines
E reserve copyright law in the philippines
 
E reserve copyright law in the philippines
E reserve copyright law in the philippinesE reserve copyright law in the philippines
E reserve copyright law in the philippines
 
Copyright management.
Copyright management. Copyright management.
Copyright management.
 
Enterprise+scrum+definition
Enterprise+scrum+definitionEnterprise+scrum+definition
Enterprise+scrum+definition
 
License
LicenseLicense
License
 
Enterprise+Scrum+Definition.pdf
Enterprise+Scrum+Definition.pdfEnterprise+Scrum+Definition.pdf
Enterprise+Scrum+Definition.pdf
 
COPYRIGHT LAW OF THE UNITED STATES OF AMERICA
COPYRIGHT LAW OF THE UNITED STATES OF AMERICACOPYRIGHT LAW OF THE UNITED STATES OF AMERICA
COPYRIGHT LAW OF THE UNITED STATES OF AMERICA
 
License
LicenseLicense
License
 

More from Michael Sauers

What's On Your Do List?
What's On Your Do List?What's On Your Do List?
What's On Your Do List?Michael Sauers
 
Highlights from CES 2018
Highlights from CES 2018Highlights from CES 2018
Highlights from CES 2018Michael Sauers
 
CES 2016: One Librarian's Experience
CES 2016: One Librarian's ExperienceCES 2016: One Librarian's Experience
CES 2016: One Librarian's ExperienceMichael Sauers
 
Secure Online Shopping
Secure Online ShoppingSecure Online Shopping
Secure Online ShoppingMichael Sauers
 
Tinkers, Printers, & Makers: Makerspaces in the Library (November 2015)
Tinkers, Printers, & Makers: Makerspaces in the Library (November 2015)Tinkers, Printers, & Makers: Makerspaces in the Library (November 2015)
Tinkers, Printers, & Makers: Makerspaces in the Library (November 2015)Michael Sauers
 
Getting more $$ from your Book Sale -or- Is this Old Book valuable?
Getting more $$ from your Book Sale -or- Is this Old Book valuable?Getting more $$ from your Book Sale -or- Is this Old Book valuable?
Getting more $$ from your Book Sale -or- Is this Old Book valuable?Michael Sauers
 
Emerging Technologies in Libraries
Emerging Technologies in LibrariesEmerging Technologies in Libraries
Emerging Technologies in LibrariesMichael Sauers
 
Library Policies: The Good, The Bad, and The Ugly
Library Policies: The Good, The Bad, and The UglyLibrary Policies: The Good, The Bad, and The Ugly
Library Policies: The Good, The Bad, and The UglyMichael Sauers
 
What We've Learned: Tips & Tricks for Webinars That Deliver The Goods
What We've Learned: Tips & Tricks for Webinars That Deliver The GoodsWhat We've Learned: Tips & Tricks for Webinars That Deliver The Goods
What We've Learned: Tips & Tricks for Webinars That Deliver The GoodsMichael Sauers
 
Tinkers, Printers & Makers: Makerspaces in the Library (NEFLIN 2015)
Tinkers, Printers & Makers: Makerspaces in the Library (NEFLIN 2015)Tinkers, Printers & Makers: Makerspaces in the Library (NEFLIN 2015)
Tinkers, Printers & Makers: Makerspaces in the Library (NEFLIN 2015)Michael Sauers
 
Library UX (NEFLIN 13 November 2014)
Library UX (NEFLIN 13 November 2014)Library UX (NEFLIN 13 November 2014)
Library UX (NEFLIN 13 November 2014)Michael Sauers
 
Tinkers, Printers & Makers (NLA2014)
Tinkers, Printers & Makers (NLA2014)Tinkers, Printers & Makers (NLA2014)
Tinkers, Printers & Makers (NLA2014)Michael Sauers
 
Is it Copyrighted? Can I Use it? (NLA2014)
Is it Copyrighted? Can I Use it? (NLA2014)Is it Copyrighted? Can I Use it? (NLA2014)
Is it Copyrighted? Can I Use it? (NLA2014)Michael Sauers
 
Secure Yourself with LastPass (NLA2014)
Secure Yourself with LastPass (NLA2014)Secure Yourself with LastPass (NLA2014)
Secure Yourself with LastPass (NLA2014)Michael Sauers
 
