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Introduction to
Fredara M. Hadley, Ph.D.
The Rise of Black Churches & Their Music
Oberlin College
Objective
• Understand the context in which black
churches are born
• Learn the music genres included in mainline
churches and black churches
Timeline
• 1750-1865
People
• Isaac Watts
• Charles and John Wesley
• Richard Allen
• Absalom Jones
Places
• Camp Meetings
• Revivals
• Praise Houses
Things
• Great Awakening
• Psalms
• Hymns
• Folk Spirituals
• Lined-hymns
The 2nd Great Awakening
• 1790-1840
• post-Revolutionary War
• Led by Methodists and Baptists
• Converted Southern Whites and enslaved Blacks
through huge camp meetings
• Led to the abolitionist movement and the
suffragist movement
• Tied to enslavers salvation to that of his enslaved
Religion and Enslavement
• Both colonialist constructs
• Religion was mostly at the service of the state
THE BLACK CHURCH??
Independent Black Churches:
• Were autonomous spaces in which Black
people used Christianity to establish their own
religious customs and cosmology.
• Structures that created a relatable language,
cultural experience, and musical canon in
which large numbers of Black people could
participate.
• Gave rise to a new form of music called gospel
hymns and spirituals
Roles of the Black Church
• Spiritual
• Social
• Educational
• Political
The First Black Churches
• WE HAVE TENSION IN THE METHODIST CHURCH IN
PHILADELPHIA BECAUSE WHILE THE CHURCH WAS LIBERAL
ENOUGH TO BAPTIZE AFRICAN AMERICANS, IT WASN’T
REALLY INTERESTED IN DESEGREGATING THEIR
SANCTUARIES.
• IN 1787 A SLAVE WHO BOUGHT HIS FREEDOM NAMED
RICHARD ALLEN WALKED OUT OF ST. GEORGE METHODIST
EPISCOPAL CHURCH AND IN 1794 FOUNDED THE “A.M.E.”
DENOMINATION: AFRICAN METHODIST EPISCOPAL CHURCH
(WHICH IS STILL AROUND TODAY) AND ABSALOM JONES
FOUNDED THE AFRICAN EPISCOPAL CHURCH, ST. THOMAS
Black Liberation Theology
• A term coined in 1966
• It is the opposite of White Christianity’s
religion of suppression as it places the “black
liberation” and freedom at the center of its
message of salvation.
• The music is is a tool of subversion that
supports its theological bent.
Antebellum Theological Differences
White Churches
• Used scripture to validate
enslavement, White racial
superiority
Black Churches
• Used gospels as a source of
hope and exodus as an
indictment of slavery
Important African American
Christians/Revolutionaries
• Nat Turner
• Denmark Vesey
• David Walker
• Harriet Tubman
Antebellum Religious Music
White Churches
• Psalms
• Hymns
• Lined-Hymns
Black Churches
• Folk Spirituals
• Ring Shouts
• Lined Hymns
EUROPEAN RELIGIOUS MUSIC
TRADITION
Important Hymnists
• Martin Luther (1483-1546)
– “A Mighty Fortress is Our God”
• Isaac Watts (1674-1748)
– “A Charge to Keep I Have”
• John and Charles Wesley (1703-1791) (1707-
1788)
– “Father I Stretch My Hands to Thee”
Psalms
• Psalms is a book in the Bible written by the
musician David
• It contains 150 poems – many of which have
musical instruction.
Psalm 23
The Lord is my shepherd; I shall not want.
He maketh me to lie down in green pasturues: he leadeth me
besides the still waters.
He restoreth my soul: he leadeth me in the paths of
righteousness for his name’s sake.
Yea, though I walk through the valley of the shadow of death,
I will fear no evil: for thou art is with me, thy rod and thy staff
they comfort me.
Thou preparest a table before me in the presence of mine
enemies: thou annointest my head with oil; my cup runneth
over.
Surely goodness and mercy shall follow me all the days of my
life: and I will dwell in the house of the Lord for ever.
Hymns
• A religious poem that is not necessarily based
on scripture
• Structure: 3-4 verses and may or may not have
a refrain
• Found in a hymnal with or without musical
notation
• Example: “A Mighty Fortress is Our God” by
Martin Luther (1529)
AFRICAN AMERICAN RELIGIOUS
MUSIC TRADITIONS
Folk Spirituals
• Source material: psalms, hymns, works songs,
field songs, and protest songs
• Born out of a reinterpretation of Christianity
to suit their own realities
• Often included dancing and weren’t only
secular
Ring Shout
• A “shout” is a dance in which the participants
“shuffle” their feet while moving in a counter-
clockwise circle.
• The McIntosh County Shouters perform a ring
shout
Lined-Hymn
• Based on tradition hymn, but the preacher or
deacon feeds the lines to the congregation
• Born out of necessity when most congregants
could not read
• Unmetered and unaccompanied
“Am I a Soldier of the Cross”
• Traditional singing of “Am I a Soldier of the Cross”
• The lined-hymn singing of “Am I a Soldier of the Cross”
Am I a soldier of the cross,
a follower of the Lamb,
And shall I fear to own his cause,
Or blush to speak his name?
Must I be carried to the skies
on flowery beds of ease,
While others fought to win the prize,
And sailed through bloody seas?
The Current State of Lined-Hymns
• Short Documentary
The Commodification of Black Music
• Negro spirituals were the first musical product
sold in the US (other than the enslaved
themselves).
• The money was used to raise funds for
abolitionist causes in the North.
