1. Exploring Objects as
Genuine Artifacts and
Story Keepers

2. How to use objects as a genuine artifact
taken from intimate environment to
theatrical space?
Magnificent Obsessions: The Artist as Collector
Barbican Art Gallery

3. Influence and
Research

4. more interesting then gazing on a street, as gazing on a street is e
(Konstantin Bogomolov, Russian director)

5. Ilya and Emilia Kabakov
“The Man Who Never Threw Anything Away”
to transporting domestic space and objects into performanc

6. Heiner Goebbels
“Stifter’s Dinge”
theatre with objects that create action without humans

7. Katie Mitchell
“Waves”
eatre with live video broadcast giving various view points of the sta

8. Theory

9. ar qualities of private space (using real homes, photography, docu
value of an object segregated from its natural environment to thea
Jannis Kounellis
“Senza Titolo”
1979 Tate Modern

10. Practice

11. - Using text where domestic space is dramatically important
gh adding, reducing and replacing the presence of genuine art

12. Methods
-audience interaction with the space/ objects
-macro view points through video technology/photography
-creating additional to stage space for object museum presentatio

13. –Pyotr Vail “The Genius of Place”
“A throne in a private habitation keeps the
same title that it does in a castle, but means
something absolutely different .”
„Forte Forte” Alvis Hermanis, Latvia