40+ tech tips, tricks, & tools
40+ tech tips, tricks, & tools40+ tech tips, tricks, & tools
40+ tech tips, tricks, & toolsMichael Sauers
 
Is it copyrighted? Can i use it?
Is it copyrighted? Can i use it?Is it copyrighted? Can i use it?
Is it copyrighted? Can i use it?Michael Sauers
 
40 Tips, Tricks & Tools in 20 Minutes
40 Tips, Tricks & Tools in 20 Minutes40 Tips, Tricks & Tools in 20 Minutes
40 Tips, Tricks & Tools in 20 MinutesMichael Sauers
 
eBooks & eReaders: Past, Present, & Future
eBooks & eReaders: Past, Present, & FutureeBooks & eReaders: Past, Present, & Future
eBooks & eReaders: Past, Present, & FutureMichael Sauers
 
Using Audio & Video in the Library
Using Audio & Video in the LibraryUsing Audio & Video in the Library
Using Audio & Video in the LibraryMichael Sauers
 

More from Michael Sauers (20)

What's On Your Do List?
What's On Your Do List?What's On Your Do List?
What's On Your Do List?
 
Highlights from CES 2018
Highlights from CES 2018Highlights from CES 2018
Highlights from CES 2018
 
CES 2016: One Librarian's Experience
CES 2016: One Librarian's ExperienceCES 2016: One Librarian's Experience
CES 2016: One Librarian's Experience
 
Secure Online Shopping
Secure Online ShoppingSecure Online Shopping
Secure Online Shopping
 
Makerspaces resources
Makerspaces resourcesMakerspaces resources
Makerspaces resources
 
Tinkers, Printers, & Makers: Makerspaces in the Library (November 2015)
Tinkers, Printers, & Makers: Makerspaces in the Library (November 2015)Tinkers, Printers, & Makers: Makerspaces in the Library (November 2015)
Tinkers, Printers, & Makers: Makerspaces in the Library (November 2015)
 
Getting more $$ from your Book Sale -or- Is this Old Book valuable?
Getting more $$ from your Book Sale -or- Is this Old Book valuable?Getting more $$ from your Book Sale -or- Is this Old Book valuable?
Getting more $$ from your Book Sale -or- Is this Old Book valuable?
 
Emerging Technologies in Libraries
Emerging Technologies in LibrariesEmerging Technologies in Libraries
Emerging Technologies in Libraries
 
Library Policies: The Good, The Bad, and The Ugly
Library Policies: The Good, The Bad, and The UglyLibrary Policies: The Good, The Bad, and The Ugly
Library Policies: The Good, The Bad, and The Ugly
 
What We've Learned: Tips & Tricks for Webinars That Deliver The Goods
What We've Learned: Tips & Tricks for Webinars That Deliver The GoodsWhat We've Learned: Tips & Tricks for Webinars That Deliver The Goods
What We've Learned: Tips & Tricks for Webinars That Deliver The Goods
 
Tinkers, Printers & Makers: Makerspaces in the Library (NEFLIN 2015)
Tinkers, Printers & Makers: Makerspaces in the Library (NEFLIN 2015)Tinkers, Printers & Makers: Makerspaces in the Library (NEFLIN 2015)
Tinkers, Printers & Makers: Makerspaces in the Library (NEFLIN 2015)
 
Library UX (NEFLIN 13 November 2014)
Library UX (NEFLIN 13 November 2014)Library UX (NEFLIN 13 November 2014)
Library UX (NEFLIN 13 November 2014)
 
Tinkers, Printers & Makers (NLA2014)
Tinkers, Printers & Makers (NLA2014)Tinkers, Printers & Makers (NLA2014)
Tinkers, Printers & Makers (NLA2014)
 
Is it Copyrighted? Can I Use it? (NLA2014)
Is it Copyrighted? Can I Use it? (NLA2014)Is it Copyrighted? Can I Use it? (NLA2014)
Is it Copyrighted? Can I Use it? (NLA2014)
 
Secure Yourself with LastPass (NLA2014)
Secure Yourself with LastPass (NLA2014)Secure Yourself with LastPass (NLA2014)
Secure Yourself with LastPass (NLA2014)
 
40+ tech tips, tricks, & tools
40+ tech tips, tricks, & tools40+ tech tips, tricks, & tools
40+ tech tips, tricks, & tools
 
Is it copyrighted? Can i use it?
Is it copyrighted? Can i use it?Is it copyrighted? Can i use it?
Is it copyrighted? Can i use it?
 