Transcription Exercise
• Apply Olly Wilson’s Heterogenous Sound Ideal
to what you hear
• Attempt to transcribe the lyrics
• Attempt to transcribe/describe the music

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92413

  • 1. Introduction to Fredara M. Hadley, Ph.D. The Rise of Black Churches & Their Music Oberlin College
  • 2. Objective • Understand the context in which black churches are born • Learn the music genres included in mainline churches and black churches
  • 4. People • Isaac Watts • Charles and John Wesley • Richard Allen • Absalom Jones
  • 5. Places • Camp Meetings • Revivals • Praise Houses
  • 6. Things • Great Awakening • Psalms • Hymns • Folk Spirituals • Lined-hymns
  • 7. The 2nd Great Awakening • 1790-1840 • post-Revolutionary War • Led by Methodists and Baptists • Converted Southern Whites and enslaved Blacks through huge camp meetings • Led to the abolitionist movement and the suffragist movement • Tied to enslavers salvation to that of his enslaved
  • 8. Religion and Enslavement • Both colonialist constructs • Religion was mostly at the service of the state
  • 10. Independent Black Churches: • Were autonomous spaces in which Black people used Christianity to establish their own religious customs and cosmology. • Structures that created a relatable language, cultural experience, and musical canon in which large numbers of Black people could participate. • Gave rise to a new form of music called gospel hymns and spirituals
  • 11. Roles of the Black Church • Spiritual • Social • Educational • Political
  • 12. The First Black Churches • WE HAVE TENSION IN THE METHODIST CHURCH IN PHILADELPHIA BECAUSE WHILE THE CHURCH WAS LIBERAL ENOUGH TO BAPTIZE AFRICAN AMERICANS, IT WASN’T REALLY INTERESTED IN DESEGREGATING THEIR SANCTUARIES. • IN 1787 A SLAVE WHO BOUGHT HIS FREEDOM NAMED RICHARD ALLEN WALKED OUT OF ST. GEORGE METHODIST EPISCOPAL CHURCH AND IN 1794 FOUNDED THE “A.M.E.” DENOMINATION: AFRICAN METHODIST EPISCOPAL CHURCH (WHICH IS STILL AROUND TODAY) AND ABSALOM JONES FOUNDED THE AFRICAN EPISCOPAL CHURCH, ST. THOMAS
  • 13. Black Liberation Theology • A term coined in 1966 • It is the opposite of White Christianity’s religion of suppression as it places the “black liberation” and freedom at the center of its message of salvation. • The music is is a tool of subversion that supports its theological bent.
  • 14. Antebellum Theological Differences White Churches • Used scripture to validate enslavement, White racial superiority Black Churches • Used gospels as a source of hope and exodus as an indictment of slavery
  • 15. Important African American Christians/Revolutionaries • Nat Turner • Denmark Vesey • David Walker • Harriet Tubman
  • 16. Antebellum Religious Music White Churches • Psalms • Hymns • Lined-Hymns Black Churches • Folk Spirituals • Ring Shouts • Lined Hymns
  • 18. Important Hymnists • Martin Luther (1483-1546) – “A Mighty Fortress is Our God” • Isaac Watts (1674-1748) – “A Charge to Keep I Have” • John and Charles Wesley (1703-1791) (1707- 1788) – “Father I Stretch My Hands to Thee”
  • 19. Psalms • Psalms is a book in the Bible written by the musician David • It contains 150 poems – many of which have musical instruction.
  • 20. Psalm 23 The Lord is my shepherd; I shall not want. He maketh me to lie down in green pasturues: he leadeth me besides the still waters. He restoreth my soul: he leadeth me in the paths of righteousness for his name’s sake. Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art is with me, thy rod and thy staff they comfort me. Thou preparest a table before me in the presence of mine enemies: thou annointest my head with oil; my cup runneth over. Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the Lord for ever.
  • 21. Hymns • A religious poem that is not necessarily based on scripture • Structure: 3-4 verses and may or may not have a refrain • Found in a hymnal with or without musical notation • Example: “A Mighty Fortress is Our God” by Martin Luther (1529)
  • 23. Folk Spirituals • Source material: psalms, hymns, works songs, field songs, and protest songs • Born out of a reinterpretation of Christianity to suit their own realities • Often included dancing and weren’t only secular
  • 24. Ring Shout • A “shout” is a dance in which the participants “shuffle” their feet while moving in a counter- clockwise circle. • The McIntosh County Shouters perform a ring shout
  • 25. Lined-Hymn • Based on tradition hymn, but the preacher or deacon feeds the lines to the congregation • Born out of necessity when most congregants could not read • Unmetered and unaccompanied
  • 26. “Am I a Soldier of the Cross” • Traditional singing of “Am I a Soldier of the Cross” • The lined-hymn singing of “Am I a Soldier of the Cross” Am I a soldier of the cross, a follower of the Lamb, And shall I fear to own his cause, Or blush to speak his name? Must I be carried to the skies on flowery beds of ease, While others fought to win the prize, And sailed through bloody seas?
  • 27. The Current State of Lined-Hymns • Short Documentary
  • 28. The Commodification of Black Music • Negro spirituals were the first musical product sold in the US (other than the enslaved themselves). • The money was used to raise funds for abolitionist causes in the North.
  • 29. Transcription Exercise • Apply Olly Wilson’s Heterogenous Sound Ideal to what you hear • Attempt to transcribe the lyrics • Attempt to transcribe/describe the music