40 Tips, Tricks & Tools in 20 Minutes
40 Tips, Tricks & Tools in 20 Minutes40 Tips, Tricks & Tools in 20 Minutes
40 Tips, Tricks & Tools in 20 Minutes
 
eBooks & eReaders: Past, Present, & Future
eBooks & eReaders: Past, Present, & FutureeBooks & eReaders: Past, Present, & Future
eBooks & eReaders: Past, Present, & Future
 
Using Audio & Video in the Library
Using Audio & Video in the LibraryUsing Audio & Video in the Library
Using Audio & Video in the Library
 

Recently uploaded

IGNOU MSCCFT and PGDCFT Exam Question Pattern: MCFT003 Counselling and Family...
IGNOU MSCCFT and PGDCFT Exam Question Pattern: MCFT003 Counselling and Family...IGNOU MSCCFT and PGDCFT Exam Question Pattern: MCFT003 Counselling and Family...
IGNOU MSCCFT and PGDCFT Exam Question Pattern: MCFT003 Counselling and Family...PsychoTech Services
 
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in DelhiRussian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhikauryashika82
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdfQucHHunhnh
 
Student login on Anyboli platform.helpin
Student login on Anyboli platform.helpinStudent login on Anyboli platform.helpin
Student login on Anyboli platform.helpinRaunakKeshri1
 
fourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writingfourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writingTeacherCyreneCayanan
 
Unit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptxUnit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptxVishalSingh1417
 
Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfciinovamais
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfsanyamsingh5019
 
microwave assisted reaction. General introduction
microwave assisted reaction. General introductionmicrowave assisted reaction. General introduction
microwave assisted reaction. General introductionMaksud Ahmed
 
Holdier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfHoldier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfagholdier
 
Interactive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationInteractive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationnomboosow
 
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...Sapna Thakur
 
Sports & Fitness Value Added Course FY..
Sports & Fitness Value Added Course FY..Sports & Fitness Value Added Course FY..
Sports & Fitness Value Added Course FY..Disha Kariya
 
Measures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SDMeasures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SDThiyagu K
 
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...fonyou31
 
General AI for Medical Educators April 2024
General AI for Medical Educators April 2024General AI for Medical Educators April 2024
General AI for Medical Educators April 2024Janet Corral
 
Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3JemimahLaneBuaron
 
Z Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphZ Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphThiyagu K
 
Key note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfKey note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfAdmir Softic
 
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...christianmathematics
 

Recently uploaded (20)

IGNOU MSCCFT and PGDCFT Exam Question Pattern: MCFT003 Counselling and Family...
IGNOU MSCCFT and PGDCFT Exam Question Pattern: MCFT003 Counselling and Family...IGNOU MSCCFT and PGDCFT Exam Question Pattern: MCFT003 Counselling and Family...
IGNOU MSCCFT and PGDCFT Exam Question Pattern: MCFT003 Counselling and Family...
 
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in DelhiRussian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdf
 
Student login on Anyboli platform.helpin
Student login on Anyboli platform.helpinStudent login on Anyboli platform.helpin
Student login on Anyboli platform.helpin
 
fourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writingfourth grading exam for kindergarten in writing
fourth grading exam for kindergarten in writing
 
Unit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptxUnit-IV- Pharma. Marketing Channels.pptx
Unit-IV- Pharma. Marketing Channels.pptx
 
Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdf
 
Sanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdfSanyam Choudhary Chemistry practical.pdf
Sanyam Choudhary Chemistry practical.pdf
 
microwave assisted reaction. General introduction
microwave assisted reaction. General introductionmicrowave assisted reaction. General introduction
microwave assisted reaction. General introduction
 
Holdier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfHoldier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdf
 
Interactive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communicationInteractive Powerpoint_How to Master effective communication
Interactive Powerpoint_How to Master effective communication
 
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
BAG TECHNIQUE Bag technique-a tool making use of public health bag through wh...
 
Sports & Fitness Value Added Course FY..
Sports & Fitness Value Added Course FY..Sports & Fitness Value Added Course FY..
Sports & Fitness Value Added Course FY..
 
Measures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SDMeasures of Dispersion and Variability: Range, QD, AD and SD
Measures of Dispersion and Variability: Range, QD, AD and SD
 
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
Ecosystem Interactions Class Discussion Presentation in Blue Green Lined Styl...
 
General AI for Medical Educators April 2024
General AI for Medical Educators April 2024General AI for Medical Educators April 2024
General AI for Medical Educators April 2024
 
Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3Q4-W6-Restating Informational Text Grade 3
Q4-W6-Restating Informational Text Grade 3
 
Z Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot GraphZ Score,T Score, Percential Rank and Box Plot Graph
Z Score,T Score, Percential Rank and Box Plot Graph
 
Key note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdfKey note speaker Neum_Admir Softic_ENG.pdf
Key note speaker Neum_Admir Softic_ENG.pdf
 
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
Explore beautiful and ugly buildings. Mathematics helps us create beautiful d...
 

Participating in the Creative Commons (CIL2009)

  • 1. Participating in the Creative Commons Michael Sauers Technology Innovation Librarian Nebraska Library Commission
  • 6. “All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review.”
  • 7. © = restrict
  • 9.
  • 10.
  • 11.
  • 13. “…to be printed in a magazine or newspaper, or electronically transmitted on radio or television.”
  • 14.
  • 15.
  • 16. But what about fair use?
  • 17. 17 U.S.C. § 107 Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include— 1.the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; 2.the nature of the copyrighted work; 3.the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and 4.the effect of the use upon the potential market for or value of the copyrighted work. The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.
  • 18. § 108. Limitations on exclusive rights: Reproduction by libraries and archives How Current is This? (a) Except as otherwise provided in this title and notwithstanding the provisions of section 106, it is not an infringement of copyright for a library or archives, or any of its employees acting within the scope of their employment, to reproduce no more than one copy or phonorecord of a work, except as provided in subsections (b) and (c), or to distribute such copy or phonorecord, under the conditions specified by this section, if—(1) the reproduction or distribution is made without any purpose of direct or indirect commercial advantage; (2) the collections of the library or archives are(i) open to the public, or (ii) available not only to researchers affiliated with the library or archives or with the institution of which it is a part, but also to other persons doing research in a specialized field; and (3) the reproduction or distribution of the work includes a notice of copyright that appears on the copy or phonorecord that is reproduced under the provisions of this section, or includes a legend stating that the work may be protected by copyright if no such notice can be found on the copy or phonorecord that is reproduced under the provisions of this section. (b) The rights of reproduction and distribution under this section apply to three copies or phonorecords of an unpublished work duplicated solely for purposes of preservation and security or for deposit for research use in another library or archives of the type described by clause (2) of subsection (a), if—(1) the copy or phonorecord reproduced is currently in the collections of the library or archives; and (2) any such copy or phonorecord that is reproduced in digital format is not otherwise distributed in that format and is not made available to the public in that format outside the premises of the library or archives. (c) The right of reproduction under this section applies to three copies or phonorecords of a published work duplicated solely for the purpose of replacement of a copy or phonorecord that is damaged, deteriorating, lost, or stolen, or if the existing format in which the work is stored has become obsolete, if—(1) the library or archives has, after a reasonable effort, determined that an unused replacement cannot be obtained at a fair price; and (2) any such copy or phonorecord that is reproduced in digital format is not made available to the public in that format outside the premises of the library or archives in lawful possession of such copy. For purposes of this subsection, a format shall be considered obsolete if the machine or device necessary to render perceptible a work stored in that format is no longer manufactured or is no longer reasonably available in the commercial marketplace. (d) The rights of reproduction and distribution under this section apply to a copy, made from the collection of a library or archives where the user makes his or her request or from that of another library or archives, of no more than one article or other contribution to a copyrighted collection or periodical issue, or to a copy or phonorecord of a small part of any other copyrighted work, if—(1) the copy or phonorecord becomes the property of the user, and the library or archives has had no notice that the copy or phonorecord would be used for any purpose other than private study, scholarship, or research; and (2) the library or archives displays prominently, at the place where orders are accepted, and includes on its order form, a warning of copyright in accordance with requirements that the Register of Copyrights shall prescribe by regulation. (e) The rights of reproduction and distribution under this section apply to the entire work, or to a substantial part of it, made from the collection of a library or archives where the user makes his or her request or from that of another library or archives, if the library or archives has first determined, on the basis of a reasonable investigation, that a copy or phonorecord of the copyrighted work cannot be obtained at a fair price, if—(1) the copy or phonorecord becomes the property of the user, and the library or archives has had no notice that the copy or phonorecord would be used for any purpose other than private study, scholarship, or research; and (2) the library or archives displays prominently, at the place where orders are accepted, and includes on its order form, a warning of copyright in accordance with requirements that the Register of Copyrights shall prescribe by regulation. (f) Nothing in this section—(1) shall be construed to impose liability for copyright infringement upon a library or archives or its employees for the unsupervised use of reproducing equipment located on its premises: Provided, That such equipment displays a notice that the making of a copy may be subject to the copyright law; (2) excuses a person who uses such reproducing equipment or who requests a copy or phonorecord under subsection (d) from liability for copyright infringement for any such act, or for any later use of such copy or phonorecord, if it exceeds fair use as provided by section 107; (3) shall be construed to limit the reproduction and distribution by lending of a limited number of copies and excerpts by a library or archives of an audiovisual news program, subject to clauses (1), (2), and (3) of subsection (a); or (4) in any way affects the right of fair use as provided by section 107, or any contractual obligations assumed at any time by the library or archives when it obtained a copy or phonorecord of a work in its collections. (g) The rights of reproduction and distribution under this section extend to the isolated and unrelated reproduction or distribution of a single copy or phonorecord of the same material on separate occasions, but do not extend to cases where the library or archives, or its employee—(1) is aware or has substantial reason to believe that it is engaging in the related or concerted reproduction or distribution of multiple copies or phonorecords of the same material, whether made on one occasion or over a period of time, and whether intended for aggregate use by one or more individuals or for separate use by the individual members of a group; or (2) engages in the systematic reproduction or distribution of single or multiple copies or phonorecords of material described in subsection (d): Provided, That nothing in this clause prevents a library or archives from participating in interlibrary arrangements that do not have, as their purpose or effect, that the library or archives receiving such copies or phonorecords for distribution does so in such aggregate quantities as to substitute for a subscription to or purchase of such work. (h)(1) For purposes of this section, during the last 20 years of any term of copyright of a published work, a library or archives, including a nonprofit educational institution that functions as such, may reproduce, distribute, display, or perform in facsimile or digital form a copy or phonorecord of such work, or portions thereof, for purposes of preservation, scholarship, or research, if such library or archives has first determined, on the basis of a reasonable investigation, that none of the conditions set forth in subparagraphs (A), (B), and (C) of paragraph (2) apply. (2) No reproduction, distribution, display, or performance is authorized under this subsection if—(A) the work is subject to normal commercial exploitation; (B) a copy or phonorecord of the work can be obtained at a reasonable price; or (C) the copyright owner or its agent provides notice pursuant to regulations promulgated by the Register of Copyrights that either of the conditions set forth in subparagraphs (A) and (B) applies. (3) The exemption provided in this subsection does not apply to any subsequent uses by users other than such library or archives. (i) The rights of reproduction and distribution under this section do not apply to a musical work, a pictorial, graphic or sculptural work, or a motion picture or other audiovisual work other than an audiovisual work dealing with news, except that no such limitation shall apply with respect to rights granted by subsections (b), (c), and (h), or with respect to pictorial or graphic works published as illustrations, diagrams, or similar adjuncts to works of which copies are reproduced or distributed in accordance with subsections (d) and (e).
  • 19. 17 U.S.C. § 113 In the case of a work lawfully reproduced in useful articles that have been offered for sale or other distribution to the public, copyright does not include any right to prevent the making, distribution, or display of pictures or photographs of such articles in connection with advertisements or commentaries related to the distribution or display of such articles, or in connection with news reports.
  • 20. huh?
  • 21.
  • 22.
  • 23.
  • 27. fair use = the right to hire a lawyer & defend yourself
  • 28. Lawrence Lessig http://www.flickr.com/photos/mariocarvajal/230462082
  • 32.
  • 33.
  • 34.
  • 35.
  • 36. how?
  • 37.
  • 39.
  • 40.
  • 43.
  • 44.
  • 45.
  • 48. “Once you choose a license for your work, it's irrevocable.”
  • 49. Negative market effect?